Dancer Voices
The author in Nick Mauss' Transmissions at the Whitney Museum. Photo by Paula Court

During a period when I was intentionally taking a step back from performing, I was especially sensitive to the question, "So, are you auditioning for things?" Besides the insecurity of being a freelancer not hustling in that way, I also rankled at the complexity of what it means for a non-binary performer to audition.

To put it bluntly, there aren't many safe opportunities for us. That's because so many audition listings include gender-exclusionary phrases, so trans and non-binary artists either aren't eligible to show up or aren't sure whether or not they'd be welcome.

Keep reading... Show less
Rant & Rave
Ahmaud Culver, Jasmine Hearn and Anna Witenberg in "Transmissions." © Paula Court.

Dancers are more than just vessels performing set material. We make contributions to creative processes all the time. Some of these are obvious: We often improvise material or generate entire phrases to be incorporated into a work. Others are more innocuous: Dancers are sometimes asked to give feedback that ends up shaping the composition of a work.

This is choreography.

Keep reading... Show less

You Might Also Like

Viral Videos

mailbox

Get Dance Magazine in your inbox

Giveaways