10000 Gestures, PC Tristram Kenton

Boris Charmatz Brings His Mad, Myriad Motions to NYC

Boris Charmatz, a favorite choreographer in France for his dancing in museums, has come up with an idea for non-stop dance. In his new piece, 10000 Gestures, each action is different—no repeats. This week, a horde of more than 20 dancers invades New York City's NYU Skirball Center, each of them cramming a thousand gestures into one hour. They seem to be exorcising them—shaking, scratching, jabbing, huddling—as though they can't get rid of them fast enough.


If you look at it historically, it's kind of like Yvonne Rainer's Trio A on speed, amplified by 20 people. (One of the things Trio A is known for is never repeating a phrase.) Mozart's Requiem in D minor gives this manic display of outbursts a certain grandiosity. Charmatz calls the piece "an ode to the impermanence of the art of dance." Catch it while you can, on September 27 and 28. This North American premiere is part of the Crossing the Line Festival, a series sponsored by the French Institute Alliance Française.

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Dancers at work in USC Glorya Kaufman School of Dance's facilities. Photo by Ema Peter, Courtesy USC Glorya Kaufman School of Dance

Meet 5 Recent USC Kaufman Grads Making Waves in the Dance Industry

Since welcoming its first freshman BFA class in 2015, the University of Southern California's Glorya Kaufman School of Dance has made a name for itself. The Los Angeles dance program is known for creating versatile artists in a collaborative, innovative training environment, and its alumni are already making bold professional leaps.

Dance Magazine caught up with five recent grads to see where they've landed and how USC Kaufman and its career services department prepared them for their future in the dance industry.

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July 2021