Career Advice

Inside John Heginbotham's Snapchat-like Creative Process

John Heginbotham never walks into rehearsal unprepared. Photo by Janelle Jones, courtesy the Watermill Center

Back in 2012, after 14 years dancing with Mark Morris Dance Group, choreographer John Heginbotham ventured out on his own. Don't think of it as going solo, though.

Almost from the outset, Heginbotham has embarked on a series of fruitful collaborations with other artists, via his namesake company, Dance Heginbotham, and through a stream of independent projects. His creative partners have covered a range of talents and genres: illustrator Maira Kalman (in 2017's The Principles of Uncertainty), opera director Peter Sellars (for Girls of the Golden West, which debuted at San Francisco Opera in November), and contemporary-music luminaries such as Tyondai Braxton and Alarm Will Sound.

Here's What He Has To Say: About starting his company, his rehearsal process and why he's drawn to creative mash-ups.


Starting A Company He Didn't Want

"When I left Mark Morris, I very specifically did not want to have my own company. But I found I was happy to work with the same people, have them consistently on the road with me, evolving together, developing aesthetic ideas."

Heginbotham loves working with a familiar group of dancers. Photo by Janelle Jones, courtesy the Watermill Center

Coming Up With a "Band Name"

"We got a show at Jacob's Pillow, and they asked us to call ourselves something. We spent hours trying to come up with a name. I didn't want it to have my name, and I didn't want the word 'dance.' I wanted a band name, like Radiohead. But after talking to people whose advice I trust, I was convinced to call the dances exciting names, and leave the company name as something that people would understand."

Why He Loves Creative Collaborators

"I didn't know I'd be so focused on equal collaborators. And yet I've really welcomed that opportunity. If you're reacting to something—whether it's text, a piece of music, a painting—you can go with it or go against it, but there is something really solid to respond to. There are rules, and you can decide to break them or follow them.

"With Principles of Uncertainty, there weren't any rules. We were deciding what the boundaries were. It can become the opposite of liberating—just a free-for-all. Often those obstacles force you to make decisions that are better."


His Pre-Rehearsal Prep

"It makes me uncomfortable to walk into the studio with nothing prepared. I don't have to have everything—just something. Often the other people in the room will have the better solution to what I'm looking for.

"I really do trust that there will be a right answer, that there will be a solution—there's never been a time where we put a piece onstage and I felt, Wow, we had nothing for that little part."

Why His Snapchat-Like Memory Is An Advantage

"I forget things very quickly. I will make up a phrase, and I'll be able to hold on to it basically for the amount of time for someone else in the room to hold it. It's like Snapchat. I think it works to my advantage, though—it gives me an opportunity for some objectivity."

Inventing New Ways to be An Artist

"As the presentation of artistic work keeps changing, you see more nontraditional venues. Money is scarce, and institutions are finding challenges—but people are inventing new ways to be an artist. We're seeing all the other people doing the same thing, encountering each other—and collaboration is the beautiful, organic product of that."

The Conversation
News
Fox produced a live broadcast of Rent in January—but could an original musical be next? Photo by Kevin Estrada, Courtesy Fox

When a musical prepares to make the transfer from a smaller, lesser-known venue to Broadway (where theaters hold 500-plus seats), often there's a collective intake of breath from all involved. After all, a bigger house means more tickets to sell in order to stay in the black, and sometimes shows with even the most tenacious fan bases can't quite navigate such a jump. But what about the transfer from stage…to screen? Is Broadway ready to be consumed from the comfort of your couch?

Keep reading... Show less
Hive by Boston Conservatory student Alyssa Markowitz. Photo by Jim Coleman

The way we create and consume dance is changing every day. Now more than ever, the field demands that dancers not only be able to perform at the highest level, but also collaborate with choreographers to bring their artistic visions to life. Dancers who miss out on choreographic training may very well find themselves at a disadvantage as they try to launch their careers.

Keep reading... Show less
Breaking Stereotypes
Courtesy Lee

Daphne Lee was dancing with Collage Dance Collective in Memphis, Tennessee, when she received two difficult pieces of news: Her mother had been diagnosed with multiple myeloma cancer, and her father had Parkinson's disease, affecting his mobility and mental faculties.

The New Jersey native's reaction: "I really need to move home."

Keep reading... Show less
Health & Body
Bruce Mars via Unsplash

Summer is almost upon us, and whether you're a student about to go on break or a pro counting the days till layoff, don't forget that with warm weather comes a very serious responsibility: To maintain your cross-training routine on your own.

Those of us who've tried to craft our own cross-training routine know it's easier said than done. So we consulted the stars, and rounded up the best options for every zodiac sign. (TBH, you should probably consult an expert, too—we'd recommend a physical therapist, a personal trainer or your teacher.)

Keep reading... Show less
Sponsored by McCallum Theatre
Last year's winner: Manuel Vignoulle's EARTH. Jack Hartin Photography, Courtesy McCallum Theatre

It's not often that a promising choreographer gets to stage work in a world-class theater, on a skillfully-curated program with professional dancers, and with the possibility of winning a substantial cash prize. But at the McCallum Theatre's Palm Desert Choreography Festival, that's been the status quo for over twenty years.

Since Shea New, the festival's artistic director, founded the festival in 1998, she's worked tirelessly with McCallum's director of education and festival producer, Kajsa Thuresson-Frary, and stage manager and festival production manager Joanna Fookes to build a festival that nurtures choreographers, highlights high quality work, powerfully engages the local community and cultivates an audience base for dance in the Coachella Valley. The trio is backed by a strong team of professionals at McCallum and the brilliant volunteers from the local and national level who serve as adjudicators.

Keep reading... Show less
Health & Body

It's become second nature in dance studios: The instant anyone gets hurt, our immediate reaction is to run to the freezer to grab some ice (or, more realistically, a package of frozen peas).

But as routine as icing our injuries might be, the benefits are not actually backed up by scientific studies. And some experts now believe icing could even disrupt the healing process.

Keep reading... Show less
Advice for Dancers
Getty Images

I'm a contemporary dancer, and I'm nervous about trying to get pregnant since I can't predict if it might happen during the middle of the season. We have a union contract that is supposed to protect us. But I'm scared because several of my colleagues' contracts weren't renewed for no particular reason. Having a big belly could be a big reason to get rid of me!

—Andrea, New York, NY

Keep reading... Show less
Dance As Activism
From Dance of Urgency. © Ekvidi

When the going gets tough, the tough start dancing: That's the premise behind "Dance of Urgency," a recently opened exhibit at MuseumsQuartier Vienna that features photos, video and other documentary material relating to the use of dance as political protest or social uprising.

The groups featured in the show, largely based around clubs and electronic dance music scenes, span the globe and respond to a variety of issues—from inequality and social stratification to racial divides to crackdowns on club culture itself.

Keep reading... Show less
News

Last night, longtime theater legends (including Chita Rivera herself!) as well as rising stars gathered to celebrate one of Broadway's danciest events: the third annual Chita Rivera Awards.

The evening paid tribute to this season's dancer standouts, fabulous ensembles, and jaw-dropping choreography—on- and off-Broadway and on film.

As usual, several of our faves made it into the mix. (With such a fabulous talent pool of nominees to choose from, we're glad that ties were allowed.) Here are the highlights from the winner's list:

Keep reading... Show less
Career Advice
Lorenzo Di Cristina/Unsplash

When you're a foreign dancer, gaining legal rights to work in the U.S. is a challenging process. It's especially difficult if you're petitioning to work as a freelance dancer without an agent or company sponsorship.

The process requires professional muscle along with plenty of resources and heart. "There's a real misnomer that it's super easy," says Neena Dutta, immigration attorney and president of Dutta Law Firm. "People need to educate themselves and talk to a professional."

Here are four things every foreign dancer who wants to work in the U.S. needs to know to build a freelance dance career here.

Keep reading... Show less
Career Advice
Quinn Wharton

What does it take to "make it" in dance? It's no secret that turning this passion into a profession can be a struggle. In such a competitive field, talent alone isn't enough to get you where you want to be.

So what kinds of steps can you take to become successful? Dance Magazine spoke to 33 people from all corners of the industry to get their advice on the lessons that could help us all, no matter where we are in our careers.

Keep reading... Show less
Dance History
Still of Fonteyn from the 1972 film I Am a Dancer. Photo courtesy DM Archives

On May 18, 1919, Margot "Peggy" Hookham was born. She would grow up to become Dame Margot Fonteyn, England's first homegrown prima ballerina. She joined the Sadler's Wells School in 1934 and was performing principal roles with the precursor to The Royal Ballet the next year. Fonteyn was a company-defining figure, dancing Aurora for the re-opening of the Royal Opera House after World War II, creating numerous roles with Sir Frederick Ashton and forging a legendary partnership with Rudolf Nureyev.

Keep reading... Show less
Dance As Activism
Courtesy #Dance4OurLives

Memorial Day is notoriously one of Chicago's bloodiest weekends. Last year, 36 people were shot and seven died that weekend. In 2017 and 2016, the number of shootings was even higher.

When Garley "GiGi Tonyé" Briggs, a dance teacher and Chicago native, started noticing this pattern, she was preparing her second annual Memorial Day workshop for local youth.

The event's original aim was simple: "I wanted the youth of Chicago to have somewhere they could come and learn from different dancers and be off the streets on the South Side on this hot holiday," she says.

Keep reading... Show less

mailbox

Get Dance Magazine in your inbox