What It Takes: 7 Tips for New Leaders from BalletX’s Christine Cox
It takes an excellent leader to run a dance company. But Christine Cox, executive and artistic director of Philadelphia's BalletX, knows that it's not only hard work that distinguishes a leader.
Cox started BalletX with Matthew Neenan in 2005, using fellow Pennsylvania Ballet dancers during their summer layoff to populate a startup contemporary ballet troupe. Fast forward 12 years, and BalletX is opening a new $1 million building next month: The Center for World Premiere Choreography. It will not only serve as a home base for BalletX classes and rehearsals, but will also play host to choreographic residencies and community outreach.
Now the sole director of the company, Cox has learned invaluable lessons along the way. Here are seven tips she shares for new and aspiring directors-to-be.
1. Follow before you lead.
Cox in her performing days. Photo via Instagram
Cox's journey to BalletX was no cake walk—but it made her the leader she is today. As a teenager, she set her sights on joining Pennsylvania Ballet, but it took several auditions and several years dancing for other companies like BalletMet, Ballet Hispanico and American Repertory Ballet before she was ultimately accepted into her dream company.
Cox is thankful for those experiences because they taught her how to be the fearless leader she is today. "I would do nothing differently," she says. Cox attributes a great deal of what she knows as a leader to watching the great directors of the companies she danced for.
2. Be willing to take risks.
BalletX rehearsing Matthew Neenan's Let mortal tongues awake
Cox left Pennsylvania Ballet in 2006 to give BalletX its own identity separate from Pennsylvania Ballet. It was a risk, but she knew that to grow her own troupe, she had to leave the company she'd grown up idolizing.
3. Don't be afraid to diversify.
Dance eXchange students. Photo via BalletX.org
Initially, BalletX's business model focused solely on performances. But Cox felt the need to give back to the community in which the company had flourished. In 2014 she founded the Dance eXchange: an in-school dance program for 200 third and fourth graders at three public schools in Philadelphia. Based on the award-winning methodology of the National Dance Institute in New York City, Dance eXchange takes BalletX teaching artists and live musicians into the classroom to teach students the basics of dance with a focus on achieving personal standards of excellence.
4. Know that you will make mistakes.
Chloe Perkes, Zachary Kapeluck in Beautiful Once by Jodie Gates. Photo by Bill Hebert.
Cox says that making mistakes is part of learning what it takes to be a successful leader. "If you are afraid to make mistakes, you are afraid to try," she says. When starting the company, some early slipups included missing grant deadlines because they weren't written on the calendar, or being late to important meetings with stakeholders. Small mistakes add up, and Cox realized that she had to be as serious about the business aspects of BalletX as she was the artistic ones.
5. Surround yourself with people who have the skills you don't.
BalletX rehearsing a new Trey McIntyre piece, The Boogeyman
Cox attributes her successes to the great relationships she has with her board and staff members, particularly associate artistic director Tara Keating. However, she admits that she's made the mistake of hiring both dancers and administrators who weren't, at first, the right fit for BalletX. In those instances, she says, "I try to make it a better fit and work with what I have."
6. Learn when to hold back.
Cox is very much aware that people judge men and women in business differently. She naturally wears a lot of feelings on her sleeve, but she knows that each day she has to calculate how much of that side of herself she shares with the dancers and her team.
7. Believe in the work.
Having a great deal of integrity about the work she does has not only given Cox immense pride in her company, but it has brought the organization national exposure. By showcasing BalletX to groups of theaters and presenters, having a strong Philadelphia base of support and touring regularly, the company has gotten 11 write-ups in the New York Times in the last four years, and kept eyes on BalletX across the country.
I hate asking for money. I am tired of feeling like we, as dance practitioners, are constantly begging for every morsel of sustenance. We are often seen as the poor stepchildren of the arts, usually thought of as having nothing tangible to sell.
I have to admit, I've had a wonderful career. I've danced with The Royal Ballet and The Joffrey Ballet, done a stint on the West End in An American in Paris, played the Snow Cavalier in Disney's The Nutcracker and the Four Realms with Misty Copeland, and will soon be performing as Older Billy in the Australian tour of Billy Elliot: The Musical.
How did I get in this position? Through the eight international ballet competitions I've entered.
If you want to travel the world performing and doing what you love, competitions are your ticket to finding the freedom to dance wherever you want to go.
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