BalletX's 2018–19 Season Boasts Seven New Ballets, Four by Women
With over 68 new works in its 13-year history, BalletX is known for being an epicenter of creation. The company will outdo itself in its 2018–19 season, treating Philadelphia to seven new works, four of them by women. "We are interested in growing, not cutting costs," says artistic director Christine Cox. "The unknown adventure of new ballets means there is an unknown process and a different learning curve we get to work on every day."
This month's Fall Series will include premieres from Marguerite Donlon, Cayetano Soto and Wubkje Kuindersma, while the Spring Series will feature new works by Lil Buck, Nicolo Fonte and 2019 choreographic fellow Katarzyna Skarpetowska. Annabelle Lopez Ochoa will return to BalletX to create an evening-length ballet inspired by Antoine de Saint-Exupéry's Le Petit Prince for the Summer Series.
Premieres aren't all that's new this season: A renovated 5,000-square-foot warehouse is now the company's Center for World Premiere Choreography, a dedicated space for BalletX to develop its programming. With 11 dancers now working a minimum of 35 weeks a year, it was no longer feasible to rent different rehearsal spaces around town. As Cox began talks with developers and their Philadelphia community about the possibility of their own building, she found there was a huge amount of support around the idea. "I am most proud of the curious audience we have developed," says Cox. "We have worked hard at building an audience that is invested in supporting new ballets. And they know they don't have to love every work, that it is about the experience."
Social media has made the dance world a lot smaller, giving users instant access to artists and companies around the world. For aspiring pros, platforms like Instagram can offer a tantalizing glimpse into the life of a working performer. But there's a fine line between taking advantage of what social media can offer and relying too heavily on it.
If you think becoming a trainee or apprentice is the only path to gaining experience in a dance company environment, think again.
The University of Arizona, located in the heart of Tucson, acclimates dancers to the pace and rigor of company life while offering all the academic opportunities of a globally-ranked university. If you're looking to get a head-start on your professional dance career—or to just have a college experience that balances company-level training and repertory with rigorous academics—the University of Arizona's undergraduate and graduate programs have myriad opportunites to offer:
Yes, we realize it's only August. But we can't help but to already be musing about all the incredible dance happenings of 2019.
We're getting ready for our annual Readers' Choice feature, and we want to hear from you about the shows you can't stop thinking about, the dance videos that blew your mind and the artists you discovered this year who everyone should know about.
On August 19, 1929, shockwaves were felt throughout the dance world as news spread that impresario Sergei Diaghilev had died. The founder of the Ballets Russes rewrote the course of ballet history as the company toured Europe and the U.S., championing collaborations with modernist composers, artists and designers such as Igor Stravinsky, Pablo Picasso and Coco Chanel. The company launched the careers of its five principal choreographers: Michel Fokine, Vaslav Nijinsky, Léonide Massine, Bronislava Nijinska and George Balanchine.