Wendy Perron talks to choreographer Susan Marshall about the works that inspire her, her collaboration with Philip Glass, and getting back on the stage for her upcoming work, Chromatic.
Imagine a clay pot lifted to the sky and dropped. It breaks and bursts, shattering into countless pieces every which way. This is my experience as the first American-born child in a family of Khmer refugees. My family survived Cambodia's nightmarish genocide and a dangerous refugee camp, only to be fractured by different languages, educations and beliefs in inner-city Long Beach. Everything—from the books we read, the news we watched, the literature and movies we consumed—said that we were broken.
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"If the world was a bunch of people sitting in a room, and you raise your hand, then you better have something interesting to say," says our February cover star @rajafeatherkelly. "I want to raise my hand." 📷: Jayme Thornton (@jaymethornton)
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