Les Ballets de Monte-Carlo. Photo by Michal Batory, Courtesy Les Ballet de Monte-Carlo.
Les Ballets de Monte-Carlo is on a mission to get Monaco dancing. F(Ê)AITES DE LA DANSE is a free outdoor festival taking over the Place du Casino on July 1 from 6 pm to the wee hours of the morning. Not only will there be lessons in styles ranging from ballroom to belly dancing and flamenco to African dance, but there will also be a giant barre (dozens of meters long) for warming up, a seven-hour dance marathon and a flash mob. Performances by Yamakasi (parkour), Le Patin Libre (contemporary skating) and Pokemon Crew (street dance) take place throughout the evening, culminating in a midnight performance of Les Ballets de Monte-Carlo in a new work by Jean-Christophe Maillot. And for anyone still going at 2 am, Monte Carlo's Opera Garnier will host a deejayed dance party, while just outside a silent disco takes over the terraces. balletsdemontecarlo.com.
Devon Teuscher performing the titular role in Jane Eyre. Photo by Gene Schiavone, Courtesy ABT
Story ballets that debut during American Ballet Theatre's spring season at the Metropolitan Opera House are always the subject of much curiosity—and, sometimes, much debate. Cathy Marston's Jane Eyre was no different. The ballet follows the eponymous heroine of Charlotte Brönte's novel as she grows from a willful orphan to a self-possessed governess, charting her romance with the haughty Mr. Rochester and the social forces that threaten to tear them apart.
While the ballet was warmly received in the UK when Northern Ballet premiered it in 2016, its reception from New York City–based critics has been far less welcoming. A group of editors from Dance Magazine and two of our sister publications, Dance Spirit and Pointe, sat down to discuss our own reactions.