PC Hao Zeng, Courtesy The Purple Agency

This Choreographer Gets Beyoncé in Formation

They say your life can change in a moment. For JaQuel Knight, it took precisely three minutes and 18 seconds. That's how long three leotard-and-high-heel-clad women spent on-screen, strutting in perfect unison and becoming an instant video sensation, one that would go on to garner more than 600 million views on YouTube.


The women, of course, were Ashley Everett and Ebony Williams—and Beyoncé. The video was "Single Ladies (Put a Ring on It)," and the co-choreographer was 19-year-old Knight, along with Frank Gatson Jr. "I went into that hoping it could be the gig of a lifetime," Knight says. "I knew it was my one big chance—'Don't screw it up,' I kept telling myself. I guess I played my cards right." Now, nearly 10 years later, Knight is one of the most sought-after choreographers in L.A.

That wasn't the plan, though: Knight, who grew up in Atlanta, hoped to become a professional dancer. He learned to move by watching TLC and MC Hammer videos, and started taking classes at 14. By 18, Knight had begun auditioning in L.A., where Gatson, Beyoncé's longtime choreographer and creative director, spotted him. Although he didn't get the dance role, Gatson liked the way he moved and asked Knight to come up with some choreography. They worked together on a Michelle Williams gig, and a few months later Gatson called and said he had a job with Beyoncé that he wanted Knight for immediately. "If Bey likes you, you'll stay. If not, we'll figure something else out for you," said Gatson. Knight flew to New York City that night—and Bey liked him, so he stayed.

After "Single Ladies," Knight was a choreographer for Beyoncé's I Am…, The Mrs. Carter Show and Formation world tours, plus many of her music videos, including her 2016 Lemonade visual album. "She knows what she wants to do and how she wants to present herself," he says. "We do our very best to make sure that vision happens for her."

If Beyoncé and her dancers always look perfectly polished onstage, that's thanks in part to the star's desire to "always get it right," says Knight. "Our rehearsals are super-intense," he says. "We're very hard on the dancers because we have such a high bar to maintain. And when Beyoncé comes in the room, the dynamic doesn't change much. She doesn't come in like, 'Okay, The Queen is here!' She's just hoppin' in with the dancers."

So what's next for Knight? He's interested in developing movie screenplays and television shows. "I want to bring back those big musicals—Sweet Charity, Chicago, West Side Story," he says. "And my first script is on its way!" He also wants to give fans a behind-the-scenes look at Beyoncé's dancers—and what it's like working with the world's biggest superstar. But even when Beyoncé is on hiatus, Knight isn't. "Downtime is just time thinking of the master plan."

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Courtesy Schelfhaudt

These Retired Ballroom Dancers Started a Dance-Themed Coffee Company

Like many dancers, when Lauren Schelfhaudt and Jean Paul retired from professional ballroom dancing in 2016, they felt lost. "There was this huge void," says Schelfhaudt.

But after over 20 years of dancing, plus United States and World Championship titles, reality shows, and high-profile choreography gigs (and Paul's special claim to fame, as "the guy who makes Bradley Cooper look bad" in Silver Linings Playbook), teaching just didn't fill the void. "I got to the point where it wasn't giving me that creative outlet," says Paul.

When the pair (who are life and business partners but were never dance partners—they competed against one another) took a post-retirement trip to Costa Rica, they were ready to restart their lives. They found inspiration in an expected place: A visit to a coffee farm.

Though they had no experience in coffee roasting or business, they began building their own coffee company. In 2018, the duo officially launched Dancing Ox Coffee Roasters, where they create dance-inspired blends out of their headquarters in Belmont, North Carolina.

We talked to Schelfhaudt and Paul about how their dance background makes them better coffee roasters, and why coffee is an art form all its own:

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