Magazine

Curtain Up

Often, dancers don’t feel like they choose this career—it chooses them. For better or worse, dance was their only option, an outcome predestined regardless of any obstacles along the way.

Choreographer Paul Taylor may never have imagined any life other than dance. But he didn’t foresee his company celebrating its 60th anniversary. “I didn’t think about it,” he tells writer Joseph Carman in “Taylor Made.” “I live from day to day. I didn’t care about the future. You hope for the best.” Yet it’s clear that Taylor can’t help but see dance everywhere around him: in the insects he played with as a kid, in the gestures of someone’s conversation, in the windows of a New York apartment building. On the cusp of his company’s diamond anniversary, both Taylor and his star performer Michael Trusnovec sat down with Dance Magazine to candidly discuss the company and its future. Taylor may be 84 this year, but, as Carman notes, “he hasn’t lost his prickliness, drive or sardonic sense of humor.”

His success shows just how far a passion for movement can take you. Check out our annual auditions guide to search for the jobs and training opportunities that inspire you. And you’ll find tips on audition outfits, etiquette advice and a few surprising strategies that can make the difference between booking a Broadway gig and getting a polite “Thank you for coming.” Our education editor Jenny Dalzell also goes behind the scenes at a tryout for up-and-coming contemporary ballet troupe Whim W’Him, with an insider’s perspective straight from artistic director Olivier Wevers.

Whether or not you nail the next callback, it helps to remember what you’re doing it all for. As American Ballet Theatre soloist Sarah Lane writes in this month’s Why I Dance, “What dancers experience goes beyond what words can express. To put it feebly, it is the ability to set your soul free in a moment that can’t be captured or replicated. It’s being real and vulnerable enough to share who you are as a human being. It’s believing that imperfection can still create something beautiful.”

 

Jennifer Stahl

Editor in Chief

jstahl@dancemedia.com

Dance in Pop Culture
Via @lizzo on Twitter

On August 20, pop goddess Lizzo tweeted, "Someone do a ballet routine to truth hurts pls," referring to the anthem that's been top on everyone's playlists this summer. Lizzo might not know it yet, but ballet dancers are not known for shying away from a challenge. In the past two days, the internet has exploded which responses, with dancers like Houston Ballet's Harper Watters and American Ballet Theatre's Erica Lall tagging the singer in submissions.

Below are a few of our favorites so far, but we're guessing that this is just the beginning. Ballet world, consider yourselves officially challenged! (Use #LizzoBalletChallenge so we know what you're up to.)

Keep reading... Show less
UA Dance Ensemble members Candice Barth and Gregory Taylor in Jessica Lang's "Among the Stars." Photo by Ed Flores, courtesy University of Arizona

If you think becoming a trainee or apprentice is the only path to gaining experience in a dance company environment, think again.

The University of Arizona, located in the heart of Tucson, acclimates dancers to the pace and rigor of company life while offering all the academic opportunities of a globally-ranked university. If you're looking to get a head-start on your professional dance career—or to just have a college experience that balances company-level training and repertory with rigorous academics—the University of Arizona's undergraduate and graduate programs have myriad opportunites to offer:

Keep reading... Show less
Dancers Trending
Alice Sheppard/Kinetic Light in DESCENT, which our readers chose as last year's "Most Moving Performance." Photo by Jay Newman, courtesy Kinetic Light

Yes, we realize it's only August. But we can't help but to already be musing about all the incredible dance happenings of 2019.

We're getting ready for our annual Readers' Choice feature, and we want to hear from you about the shows you can't stop thinking about, the dance videos that blew your mind and the artists you discovered this year who everyone should know about.

Keep reading... Show less
Career Advice
Kate Torline via Unsplash

New York City–based choreographer and director Jennifer Weber once worked on a project with a strict social media policy: " 'Hire no one with less than 10K, period'—and that was a few years ago," she says. "Ten thousand is a very small number now, especially on Instagram."

The commercial dance world is in a period of transition, where social media handles and follower counts are increasingly requested by casting directors, but rarely offered by dancers up front. "I can see it starting to show up on resumés, though, alongside a dancer's height and hair color," predicts Weber.

Keep reading... Show less

mailbox

Get Dance Magazine in your inbox