A native of Floyds Knobs, Indiana, Madeline studied ballet at Southern Indiana School for the Arts and was later introduced to modern dance by Bill Evans. While completing her BFA in Dance Performance and Choreography at Ohio University's Honors Tutorial College, she was cast in a historical reconstruction of Alwin Nikolais' Noumenon celebrating the 100th anniversary of his birth. As an avid dance videographer and editor, she has worked on video projects for Bates Dance Festival and the Regina Klenjoski Dance Company in Southern California. She later served as a marketing and education manager for Lar Lubovitch Dance Company and is a former assistant editor—research for DanceMedia's various publications. She is currently the managing editor of Dance Magazine and Pointe.
The inimitable Carol Channing, best known for her role as the titular Hello, Dolly!, passed away today at 97.
Though she became a three-time Tony winner, Channing was born in Seattle, far from the Great White Way, in 1921. After growing up in San Francisco, she attended the famed Bennington College, studying dance and drama. She later told the university, "What Bennington allows you to do is develop the thing you're going to do anyway, over everybody's dead body." For Channing, that meant decades of fiery, comical performances, bursting with energy.
Yesterday, major Broadway news broke that's bound to make a lot of people happy: that is, Ryan Gosling fans, romance novel readers, "This Is Us" devotees and those who love crying during adorably sentimental movies.
The Notebook, based on Nicolas Sparks' bestselling book of the same name, is being made into a Broadway-bound musical.
Each month at Dance Magazine, we zero in on budding talent in our "On the Rise" department. Our writers across the country and beyond are continually on the lookout for the dancers and choreographers who are bound to be majors names in the years to come.
With 2018 coming to a close, what better time to check in with some of our former "On the Rise" artists? We hate to say we told you so, but these dancers—like Michelle Dorrance and Sara Mearns—have since hit it big.
Jennifer Garner wants the world to know that she takes game day seriously—and she's not talking about football. For ballet dancers during December, there's obviously only one type of "game day." Nutcracker, of course.
Garner is a highly documented ballet lover, and, this time, she went the extra mile to show her dedication. Thankfully, she was on hand as American Ballet Theatre warmed up for its current Nutcracker run at the Segerstrom Center for the Arts in Costa Mesa, California.
Online video game Fortnite is involved in serious controversy over its "emotes" dance feature. Even if you're not a gamer, this is a case choreographers should keep close tabs on. Here's why.
Let us quickly introduce you to Fortnite Battle Royale: The video game sprung up in September 2017 and has grown to insane levels of popularity. It's free to play and features 100 users duking it out to be the last person standing. But here's the catch: If you want to get ahead, you have to make in-game purchases, trading real money for V-Bucks, which you use to redeem things like weapons.
So what's it got to do with dance? A whole lot. One of Fortnite's most popular—and lucrative—features is its emotes, animated dances that users can purchase to perform on the battlefield. Many are taken directly from pop culture, and Fortnite's developer, Epic Games, is in the midst of a heated lawsuit regarding its Swipe It emote. After much public debate, rapper 2 Milly filed a suit last week claiming that Epic Games stole—and is now largely profiting from—the Milly Rock, a dance move he created and popularized, without his permission. Take a look:
Each year, The New York Times Magazine shines a spotlight on who they deem to be the best actors of the year in its Great Performers series. But, what we're wondering is, can they dance? Thankfully, the NYT Mag recruited none other than Justin Peck to put them to the test.
Peck choreographed and directed a series of 10 short dance films, placing megastars in everyday situations: riding the subway, getting out of bed in the morning, waiting at a doctor's office.
A good personal trainer can coach you through a challenging, safe workout. A great one understands the unique demands dance places on your body and helps you correct specific weaknesses to make you an even stronger performer. Enter Joel Prouty.
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Don't get us wrong: We're totally looking forward to enjoying a delicious Thanksgiving dinner. But one of our favorite parts of the holiday actually happens in the morning. We've got six reasons for you to wake up early on Turkey Day, and they're all part of Macy's Thanksgiving Day Parade.
The 92nd annual holiday event airs at 9 am Eastern on NBC, and this year, you can catch live performances from five Broadway shows, plus everyone's favorite high-kicking dancers, the Radio City Rockettes.
Many choreographers use spoken word to enhance their dance performances. But the Campfire Poetry Movement video series has found success with a reverse scenario: Monticello Park Productions creates short art films that often use dance to illustrate iconic poems.
What if we told you we could magically transport you to Broadway four times this month? For $0. Wanna go? Great.
Just tune in to PBS the next four Friday nights at 9 pm Eastern (check your local listings), because the network's "Great Performances" programming is tipping its hat to theater gems old and new. The following day, each show will be available for streaming here and through PBS apps. Here's what's on tap:
Forget Netflix and chill. Here at Dance Magazine, we're more about Netflix and show tunes! Thanks to the internet, you can stream live recordings of hit musicals from the comfort of your own couch. We gathered the danciest shows available right now.
The midterm elections are less than three weeks away on November 6. If you're registered to vote, hooray!
But you can't fully celebrate before you've completed your mission. Showing up at the polls is what matters most—especially since voter turnout for midterms doesn't have a fabulous track record. According to statistics from FairVote, about 40 percent of the population that is eligible to vote actually casts a ballot during midterm elections.
Many members of the dance community are making it clear that they want that percentage go up, and they're using social media to take a stand. Here's how they're getting involved:
What happens when you mix two really good things together? Sometimes, it can be magical. It's practically guaranteed when one of those elements is the wizarding world of Harry Potter, and the other is—wait for it—dance-team–style hip hop.
Twenty-one ballet organizations have come together to support the advancement of racial equity in professional ballet. They're all part of The Equity Project: Increasing the Presence of Blacks in Ballet, a new effort being led by Dance Theatre of Harlem, The International Association of Blacks in Dance and Dance/USA.
The late pioneering dancer Arthur Mitchell was an icon in the dance world—as well as a touchstone in popular culture. Not only did he break boundaries at New York City Ballet, where he performed under Balanchine as a black male principal, but he also went on to co-found Dance Theatre of Harlem. But his international acclaim wasn't limited to the stage: Mitchell and DTH were featured in a special 1987 episode of "Mister Rogers Neighborhood," bringing ballet into living rooms across America.
In Ikoradu, a part of Lagos, Nigeria, "The parents here don't believe in education," says Seyi Oluyole, in a video for Great Big Story. "They just want their kids to just sell stuff." Instead of watching the cycle continue, Oluyole took it upon herself to change these children's lives in a radical way.
Her method of connecting with them? Dance.
Serena Williams has been killing it lately, and we're not just talking about her tennis game.
In May, the star played in a catsuit at the French Open. The skintight post-pregnancy garb—which she said helped prevent dangerous blood clots—was a departure from the usual skirts or dresses still seen in women's tennis. Even. Though. It's. 2018.
Let's face it. Dancers just do things differently. We can never walk down a grocery aisle—we have to tap. We can never simply pick something up we've dropped—without going into a penché. But it's not a bad thing. We love all the ways that dance bleeds into our daily lives.
Turns out the pros aren't ever really off-duty either. Here's how we caught them dancing through their downtime.
As soon as we saw the current off-Broadway revival of Smokey Joe's Cafe, directed and choreographed by Tony nominee Joshua Bergasse, we had to know just how it did it. In 90 minutes, the cast of nine races through 40 songs by prolific pop songwriting duo Jerry Leiber and Mike Stoller. The show includes megahits from the last century—like 1957's "Jailhouse Rock" and 1963's "On Broadway"—and they're all decked out with dancing.
With no dialogue and no narrative, there's plenty of room for Bergasse's choreographic mind to run wild. "Dance plays a huge role in this show," says Bergasse. "Most of these songs were written to get people out on the dance floor, so you kind of can't stop your body from moving." Even though the hits are old, the show definitely isn't stuck in a time warp. "We wanted to make the dancing feel like it isn't of one specific time." You'll see social dances from the '50s and '60s, but Bergasse quickly mentions Michael Jackson as a big influence as well. (Yes, the moonwalk makes an appearance, as do more current crazes like the Nae Nae.)
Earlier this summer, strange billboards and bus-stop ads started popping up around Louisville, Kentucky. A woman, Jessica, was sending public messages—that seemed really personal—to a guy named Chris. Things like, "Chris, maybe we should try role playing" or "Chris, let's talk about your performance issues."