Ashley McKinney, Courtesy LADP

Daisy Jacobson Asked Benjamin Millepied to Choreograph a Solo on Her. Then He Asked Her to Join LADP.

It isn't easy to stand out when you're a newbie in a pack of fearless dancers. But Daisy Jacobson does, and effortlessly. Onstage with Benjamin Millepied's L.A. Dance Project, she combines the refinement of her classical training with a soulful, infectious attack, making her impossible to miss.



Jonathan Potter, Courtesy LADP

Company: L.A. Dance Project

Age: 24

Hometown: Manhattan Beach, California

Training: South Bay Ballet and Lauridsen Ballet Centre in Torrance, California; The Juilliard School

Accolades: 2019 Princess Grace Award nominee, 2013 YoungArts Winner and U.S. Presidential Scholar in the Arts

Ashley McKinney, Courtesy LADP

On moving away from ballet: Jacobson was classically trained—including summers at American Ballet Theatre and Houston Ballet—but "didn't have a tiny waist," she says. When she fell in love with LADP and realized that several of its dancers had gone to Juilliard, she decided to audition for a BFA.

Learning from injury: She developed knee problems at age 11, and had surgery after her first year at Juilliard. "I wasn't back to normal until my senior year," she says. That said, she learned that taking care of her body is an important priority. "Your pain is real. If you're feeling it, it's not just in your head."

Jonathan Potter, Courtesy LADP

On her "audition" for LADP: Jacobson knew she wanted to dance for Millepied's company, and during her senior year, she asked him to choreograph a solo on her. At the end of the week, he offered her an apprenticeship, but it caught her off guard. "I was like, 'Do you think I'll fit in? Are you sure I'm what you want?' It was the worst way to accept a job offer!"

What Millepied is saying: Jacobson's potential was evident during that solo project. "I knew her intelligence could transform her into a major artist," he says. "She has an extraordinary ability to absorb new movement."

Life outside of dance: Jacobson lives in Hollywood with her boyfriend, fellow Juilliard grad (and Jacob Jonas dancer) Lorrin Brubaker. She recently started taking an acting class for "mental cross-training" and is learning that what makes a great actor is also what makes a great dancer: "Being a good listener and responding to the person you're dancing with can bring the audience into your world," she says. And Jacobson loves being a beginner again. "It's good to set your ego aside and fail."

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Courtesy Esse

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The 27 years that Ruth Bader Ginsburg spent on the U.S. Supreme Court were 27 years that she spent as one of Washington, D.C.'s most ardent, elegant and erudite supporters of the performing arts. The justice, who died on September 18 of metastatic cancer, was also an avid cultural tourist, traveling to the Santa Fe and Glimmerglass operas nearly every summer, as well as occasionally returning to catch shows in her native New York City.

Ginsburg's opera fandom was well known, but her tastes were wide-ranging. Particularly in the last 10 years of her life, after Ginsburg lost her beloved husband, Marty, it was not unusual for the petite justice and her security detail to be spotted at theaters several nights a week. She saw everything, from classic musicals to serious new plays, plus performances that defied classification, like Martha Clarke's dance drama Chéri, with Alessandra Ferri and Herman Cornejo, which toured to the Kennedy Center in 2014.

To honor Ginsburg, Dance Magazine asked three dance artists whose performances the justice attended to recall what Ginsburg meant to them.

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