Congrats to "Color Us With Sounds" Winner of Our December Video of the Month Contest

"Color Us With Sounds" choreographed by Jegor Gordejev, aka b-boy Ego, featuring Gordejev and Andrey Zhilsky.

This exciting collaboration between b-boy Jegor Gordejev, aka Ego, and composer Andrey Zhilsky takes us on a journey of movement and music. The video features Gordejev and Zhilsky creatively break-dancing around a stark white room with guitars.


Color Us With Sounds - Andrey Zhilsky & Ego youtu.be

What Dancers Eat
Lindsay Thomas

Every dancer knows that how you fuel your body affects how you feel in the studio. Of course, while breakfast is no more magical than any other meal (despite the enduring myth that it's the most important one of the day), showing up to class hangry is a recipe for unproductive studio time.

So what do your favorite dancers eat in the morning to set themselves up for a busy rehearsal or performance day?

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News
Simon Soong, Courtesy DDT

When it comes to dance in the U.S., companies in the South often find themselves overlooked—sometimes even by the presenters in their own backyard. That's where South Arts comes in. This year, the regional nonprofit launched Momentum, an initiative that will provide professional development, mentorship, touring grants and residencies to five Southern dance companies.

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News
Alice Pennefather, Courtesy ROH

You ever just wish that Kenneth MacMillan's iconic production of Romeo and Juliet could have a beautiful love child with the 1968 film starring Olivia Hussey? (No, not Baz Luhrmann's version. We are purists here.)

Wish granted: Today, the trailer for a new film called Romeo and Juliet: Beyond Words was released, featuring MacMillan's choreography and with what looks like all the cinematic glamour we could ever dream of:

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News
Touch tour for English National Ballet's Giselle by Akram Khan at the Aotea Centre in Auckland, New Zealand. Photo by Studio Pono, Courtesy ENB

While you might think of dance as a primarily visual art form, performances engage us on multiple levels. Our ears take in the score, the artists' breathing patterns, fellow audience members' reactions, and the physical percussion made by the dancers' footfalls and partnering. All of this information is available to audience members with limited to no vision, and when it comes to providing them with the rest, there are multiple approaches being refined by experts in the field generally referred to as "audience accessibility."

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