Boston Ballet and Forsythe Team Up

Boston Ballet principal Misa Kuranaga in Forsythe's The Vertiginous Thrill of Exactitude. Photo by Gene Schiavone, Courtesy Boston Ballet.

For most dancers, performing (or even watching) William Forsythe's electric, exaggerated vocabulary is an exhilarating experience. For dancers at Boston Ballet, it will soon be a new norm. Today, the company announced a five-year partnership with the master choreographer starting next season. Although Forsythe will be fresh off his position as associate choreographer at Paris Opéra Ballet this summer, according to a story in The New York Times, preparations have been underway for several years. The dancers have even been workshopping with former Forsythe performer (and Harvard dance director) Jill Johnson to familiarize themselves with his process and style.

So what can dancers and audiences expect? Boston Ballet will add one new Forsythe work to its repertoire for the next five years. Artifact is first up, in February 2017. Although the other works are still being nailed down, artistic director Mikko Nissinen told the Times that he hoped Boston would have the chance to perform works that aren't often seen in North America. No world premieres have been confirmed, but that doesn't mean they're off the table. “Mikko’s support of the work means that the dancers and I can deepen our wonderful relationship,” Forsythe said in a statement to the Times. “And I will have a new home for new ideas.”

It's a major step for the company, especially these days when many dance institutions want a taste of Forsythe. (Both Pacific Northwest Ballet and Hubbard Street Dance Chicago mounted all-Forythe programs in 2015, and he's also on faculty at the new dance program at the University of Southern California.)

If you're like me and can't wait until February, get your Forsythe fix with this clip, featuring footage from a compressed version of Artifact danced by the Dresden Semperoper Ballett, and the choreographer's thoughts on the work.

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Broadway
Courtesy Macy's, Inc.

As you're prepping your Thanksgiving meal, why not throw in a dash of dance?

This year's Macy's Thanksgiving Day Parade is stuffed (pun intended) with performances from four stellar Broadway shows, the Radio City Rockettes and students from three New York City dance institutions.

Tune in to NBC November 28 from 9 am to noon (in all time zones), or catch the rebroadcast at 2 pm (also in all time zones). Here's what's in store:

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Ailey II artistic director Troy Powell teaching an Ailey Workshop at NYCDA. Courtesy NYCDA

Back in 2011 when Joe Lanteri first approached Katie Langan, chair of Marymount Manhattan College's dance department, about getting involved with New York City Dance Alliance, she was skeptical about the convention/competition world.

"But I was pleasantly surprised by the enormity of talent that was there," she says. "His goal was to start scholarship opportunities, and I said okay, I'm in."

Today, it's fair to say that Lanteri has far surpassed his goal of creating scholarship opportunities. But NYCDA has done so much more, bridging the gap between the convention world and the professional world by forging a wealth of partnerships with dance institutions from Marymount to The Ailey School to Complexions Contemporary Ballet and many more. There's a reason these companies and schools—some of whom otherwise may not see themselves as aligned with the convention/competition world—keep deepening their relationships with NYCDA.

Now, college scholarships are just one of many ways NYCDA has gone beyond the typical weekend-long convention experience and created life-changing opportunities for students. We rounded up some of the most notable ones:

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Sergei Polunin. Photo by British Broadcasting Corporation and Polunin Ltd., Courtesy Sundance Selects.

Last week, Variety reported that Sergei Polunin would reunite with the team behind Dancer for another documentary. "Where 'Dancer' looked at his whole life, family and influences," director Steven Cantor said, " 'Satori' will focus more squarely on his creative process as performer and, for the first time ever, choreographer." The title references a poorly received evening of work by the same name first presented by Polunin in 2017. (It recently toured to Moscow and St. Petersburg.)

I cannot be the only person wondering why we should care.

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Sponsored by Harlequin Floors
Left: Hurricane Harvey damage in Houston Ballet's Dance Lab; Courtesy Harlequin. Right: The Dance Lab pre-Harvey; Nic Lehoux, Courtesy Houston Ballet.

"The show must go on" may be a platitude we use to get through everything from costume malfunctions to stormy moods. But when it came to overcoming a literal hurricane, Houston Ballet was buoyed by this mantra to go from devastated to dancing in a matter of weeks—with the help of Harlequin Floors, Houston Ballet's longstanding partner who sprang into action to build new floors in record time.

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