BalletX rehearses Penny Saunders' Rock-a-Bye in its new Center for World Premiere Choreography. Photo by Chris Kendig, Courtesy BalletX

BalletX's 2018–19 Season Boasts Seven New Ballets, Four by Women

With over 68 new works in its 13-year history, BalletX is known for being an epicenter of creation. The company will outdo itself in its 2018–19 season, treating Philadelphia to seven new works, four of them by women. "We are interested in growing, not cutting costs," says artistic director Christine Cox. "The unknown adventure of new ballets means there is an unknown process and a different learning curve we get to work on every day."


This month's Fall Series will include premieres from Marguerite Donlon, Cayetano Soto and Wubkje Kuindersma, while the Spring Series will feature new works by Lil Buck, Nicolo Fonte and 2019 choreographic fellow Katarzyna Skarpetowska. Annabelle Lopez Ochoa will return to BalletX to create an evening-length ballet inspired by Antoine de Saint-Exupéry's Le Petit Prince for the Summer Series.

Premieres aren't all that's new this season: A renovated 5,000-square-foot warehouse is now the company's Center for World Premiere Choreography, a dedicated space for BalletX to develop its programming. With 11 dancers now working a minimum of 35 weeks a year, it was no longer feasible to rent different rehearsal spaces around town. As Cox began talks with developers and their Philadelphia community about the possibility of their own building, she found there was a huge amount of support around the idea. "I am most proud of the curious audience we have developed," says Cox. "We have worked hard at building an audience that is invested in supporting new ballets. And they know they don't have to love every work, that it is about the experience."

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Yung Phil. Still from Turf Nation

What It's Like Dancing in Music Videos, Commercials—and on the Train

When Yung Phil and his crew Turf Feinz hop on the train to dance in exchange for donations, it's likely that most passengers underestimate the artists in front of them. Few realize they're watching a live performance by professionals.

A new short film, Turf Nation by director Jun Bae, explores that dichotomy by chronicling Turf Feinz as they work the crowds on BART trains in the San Francisco Bay Area, and talk about how they use BART performances as a way to get by between gigs like music videos, concerts, tours and commercials.

Before the film's screening at the Cinequest Film & Creativity Festival this month, Dance Magazine spoke with one of the featured dancers, Yung Phil, about what it's like to shuffle between film sets and train cars.

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