This Flamenco Dancer Wants You to Know It *Is* Possible to Balance Performing and Motherhood
Watching Concha Jareño dance is like taking a journey into the ancient and modern legacy of flamenco. Her blend of retro classic technique with contemporary geometric shaping has influenced the form's aesthetic. She has stewarded the return of brighter variations, re-popularizing dances that seemed to be lost to the history books.
Her signature "shape-shifter" skill with the traditional long-trained dress (bata de cola) and large shawl (mantón) is a creative wonder: She forms the large shawl into squares and triangles, clothing and wraps, while also manipulating the skirt in motions that twist, flip and turn.
She recently spoke with Dance Magazine about her globe-trotting career, motherhood and where she finds her strength.
The Power of Being an Outsider
"I am not from the cradle of flamenco. I am not a gypsy, Andalusian or from an artistic family. I am outside the stereotype of a traditional flamenco dancer; that is something big."
How She Came Back from a Major Neck Injury
"It is very natural to me to dance with the bata de cola; it is like my own appendage. But in my early career I was injured from the weight and strain of working with a heavy train. My neck was paralyzed; I was unable to move it for a month. I had to improve how I was dancing, be less rough and take better care of my body. I now choose lighter fabrics for the dress as well."
Balancing Art and Motherhood
"When I was younger I made my own costumes. My parents had a flamenco dress store and I learned to sew and design. Now I am much busier with children, so I come up with designs and let someone else create them, contributing their vision.
"I have two children, ages 1 and 4, and I continue dancing because my husband takes excellent care of our kids when I'm traveling. It would be impossible to do it alone.
"Dancers entering into motherhood must remember that the changes of pregnancy and the demands of motherhood are not forever. That this change in your life will continually evolve. Finding energy for your projects after you have met your children's needs is challenging but will not always be that way."
Her Response to Chauvinism
"As a female choreographer, I have not been treated inferior. Of course there is chauvinism out there, so when I encounter it, I don't allow it to have an emotional impact on me."
Where Her Strength Comes From
"To create a new work, the music is essential. I cannot develop an idea alone in the studio. I work together with the musicians to create.
"Conservatory studies give students an excellent fundamental knowledge of dance; however, to learn flamenco, the tablao is essential. The stage itself is flamenco's school. It is the source of the feeling and art.
"I do not cross-train, I go to the tablao. Performing there best strengthens the body. It builds the necessary cardio to dance a full theater performance. Also I have children; caring for them is an 'organic gym.' "
It's hour three of an intense rehearsal, you're feeling mentally foggy and exhausted, and your stomach hurts. Did you know the culprit could be something as simple as dehydration?
Proper hydration helps maintain physical and mental function while you're dancing, and keeps your energy levels high. But with so many products on the market promising to help you rehydrate more effectively, how do you know when it's time to reach for more than water?
Inside a bustling television studio in Los Angeles, Lindsay Arnold Cusick hears the words "Five minutes to showtime." While dancers and celebrities covered head to toe in sequins whirl around preparing for their live performances on "Dancing with the Stars," Cusick pauses to say a prayer to God and express her gratitude.
"I know that it's not a given, and I'm grateful for the opportunity to do what I love for a living," says Cusick, a member of The Church of Jesus Christ of Latter-day Saints. For her, prayer is a ritualized expression of her faith that she has maintained since she was a girl in Provo, Utah. Even with her seven-plus years of industry experience, she always takes a moment to steady herself and close her prayer in Christ's name before rushing onto the stage.
The hotly-debated Michael Jackson biomusical is back on. Not that it was ever officially off, but after its pre-Broadway Chicago run was canceled in February, its future seemed shaky.
Now, the show has secured a Broadway theater, with previews starting July 6 at the Neil Simon Theater.
In the October 1969 issue of Dance Magazine, we spoke with Jacques d'Amboise, then 20 years into his career with New York City Ballet. Though he became a principal dancer in 1953, the star admitted that it hadn't all been smooth sailing.