Budget Your Bodywork: When to Splurge & When to Save
It can take a full team of experts to keep a dancer dancing—from masseuses and acupuncturists to yoga teachers and personal trainers. But, that comes at a cost, literally. When do you really need to invest in pricier options, and when can you take the more budget-friendly route? We broke it down for the most popular options.
Tony Morales at Circular Power
Using a machine with a seat, arcs attached to handwheels and moving pieces, Gyrotonic promotes circular motion. "That action reveals weaknesses in your range of motion and musculature," says Tony Morales, who owns New York City's Circular Power. "Gyrotonic massages the body internally and balances it."
When to Splurge:
- When you first start. "There's so much going on, having eyes on you makes progress much faster," Morales says. "And the machine offers resistance and feedback."
- If you're serious about keeping your body healthy. "Gyrotonic privates are an especially great way to handle an intense rehearsal period or performance mode," Morales says. His clients from American Ballet Theatre book sessions once or twice a week to help prevent injury and improve their dancing.
- Gyrokinesis. These group classes follow all of the same concepts as Gyrotonic, but without the machine.
Core training and stabilization work can strengthen muscles used less often in dance, increasing longevity and improving your technique. "How much better can your arabesque be from a single-leg deadlift, or your stability from bridge work and core training?" asks former professional dancer Emily Cook Harris, who owns EMPOWERED, a personal training and remote coaching business.
When to Splurge:
- When you want specialized movements for your body, prescribed by a personal trainer.
- To correct your form. A trainer can offer hands-on adjustments to ensure you're using the exercise to its best effects.
- At the beginning: "I like the idea of working with a trainer at 'the beginning,' whether that means preseason or at the start of a rehearsal period," says Harris. "If you see a trainer once a month, you can learn the exercises while they correct you, then you can do that program for the rest of the month."
- Group fitness classes. "The energy of the room can be motivating, and you still have an instructor. Be careful, though, not to get so wrapped up you forget about form," cautions Harris. "Start slower and with lower weights and advance slowly."
- Subscription video services like Daily Burn offer motivation and easy access for an ongoing routine.
- Free videos on YouTube and Instagram. "Look for core exercises like planks and bridges," suggests Harris. "The emphasis should be on stabilization because that's all of dance!"
- Apps like Nike+ Training Club offer workouts of various lengths and styles.
The minimally invasive, holistic process works by inserting needles at key points throughout the body. "Acupuncture is the manipulation of blood and energy," says practitioner Heather Trujillo. "When you insert a needle, it's a micro injury. The body sends blood to the area, instigating the body's healing mechanism."
When to Splurge:
- After an acute injury. Getting acupuncture as soon as you can hurting yourself can speed up the healing process.
- When you have a chronic problem that won't go away. "That might be the time to spend on a session," says Trujillo.
- Community acupuncture clinics that work on a sliding scale
- Acupuncture schools usually provide budget-friendly or free services.
- Acupressure. Instead of the needle, a practitioner will use their hands to place pressure on certain points on the body.
The full-body system strengthens and lengthens through a concentration on the core. "Dancers love the grounded feeling Pilates gives you," says Chloe Brehm, who teaches at Bridge Pilates in Brooklyn. "It's particular in how you articulate your spine and the deepest layer of your abdominal wall. Being able to initiate movement from that layer makes you a stronger dancer."
When to Splurge:
- To find your personal weaknesses, take a private class so you can have a trained eye on you. "The feedback of the practitioner and equipment together helps things click," says Brehm.
- Before any reformer class, book a private.
- To set yourself up for home practice or mat classes.
- Duet lessons. Grab a friend who has similar issues and technique to cut your cost.
- Group mat classes. "It's harder without the feedback from equipment. But this will often satisfy a dancer, and there are modifications and advancements for any level," says Brehm.
- Online classes like Pilates Anytime or Pilatesology are helpful for travel and tight schedules.
- Mat work on your own. "Buy a cushy mat, remember to check in on your breathing and alignment, and continue to switch it up," says Brehm. "If you are breathing in for five and out for five in teaser, what about in for three and out for seven?"
Diverse styles from vinyasa to hot bikram and restorative yin yoga offer stretching, strengthening and meditation. "It's like taking dance, slowing it down and breathing in it," says DC- and Maryland-based yoga teacher Kevin Platt. "You get to explore how your body integrates movement. Since dancers are so go-go-go, adding a slow yoga practice into your week creates balance."
When to Splurge:
- Once a week or once a month, it can be worth it to book a private to get a teacher's eyes on you, says Platt.
- Group classes. Look for affordable introductory offers, or consider finding a nonprofit studio or a "dharma studio," where you can pay for classes with simple work.
- Online resources and books. Yoga Journal and Light on Yoga by B.K.S. Iyengar are two of Platt's favorites.
- YouTube videos are beneficial if used with discretion, but be careful with doing inversions alone, Platt cautions.
- At-home DIY practice remains "a great part of any dancer's normal upkeep," says Platt.
After putting so much strain on muscles, releasing them through massage is a must for most performers. "A practitioner can release your body in a way you can't do yourself," says Platt, who is also a licensed massage therapist. "It helps integrate all of the muscular work you're doing while keeping inflammation at bay."
When to Splurge:
- After big events, like a major performance
- To facilitate continued healing you might have started with a PT or doctor. "Massage can open up circulation around a minor injury, like a muscle pull," he says.
- After trying a new technique, massage can be helpful in clearing up inflammation and decreasing recovery time.
- Self-release with foam rollers, tennis balls and other tools. "Rolling helps induce circulation and realign fascia, the Saran wrap around all of your muscles," says Platt.
- Yin and restorative yoga offer deeper connective-tissue release, in turn affecting trigger points and releasing deeper layers of muscle.
Just four years ago, the University of Southern California's Glorya Kaufman School of Dance welcomed its first class of BFA students. The program—which boasts world-class faculty and a revolutionary approach to training focused on collaboration and hybridity—immediately established itself as one of the country's most prestigious and most innovative.
Now, the first graduating class is entering the dance field. Here, six of the 33 graduates share what they're doing post-grad, what made their experience at USC Kaufman so meaningful and how it prepared them for their next steps:
Every dancer knows there's as much magic taking place backstage as there is in what the audience sees onstage. Behind the scenes, it takes a village, says American Ballet Theatre's wig and makeup supervisor, Rena Most. With wig and makeup preparations happening in a studio of their own as the dancers rehearse, Most and her team work to make sure not a single detail is lost.
Dance Magazine recently spoke to Most to find out what actually goes into the hair and makeup looks audiences see on the ABT stage.
On a sunny July weekend, hundreds of Seattle-area dance fans converged on tiny Vashon Island, a bucolic enclave in Puget Sound about 20 miles from the city. They made the ferry trek to attend the debut performance of the fledgling Seattle Dance Collective.
SDC is not a run-of-the-mill contemporary dance company; it's the brainchild of two of Pacific Northwest Ballet's most respected principal dancers: James Yoichi Moore and Noelani Pantastico. The duo wanted to create a nimble organization to feature dancers and choreographers they felt needed more exposure in the Pacific Northwest.