In Memoriam
Arthur Mitchell and Diana Adams in George Balanchine's Agon. Photo courtesy DM Archives

Former New York City Ballet principal dancer and Dance Theatre of Harlem founder Arthur Mitchell passed away today in a Manhattan hospital. He was 84 years old.

Mitchell originated the role of Puck in Balanchine's A Midsummer Night's Dream. Photo by Oleaga Photography, Courtesy DM Archives

As a leading dancer with NYCB in the 1950s and '60s, Mitchell became indelibly associated with two roles created on him by George Balanchine: the central pas de deux in Agon (1957) and Puck in A Midsummer Night's Dream (1962). Mitchell's performance of the athletic, entwining Agon pas de deux with Diana Adams—a white woman—caused a major stir during a moment in which America was rife with racial tension.

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Dance History
Paul Taylor flying high in 1957. Photo by Radford Bascome, Courtesy DM Archives

The news of Paul Taylor's death two weeks ago at the age of 88 has sparked innumerable tributes to the choreographer. We were inspired to delve into Dance Magazine's extensive photo archives to see what images of the late modern dance titan were hiding there. We present a baker's dozen of our favorites from over the years.

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In Memoriam
Image via janisclaxton.com

Australian choreographer Janis Claxton passed away this morning after a brief battle with lung cancer, which was diagnosed this spring. She was 53.

In addition to being a prolific and wide-ranging choreographer and producer, Claxton was outspoken about issues of gender inequality in dance. Though less well-known in the U.S., her company, Janis Claxton Dance, made history this summer as only the second Scottish company to ever be invited to perform at Jacob's Pillow. Much of her work focused on making dance less intimidating, and on finding an "accidental audience," such as in POP-UP Duets (fragments of love), the 2016 work her company brought to the Pillow this summer. In it, four dancers in numerous pairings emerge from public spaces to perform short duets, each presenting a different snapshot of a relationship.

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News
Paul Taylor in 2014. Photo by Jayme Thornton

Yesterday, modern dance giant Paul Taylor passed away. He had turned 88 at the end of July.

Considered the last of the 20th-century modern dance titans, Taylor celebrated the 60th anniversary of his company in 2014. A prolific dancemaker, he continued to make new works into his final year, the last of which premiered during the company's annual Lincoln Center season in March—his 147th. Aureole, Cloven Kingdom and Promethean Fire are among his iconic works, though perhaps none is so beloved as his 1975 masterpiece Esplanade. During his performing career, Taylor danced roles created for him by Martha Graham, Merce Cunningham and George Balanchine, as well as in his own work.

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Breaking Stereotypes
Michelle Dorrance creating on ABT, with rehearsal assistants Christine Flores and Olivia Maggi. Photo by Jim Lafferty

"Don't look at the mirror, look at your feet," Michelle Dorrance corrects. Smiling at the counterintuitive suggestion, Gillian Murphy, Devon Teuscher and Christine Shevchenko—American Ballet Theatre principals accustomed to projecting up and out to opera house balconies—look down at their pointe shoes as they shuffle into a line of tight fifth positions.

As polyrhythmic strains of music fill ABT's studios, the trio flashes through small, quicksilver position changes while Teuscher quietly counts a steady 4/4 beat that isn't yet audible in the music. Rapid-fire tendus take on an attack usually reserved for frappés, accom-panied by the sound of boxes purposefully striking the floor. ("The shape can exist a split-second before the note—it's like in tap, the motion has to happen early for the sound to be on time," Dorrance advised before the run.)

When they finish the section without stopping or kicking one another, Murphy smiles ruefully and says, "I need to get louder shoes."

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Just for Fun
Gillian Murphy spent some time in Canada this summer. Image via Instagram @gillianemurphy

We'll admit it: As excited as we are for fall performance season to start, we are in deep, deep denial that the end of summer is in sight. And we're also experiencing some serious FOMO looking at the vacation photos flooding our Instagram feeds from some of our favorite dancers and choreographers. So where in the world do they go to unwind before gifting us with yet another season of incredible dance?

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Dance in Pop Culture
Misty Copeland on the set of The Nutcracker and The Four Realms. Photo courtesy Disney

Back in January, we took a look at Hollywood's 2018 dance card. While Red Sparrow and the Tiler Peck documentary Ballet Now have been released, several other films that piqued our curiosity are still in various stages of development. (And some have been radio silent, like the Carmen being helmed by Benjamin Millepied.) From Misty Copeland to Carlos Acosta, new trailers to first looks, here's the latest on the dancing we might just see on the big screen later this year.

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Dance History
Bronislava Nijinska, at 80, staging her Les Noces. Photo by Serge Lido, Courtesy DM Archives

In the August 1963 issue of Dance Magazine, we caught up with Bronislava Nijinska, then 72. After leaving the Mariinsky in 1911 to follow her younger brother, Vaslav Nijinsky, to Diaghilev's Ballets Russes, Nijinska carved out a stellar performing career for herself. While Nijinsky often worked out his now-legendary dances, including his Afternoon of a Faun, on her, Nijinska ultimately proved to be the more prolific choreographer—and an equally gifted one, at that. When we spoke to her, she was as energetic as ever, getting up to demonstrate bits of choreography when she felt her words fell short. She told us, "You listen to music through your ears—yes? I listen to music through my eyes. I want my ballets to be music through the eyes, so if you would close your ears you could still hear the music—you could see the music. A paradox! But a paradox close to the center of my idea of ballet."

Dance on Broadway
We're beyond excited by the dance talent in Andy Blankenbuehler's new musical. Photo by Rachel Papo

We're willing to admit that Only Gold, a Broadway musical that Andy Blankenbuehler has had in the works since 2013, had somewhat slipped our mind. (In all fairness, Blankenbuehler got rather busy choreographing a moderately successful musical about American history, and then directing and choreographing Bandstand.)

But after an Instagram post from New York City Ballet soloist and CATS alum Georgina Pazcoguin last week, our curiosity is beyond piqued.

Yep, that's ballet legend Alessandra Ferri. And yep, that means the pair of ballerinas are in rehearsals with Blankenbuehler for Only Gold. Excited doesn't even begin to cover it. Here's what we know so far:

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News
The creative and romantic relationship between Bob Fosse and Gwen Verdon is the subject of a new series coming from FX. Photo courtesy DM Archives

The news that Lin-Manuel Miranda, Andy Blankenbuehler and Thomas Kail are working together on a new project is almost too wonderful to handle. But the creative team behind Hamilton isn't reuniting for just any old thing: They're teaming up for a dance-centric television series about Broadway legends Bob Fosse and Gwen Verdon, and we cannot contain our excitement.

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Rant & Rave
Mandy Moore at the 2017 Creative Arts Emmy Awards, during which she took home her first Emmy. Photo courtesy Inline/AP

Every year, as soon as the Emmy Award nominations are announced, the first thing I do is scroll down (way, way, way down) to find the nominees for Best Choreography. Last week's announcement was no different, and it was a delightful surprise to see tap queen Chloe Arnold become a first-time nominee for her work on "The Late Late Show With James Corden." Alongside Arnold, Mandy Moore, Travis Wall, Al Blackstone and Christopher Scott received nominations for their dances on awards heavy-hitter "So You Think You Can Dance." (Shout-out to Blackstone for his first Emmy nod!)

I do, however, have a bone to pick with the Emmys. Namely, that the routines for which these choreographers were nominated do not appear on the nominations section of the site. Worse, not even the episodes in which the Emmy-nominated dances appear are listed.

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News
Dancers will take over the Tower of London for East Wall. Photo by Victor Frankowski, Courtesy The Corner Shop PR

For all of its historic sites, the pulse of London can be found in its diversity, and the constant collision of the new with the old. Hofesh Shechter Company and East London Dance are pulling this dichotomy into the spotlight with East Wall, the culmination of a three-year collaboration celebrating the communities of East London. Directed by Hofesh Shechter, four young, London-based choreographers—Becky Namgauds, Duwane Taylor, James Finnemore and Joseph Toonga—weave together their wildly disparate styles for an outdoor spectacle featuring more than 150 dancers and musicians performing at one of the city's most iconic structures: the Tower of London. July 18–22. eastwall.org.

Career Advice
Learning how to invest and deal with tax implications can be a shock. Photo by Pepi Stojanov/Unsplash

Unrestricted grants—those not tied to a specific project or commission—are the holy grail of dance funding. But how do dance artists accustomed to living from project to project handle the sudden influx of capital?

We asked three choreographers who've won these grants multiple times about their experiences.

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News
The 1961 film adaptation of West Side Story, shot on location in New York City, preserved Jerome Robbins' choreography. Photo courtesy DM Archives

We didn't see this one coming.

According to Playbill, a revival of West Side Story, the beloved 1957 musical that put a 20th century, New York City spin on Romeo and Juliet, is coming to Broadway in 2020. We'll still hear Leonard Bernstein's music and Stephen Sondheim's lyrics, but the new production, directed by Tony winner Ivo van Hove, will be deviating from the original in at least one crucial respect: the choreography won't be original director Jerome Robbins'.

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News
Sonya Tayeh was tapped to choreograph the stage adaptation of Baz Luhrman's opulent Moulin Rouge! Photo by Carolyn DiLoreto, Courtesy Tayeh

Paris, 1900. A penniless writer and a prized courtesan fall in love to a soundtrack mashing up Christina Aguilera with Nirvana and David Bowie with The Beatles. Baz Luhrmann's opulent Moulin Rouge! arrived on the silver screen in 2001 perfectly poised for a stage-musical adaptation, and this month it's finally happening—with Broadway darlings Aaron Tveit and Karen Olivo in the lead roles and choreography by Sonya Tayeh, no less. July 10–Aug. 19. emersoncolonialtheatre.com.

Dancers Trending
"How to use dance to create mystery is very important to me," says Jack Ferver who choreographs and plays Tinker Bell in a production of Leonard Bernstein's Peter Pan. Photo by Maria Baranova, Courtesy Blake Zidell & Associates

"I'm in heaven right now," Jack Ferver smiles over the phone. He was enjoying a leisurely breakfast with a couple of his castmates the morning after Leonard Bernstein's Peter Pan had its first preview performance. This production of the lesser-known Bernstein score, officially opening tonight at The Fisher Center for the Performing Arts at Bard College (where Ferver teaches), doesn't just feature choreography by the genre-mixing dancemaker: It has Ferver himself performing as Tinker Bell.

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