Maddi Bazzocco via Unsplash

The Best Cross-Training for Dancers, According to 12 of Your Faves

Today, dancers are cross-training more than ever. And though there are some recommendations about what types of cross-training might be best for dancers' bodies, ultimately it comes down to what works for you.

We asked 13 pros about their go-to cross-training routines as part of our "Spotlight" series—and each one of them has a totally different approach:


Alvin Ailey American Dance Theater's Jamar Roberts

Roberts onstage in a spotlight. He wears shiny silver pants and an open red track jacket with no shirt underneath. He also wears a red cap. He crosses one leg in front of the other, and has his arms to the sides, one curved up and the other curved down.

Jamar Roberts in Talley Beatty's Stack-Up.

Photo by Paul Kolnik, courtesy Ailey

"Yoga is a daily necessity for mind, body and spirit."

San Francisco Ballet's Sarah Van Patten

Van Patten in the party scene. She is in attitude, with one arm in fifth position above her head and the other in second to the side. She wears a pink long sleeved-dress. Other party guests meander around her.

Van Patten in Romeo and Juliet

Erik Tomasson, Courtesy SFB

"Gyrotonic all day, every day."

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Friday Film Break: Far From The Norm's "Can't Kill Us All"

While its doors remain closed, New York City's The Joyce Theater is bringing dance to a digital stage via JoyceStream. The fall programming kicked off on Tuesday with works by Ate9, CONTRA-TIEMPO, Deeply Rooted Dance Theater and Far From The Norm. Those videos will be available until October 19, and more will be announced shortly.

This piece, "Can't Kill Us All" from British hip-hop collective Farm From The Norm, is a collaboration between artistic director Botis Seva, filmmaker Ben Williams and composer Torben Lars Sylvest. Commissioned by The Space and BBC Arts, supported by Arts Council England and Sadler's Wells, the film follows a Black man dealing with both lockdown and the trauma of racism.