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Royal New Zealand Ballet Is Bringing Dance Into Prisons
A prison isn't exactly the first place to come to mind when you think of a dance studio (and inmates, not your average students), but that's exactly why New Zealand Corrections is enlisting the help of the Royal New Zealand Ballet. In an effort to help reduce the female prison population in New Zealand, which has reportedly quadrupled in the past five years, dance is being taught to the inmates of Arohata Women's Prison for the first time ever. According to everyone involved, it seems to be working.
"This is a necessity," RNZB education and community manager Pascale Parentau says in a video created by Radio New Zealand. "To be confined to four walls, but then have the freedom of expression of your soul, your body, your mind, your heart."
Arohata's deputy prison director Matire Kupenga-Wanoa agrees, saying, "Part of this program is the women have to learn how to count, how to coordinate themselves, how to learn direction and relate to others in a positive way. So there's a whole lot of learning that comes with this medium. And also, it makes you feel very happy and builds your self esteem and self confidence."
In addition to weekly rehearsals for two Christmas concerts set to raise money for community projects, the inmates even helped make their own tutus.
"It's kind of like a mindfulness. When you're in a sad moment, you can release it with your dance and exercise," one inmate says of the experience. Another adds that most of the inmates never got to enjoy things like dance classes growing up. "A lot of girls here never really had childhoods," she says.
But RNZB dance educator Pagan Dorgan says this new initiative is already making a difference. "For me, it's quite apparent that some of them have never had this opportunity," she says. "I'm going to be really naive, but maybe if they had had this opportunity at some point in their life, they may not be where they are now."
It looks like the new program will stick. "It helps us get up every morning," an inmate says. "We look forward to this every Thursday—we come and we do it, and we love it. We can all get along and do something together."
Bales of hay, black umbrellas, bicycles—this Midsummer Night's Dream would be unrecognizable to the Bard. Alexander Ekman's full-length, inspired by Scandinavian solstice traditions and set to music by Mikael Karlsson, is a madcap celebration of the longest day of the year, when the veil between our world and that of the supernatural is said to be at its thinnest. The Joffrey Ballet's performances mark the seductively surreal work's North American premiere. April 25–May 6. joffrey.org.
"There's an ancient energy in Fana's movement, a deep and trusted knowing," says Jeff, director of the Chicago-based Deeply Rooted Dance Theater. "Because I witnessed the raw humanity of his dancer's souls, I wanted my dancers to have that experience."
When I wrote about my struggle with depression, and eventual departure from dance because of it, I expected criticism. I was prepared to be challenged. But much to my relief, and horror, dancers from all over the world responded with support and stories of solidarity. The most critical response I saw was this one:
"Dance isn't for everyone."
This may as well be a mantra in the dance world. We have become entrenched in the Darwinian notion that the emotionally weak will be weeded out. There is no room for them anyway.
In his final bow at New York City Ballet, during what should have been a heroic conclusion to a celebrated ballet career, Robert Fairchild slipped and fell. His reaction? To lie down flat on his back like he meant to do it. Then start cracking up at himself.
"He's such a ham," says his sister Megan Fairchild, with a laugh. "He's really good at selling whatever his body is doing that day. He'll turn a moment that I would totally go home and cry about into something where the audience is like, 'That's the most amazing thing ever!' "
Growing up in a family-owned dance studio in Missouri had its perks for tap dancer Anthony Russo. But it also earned him constant taunting, especially in high school.
"There was a junior in my sophomore year health class who was absolutely relentless," he says. "I'd get tripped on my way to the front of the classroom and he'd say, 'Watch out, twinkle toes.' If I raised my hand and answered a question incorrectly, I'd hear a patronizing 'Nice one, Bojangles.' "
Choreographer Sergio Trujillo asked the women auditioning for ensemble roles in his newest musical to arrive in guys' clothing—"men's suits, or blazers and ties," he says. He wasn't being kinky or whimsical. The entire ensemble of Summer: The Donna Summer Musical is female, playing men and women interchangeably as they unfold the history of the chart-busting, Grammy-winning, indisputable Queen of Disco.
Have a scroll through Agnes Muljadi's Instagram feed (@artsyagnes), and you'll notice that in between her ballet shots is a curated mix of lifestyle pics. So what exactly sets her apart from the other influencers you follow? Muljadi has made a conscious effort to only feature natural beauty products, sustainable fashion and vegan foods. With over 500k followers, her social strategy (and commitment to making ethical choices) is clearly a hit. Ahead, learn why Muljadi switched to a vegan lifestyle, and the surprising way it's helped her dance career.
He may not be a household name, but you probably know Brandon Stirling Baker's work. The 30-year-old has designed the lighting for most of Justin Peck's ballets—including Heatscape for Miami City Ballet, and the edgy The Times Are Racing for New York City Ballet—but also Jamar Roberts' new Members Don't Get Weary at Alvin Ailey American Dance Theater and a trio of Martha Graham duets for L.A. Dance Project.
He's been fascinated by lighting ever since he attended a public performing arts middle school in Sherman Oaks, California, where he had his first experiences lighting shows. He also has a background in music (he plays guitar and bass) and in drawing. Both, he says, are central to the way he approaches lighting dance.
Update: Due to an overwhelming response, the in-person audition has been moved to a larger location to accommodate more dancers. See details below.
For the first time in more than 10 years, Janet Jackson is holding an open audition for dancers.
Even better? You could land a spot in her #JTribe simply by posting a video on social media.
What does it take to become an international superstar? Carlos Acosta might have a few ideas.
At the Oxford Literary Festival earlier this month, the BBC sat down with Acosta to ask for his life lessons. His answers—which he says he will pass on to his kids one day—give incredible insight into how he's become such a beloved worldwide success.