Each year, The New York Times Magazine shines a spotlight on who they deem to be the best actors of the year in its Great Performers series. But, what we're wondering is, can they dance? Thankfully, the NYT Mag recruited none other than Justin Peck to put them to the test.
Peck choreographed and directed a series of 10 short dance films, placing megastars in everyday situations: riding the subway, getting out of bed in the morning, waiting at a doctor's office.
A list of Clara alumnae from Radio City's Christmas Spectacular reads like a star-studded, international gala program: Tiler Peck and Brittany Pollack of New York City Ballet (and Broadway), Meaghan Grace Hinkis of The Royal Ballet, Whitney Jensen of Norwegian National Ballet and more. Madison Square Garden's casting requirements for the role are simple: The dancer should be 4' 10" and under, appear to be 14 years old or younger and have strong ballet technique and pointework.
The unspoken requisite? They need abundant tenacity at a very young age.
If the news about the upcoming CATS movie has your head spinning, we're right there with you. It seems like every week we have a bit more to share about the new film adaptation, which is set to release in December 2019. So, in order to keep it all straight, we present you with our master list of everything we know—our version of "The Naming of Cats," if you will. We'll add updates as they emerge.
It looks like Wayne McGregor won't be dancing at the Jellicle Ball after all.
According to Deadline, the British choreographer has stepped away from the upcoming film adaptation of CATS after scheduling conflicts with The Royal Ballet arose. Though principal dancers Francesca Hayward and Steven McRae are taking brief hiatuses from performing with The Royal to allow for their filming obligations, we're guessing that the full-length McGregor is working on for the company (the first part of which is slated to premiere July 2019 in Los Angeles) needed to take priority.
And who is stepping in to replace him? None other than Tony Award–winning choreographer Andy Blankenbuehler.
At first glance, Times Square might seem like a near-impossible location for a site-specific dance performance. Between tourists posing for selfies, flashing billboards, New Yorkers rushing to work and people in Batman costumes trying to make a buck, it can be completely overwhelming and overstimulating. But that also makes it interesting.
"At its essence, Times Square is bodies moving through time and space," says Andrew Dinwiddie, acting director of public art at the Times Square Alliance. It's also a place with a rich dance history, from vaudeville to Broadway musicals to dance halls and studios.
Dinwiddie worked with Judy Hussie-Taylor, the executive director and chief curator of Danspace Project, to create a program of original works in Times Square this fall that reference the history and experience of the place. An estimated 33,000 people passed through the area each day during the four-hour program—most just happening upon it. What they saw was unique even for Times Square.
Don't get us wrong: We're totally looking forward to enjoying a delicious Thanksgiving dinner. But one of our favorite parts of the holiday actually happens in the morning. We've got six reasons for you to wake up early on Turkey Day, and they're all part of Macy's Thanksgiving Day Parade.
The 92nd annual holiday event airs at 9 am Eastern on NBC, and this year, you can catch live performances from five Broadway shows, plus everyone's favorite high-kicking dancers, the Radio City Rockettes.
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How do you honor a comedian lauded for her physical humor and awkward dancing? Commission a contemporary dance, of course. Better yet, have the stars of HBO's "Broad City," Abbi Jacobson and Ilana Glazer—physical comedians and awkward dancers in their own right—star in a contemporary dance.
Last month, comedian Julia Louis-Dreyfus was awarded the 2018 Mark Twain Prize for American Humor at The Kennedy Center. (The ceremony airs tonight on PBS.) Most known for her role as Elaine on "Seinfeld," Louis-Dreyfus has had a long career of tickling funny bones, from her start at Chicago's Second City, then on "Saturday Night Live," CBS's "The New Adventures of the Old Christine" and now as foul-mouthed Vice President Selina Meyer on "Veep."
The "Broad City" gals determined that the best way to honor their idol was to dance, an appropriate choice considering "The Elaine," the dance that became Louis-Dreyfus' piece de resistance on "Seinfeld." (Not to mention her other go-to physical comedy moments as Elaine, like "The Shove"—hands on the chest, forcefully pushing one's companion back, sometimes with the exclamation "Get out!"—or the twitchy forefinger devil horns.)
It's the casting news we didn't know we needed until we heard it. Ever since it was announced that Wayne McGregor would be choreographing the new film adaptation of CATS, we've been anxiously waiting to hear whether any recognizable names from the dance world would be joining the A-list cast (which, in case you missed it, already includes Jennifer Hudson, Sir Ian McKellan, Taylor Swift and James Corden). But never in our wildest dreams did we think that a Royal Ballet principal would be the first dancer to sign on.
What better way for dancers to celebrate Halloween than by seeing Luca Guadagnino's outrageous re-imagining of the 1977 horror film Suspiria? The movie, which includes extended dance sequences by Belgo-French choreographer Damien Jalet, is principally set at the fictitious Helena Markos Dance Company in West Berlin. The school's artistic director Madame Blanc (think Martha Graham meets Pina Bausch) is played by Tilda Swinton, and Dakota Johnson plays Susie Bannion, her American star pupil. But all is not what it seems at the company. In reality, it houses a coven of witches.
Recently, Dance Magazine interviewed Jalet via email about his work on Suspiria, in theaters now.
With limited space for luggage on the tour bus, Justin Timberlake dancer Natalie Gilmore makes sure her beauty routine can pull double duty. "Most of the stuff I use day to day I also use onstage," she says, adding that the dancers do their own hair and makeup for every show. "They give us a lot of freedom to use what we want, and I really enjoy getting to play with new products and experiment with different looks." That same freedom she has with her look carries over into her performance. "There's a lot of freestyle in the show," Gilmore says. "We have certain places we need to be, but we're able to map out how we want things to flow—I have a lot of fun with it."
What happens when you mix two really good things together? Sometimes, it can be magical. It's practically guaranteed when one of those elements is the wizarding world of Harry Potter, and the other is—wait for it—dance-team–style hip hop.
Dance and high-fashion collaborations are always something we get excited about, whether it's New York City Ballet's annual Fall Fashion Gala or Sergei Polunin's campaign with Balmain. The latest dancer-designer dream team comes courtesy of Paris Fashion Week, where Dior creative director Maria Grazia Chiuri and L-E-V co-founder Sharon Eyal joined forces for some serious runway magic.
The late pioneering dancer Arthur Mitchell was an icon in the dance world—as well as a touchstone in popular culture. Not only did he break boundaries at New York City Ballet, where he performed under Balanchine as a black male principal, but he also went on to co-found Dance Theatre of Harlem. But his international acclaim wasn't limited to the stage: Mitchell and DTH were featured in a special 1987 episode of "Mister Rogers Neighborhood," bringing ballet into living rooms across America.
Joining all of the fashion month festivities is Sergei Polunin—but you won't catch him walking down the runway. The dancer- turned-actor is dipping his toes into the modeling world as part of the campaign for Balmain's Fall/Winter 2018 collection in designs by Olivier Rousteing (known for his embellished creations favored by celebrities like Beyoncé and Jennifer Lopez).
We admit it. We're picky about dance movies. They don't always represent our beloved art form accurately, or use real dancers to play the main roles.
But we just watched the first trailer for the new Carlos Acosta biopic, Yuli, and we're kinda speechless:
Serena Williams has been killing it lately, and we're not just talking about her tennis game.
In May, the star played in a catsuit at the French Open. The skintight post-pregnancy garb—which she said helped prevent dangerous blood clots—was a departure from the usual skirts or dresses still seen in women's tennis. Even. Though. It's. 2018.
Back in January, we took a look at Hollywood's 2018 dance card. While Red Sparrow and the Tiler Peck documentary Ballet Now have been released, several other films that piqued our curiosity are still in various stages of development. (And some have been radio silent, like the Carmen being helmed by Benjamin Millepied.) From Misty Copeland to Carlos Acosta, new trailers to first looks, here's the latest on the dancing we might just see on the big screen later this year.
Viral dance videos can be refreshingly surprising: You're scrolling through your Facebook feed, and suddenly a clip flashes by—maybe it's a ballerina's dizzying string of fouettés, a b-boy deftly spinning on his head or flamenco dancers in a fashion show. These days, it seems like movement-driven video snippets are being shared by fellow dancers and non-dance friends alike.
In the fashion world, being part of the Pirelli Calendar is a career milestone. Supermodels like Naomi Campbell, Cindy Crawford and Kate Moss have all posed for some of the world's most celebrated photographers in the annual calendar, and now, ballet is making its mark. For the 2019 edition, Pirelli announced American Ballet Theatre principal Misty Copeland as one of the four featured women, which also includes model Gigi Hadid and actresses Laetitia Casta and Julia Garner. Fellow ABT dancer, soloist Calvin Royal III and Ukrainian ballet star Sergei Polunin are joined by designer Alexander Wang in the roles of supportive boyfriend/mentor.
Rebecca Ferguson is indestructible. In Mission: Impossible—Fallout, the sixth and latest installment of the Mission: Impossible franchise, the Swedish actress, who plays MI6 agent Ilsa Faust, punches, pummels, kicks and spins her way out of the clutches of a series of evermore thuggish villains. Since Ferguson did many of her own stunts, it should come as no surprise that, from a very young age, she studied ballet, tap, jazz, street funk and Argentine tango. In fact, she taught tango in Sweden and still loves to dance today.
Dance Magazine caught up with Ferguson this week as she was being ferried by SUV to and from promotional interviews in Los Angeles. Mission: Impossible—Fallout opens this Friday, July 27.