Boston Ballet and Forsythe Team Up
Boston Ballet principal Misa Kuranaga in Forsythe's The Vertiginous Thrill of Exactitude. Photo by Gene Schiavone, Courtesy Boston Ballet.
For most dancers, performing (or even watching) William Forsythe's electric, exaggerated vocabulary is an exhilarating experience. For dancers at Boston Ballet, it will soon be a new norm. Today, the company announced a five-year partnership with the master choreographer starting next season. Although Forsythe will be fresh off his position as associate choreographer at Paris Opéra Ballet this summer, according to a story in The New York Times, preparations have been underway for several years. The dancers have even been workshopping with former Forsythe performer (and Harvard dance director) Jill Johnson to familiarize themselves with his process and style.
So what can dancers and audiences expect? Boston Ballet will add one new Forsythe work to its repertoire for the next five years. Artifact is first up, in February 2017. Although the other works are still being nailed down, artistic director Mikko Nissinen told the Times that he hoped Boston would have the chance to perform works that aren't often seen in North America. No world premieres have been confirmed, but that doesn't mean they're off the table. “Mikko’s support of the work means that the dancers and I can deepen our wonderful relationship,” Forsythe said in a statement to the Times. “And I will have a new home for new ideas.”
It's a major step for the company, especially these days when many dance institutions want a taste of Forsythe. (Both Pacific Northwest Ballet and Hubbard Street Dance Chicago mounted all-Forythe programs in 2015, and he's also on faculty at the new dance program at the University of Southern California.)
If you're like me and can't wait until February, get your Forsythe fix with this clip, featuring footage from a compressed version of Artifact danced by the Dresden Semperoper Ballett, and the choreographer's thoughts on the work.
What do Percy Jackson, Princess Diana and Tina Turner have in common? They're all characters on Broadway this season. Throw in Michelle Dorrance's choreographic debut, Henry VIII's six diva-licious wives and the 1990s angst of Alanis Morissette, and the 2019–20 season is shaping up to be an exciting mix of past-meets-pop-culture-present.
Here's a look at the musicals hitting Broadway in the coming months. We're biding our time until opening night!
If you think becoming a trainee or apprentice is the only path to gaining experience in a dance company environment, think again.
The University of Arizona, located in the heart of Tucson, acclimates dancers to the pace and rigor of company life while offering all the academic opportunities of a globally-ranked university. If you're looking to get a head-start on your professional dance career—or to just have a college experience that balances company-level training and repertory with rigorous academics—the University of Arizona's undergraduate and graduate programs have myriad opportunites to offer:
Yes, we realize it's only August. But we can't help but to already be musing about all the incredible dance happenings of 2019.
We're getting ready for our annual Readers' Choice feature, and we want to hear from you about the shows you can't stop thinking about, the dance videos that blew your mind and the artists you discovered this year who everyone should know about.
Ah, stretching. It seems so simple, and is yet so complicated.
For example: You don't want to overstretch, but you're not going to see results if you don't stretch enough. You want to focus on areas where you're tight, but you also can't neglect other areas or else you'll be imbalanced. You were taught to hold static stretches growing up, but now everyone is telling you never to hold a stretch longer than a few seconds?
Considering how important stretching correctly is for dancers, it's easy to get confused or overwhelmed. So we came up with 10 common stretching scenarios, and gave you the expert low-down.