Got a Competition Coming Up? Use These Tips From 3 Pros
Whether you've just started on the circuit or you're already the proud owner of several medals, dance competitions can be nerve-wracking. How can you make the most of the experience? Three former comp kids who've gone on to find major success in their careers shared their top tips.
Ryan Steele, Broadway performer:
Photo by Lee Gumbs, courtesy Ryan Steele
"I didn't realize that I wasn't just competing for a scholarship or a title, I was auditioning for future jobs. Some of my strongest professional relationships were built at conventions and competitions. Not just with the teachers, but with peers as well. Those relationships will stick with you. Make them count!"
Lia Cirio, Boston Ballet principal dancer:
Photo by Gene Schiavone, courtesy Boston Ballet
"Don't compare yourself to your fellow dancers. Focus on you and the goal you wish to accomplish."
Jaclyn Walsh, Keigwin + Company dancer:
Matthew Murphy, courtesy Jaclyn Walsh
"Onstage, there are so many other variables aside from bodies in space: the lighting, spike marks and live music. The experience I built while competing made me more prepared to tackle these as a professional."
Back in 2011 when Joe Lanteri first approached Katie Langan, chair of Marymount Manhattan College's dance department, about getting involved with New York City Dance Alliance, she was skeptical about the convention/competition world.
"But I was pleasantly surprised by the enormity of talent that was there," she says. "His goal was to start scholarship opportunities, and I said okay, I'm in."
Today, it's fair to say that Lanteri has far surpassed his goal of creating scholarship opportunities. But NYCDA has done so much more, bridging the gap between the convention world and the professional world by forging a wealth of partnerships with dance institutions from Marymount to The Ailey School to Complexions Contemporary Ballet and many more. There's a reason these companies and schools—some of whom otherwise may not see themselves as aligned with the convention/competition world—keep deepening their relationships with NYCDA.
Now, college scholarships are just one of many ways NYCDA has gone beyond the typical weekend-long convention experience and created life-changing opportunities for students. We rounded up some of the most notable ones:
We knew that Ivo van Hove and Anne Teresa de Keersmaeker's production of West Side Story would challenge our preconceived notions about the show.
But a recent Vogue story gives us a taste of just how nontraditional the Broadway revival will be. Most notably, van Hove is cutting "I Feel Pretty" and the "Somewhere" ballet, condensing the show into one act to better reflect the urgency of the 48-hour plot. (The choice has been approved by the West Side Story estate, including Sondheim, who has "long been uncomfortable" with some of the "I Feel Pretty" lyrics.)
"The show must go on" may be a platitude we use to get through everything from costume malfunctions to stormy moods. But when it came to overcoming a literal hurricane, Houston Ballet was buoyed by this mantra to go from devastated to dancing in a matter of weeks—with the help of Harlequin Floors, Houston Ballet's longstanding partner who sprang into action to build new floors in record time.