Career Advice
Mia J. Chong found her place in ODC/Dance through understudying. PC Andrew Weeks Photography, Courtesy ODC/Dance

You might feel like the second choice when you look at the casting sheet, but understudies are necessary, valued team members who are regularly called off the bench to perform—even with very little prep time. "It is like the ultimate trust exercise with your director," says Mia J. Chong, who understudied many roles in ODC/Dance's The Velveteen Rabbit as an apprentice before becoming a company dancer this year. "Often, you do a lot of the homework on your own to make sure you can produce a quality performance, even if you don't have the chance to demonstrate it right away."

Here's what to expect when you're learning from the back of the room and—when you're needed—how to step into the part with confidence.

Keep reading... Show less
Career Advice
Had a great audition but didn't get the gig? Here's how to tastefully stay in touch. Photo by Jim Lafferty.

If you made it through several cuts but didn't land a contract, you're probably wondering what went wrong. It's perfectly acceptable to ask for feedback—if you go about it the right way. Here's how company and casting directors want to hear from you so you'll be remembered for your dancing (not for nagging).

Keep reading... Show less
Career Advice
Misa Kuranaga with Nelson Madrigal in Romeo and Juliet. Photo by Rosalie O'Connor, Courtesy Boston Ballet.

In dance, no two paths look the same, and part of a healthy audition mind-set is accepting that you might not get what you want on the first try. These three dancers who auditioned multiple times for their dream gig share what made the difference in getting to the final cut.

Keep reading... Show less
Dance Training
Cameron Durham, Courtesy Houston Ballet

Do students get a say in choosing their competition variations? It depends on the coach's philosophy:

Keep reading... Show less
Dance Training
PC Catherine Park

When you're preparing for a competition, it's critical to find a coach who can refine your technique and bring out your artistry. Their expertise, along with your trust, professionalism and commitment, will be key to getting the most out of your solo rehearsals—and will make or break your performance. But how do you choose a coach who's right for you?

Keep reading... Show less
Health & Body
Thinkstock

As much as dancers might love touring, the road can be a tough place to get the nutrition you need. "A lot of things are out of your control on tour—you won't be able to eat the way you do at home," says Heidi Skolnik, a certified dietitian nutritionist who has worked with dancers at the School of American Ballet. But preparing for common challenges can help you keep up some semblance of your normal routine.

Keep reading... Show less
Career Advice

Getting fired isn't pretty, but it happens. And no matter the reason, there are ways to rebuild your dance career. But don't be caught off guard by these potential repercussions from losing your job:

Keep reading... Show less
Career Advice
PC Alexander Devora, Courtesy Ballet San Antonio

When Kathleen Martin learned her contract with Ballet West wouldn't be renewed, America was watching. Cameras were rolling for the first episode of the reality series "Breaking Pointe," bringing additional scrutiny to what was already one of the toughest moments of her career. "I knew deep down it was going to happen," she says. "I wanted to hold my head high."

As painful as the experience may be, it is possible to rebuild your career after being fired. Five years later, Martin is thriving as a soloist with Ballet San Antonio. "I didn't want this one setback to define me," she says. Here's how to part ways like a professional, regain your confidence and have greater success in your next gig.

Keep reading... Show less

Sponsored

Viral Videos

Sponsored

mailbox

Get Dance Magazine in your inbox

Sponsored

Giveaways