Have you ever been stung, hurt or infuriated by a cutting review? Or have you ever gotten a desperate phone call from a friend who’s trying to recover from a degrading insult that appeared in print?
Now is the time to get help in coping with such reviews. Come to a panel entitled “Protecting Your Passion: Surviving the Negative Review” tonight from 6–8 pm at Gibney Dance on Chambers Street and find out about a new service. The panel is co-presented by the Dancers’ Resource, a program of The Actors Fund (which, by the way, is merging with Career Transition For Dancers). Bebe Neuwirth, who founded the Dancers’ Resource to help dancers cope with injuries of another kind (the physical kind), will be on hand to explain the services that the Dancers’ Resource provides. The Dancers’ Resource coordinator Amy Wilder will announce a new service to help dancers around the country cope with upsetting reviews. Choreographers David Parker, Ann Marie De Angelo, Nia Love and Sam Kim will talk about the impact of negative reviews on them and how they’ve moved past them to continue their work. I will be moderating.
The panel is part of Gibney Dance’s Center Line series. For more information, click here.
Essential oils sometimes get a bad rap.Between the aggressive social media marketing for the products and the sometimes magical-sounding claims about their healing properties, it's easy to forget what they can actually do.But if you look beyond the pyramid schemes and exaggerations, experts believe they have legit benefits to offer both mind and body.
How can dancers take advantage of their medicinal properties? We asked Amy Galper, certified aromatherapist and co-founder of the New York Institute of Aromatic Studies:
Karen Azenberg, a past president of the Stage Directors and Choreographers Society, stumbled on something peculiar before the union's 2015 move to new offices: a 52-year-old sealed envelope with a handwritten note attached. It was from Agnes de Mille, the groundbreaking choreographer of Oklahoma! and Rodeo. De Mille, a founding member of SDC, had sealed the envelope with gold wax before mailing it to the union and asking, in a separate note, that it not be opened. The reason? "It is the outline for a play, and I have no means of copyrighting…The material is eminently stealable."