Meet Our 2018 Dance Magazine Award Honorees
Today, we are thrilled to announce the honorees of the 2018 Dance Magazine Awards. A tradition dating back to 1954, the Dance Magazine Awards celebrate the living legends who have made a lasting impact on dance. This year's honorees include:
Ronald K. Brown
At only 18 years old, Ronald K. Brown founded Evidence, A Dance Company, out of a desire to tell the stories of the communities around him. Thirty-three years later, Evidence is now a mainstay in the modern dance world and Brown is a vanguard among choreographers fusing Western modern dance with movement from the African diaspora. In addition to running his own troupe, he's choreographed on such companies as Alvin Ailey American Dance Theater (including 1999's much-beloved Grace) and won an Astaire Award for his choreography on Broadway's Porgy & Bess in 2012.
Since becoming artistic director of Miami City Ballet in 2012, Lourdes Lopez has successfully built upon its Balanchine legacy while also embracing Miami's unique cultural identity. She first rose to prominence as a principal dancer with New York City Ballet, performing featured roles in works by George Balanchine and Jerome Robbins. Her wide-ranging career has also included stints as a cultural arts reporter on WNBC-TV, a faculty member at such institutions as Barnard College and Ballet Academy East, the executive director of The George Balanchine Foundation, and a co-founder of The Cuban Artists Fund and of Morphoses.
Since creating her company Kidd Pivot in 2002, choreographer Crystal Pite has become a critical darling for her dark, mysterious works that powerfully explore the human condition. Her increasingly ambitious productions, some featuring more than 60 dancers, span dance theater to contemporary ballet. A former dancer with Ballet British Columbia and William Forsythe's Ballett Frankfurt, Pite has created more than 50 works for companies like Paris Opéra Ballet, The Royal Ballet and Cullberg Ballet. Today, she is an associate choreographer of Nederlands Dans Theater, associate dance artist of Canada's National Arts Centre and associate artist at Sadler's Wells in London.
As a member of the Paul Taylor Dance Company for 20 years, Michael Trusnovec has commanded the repertory with authority and artistry. He has excelled in roles as diverse as the tormented and tormenting preacher in Speaking in Tongues; the lyrical central figure in Aureole; the dogged detective in Le Sacre du Printemps (The Rehearsal); and the corporate devil in Banquet of Vultures. His work has been honored with a Bessie Award and he was named the Positano Premia La Danza Dancer of the Year in 2016. Having created 26 roles in Taylor premieres, he now serves as company rehearsal director in addition to being one of PTDC's central performers.
Leadership Award: Nigel Redden
For the first year ever, Dance Magazine is also presenting a special Leadership Award, which is being given to Nigel Redden. Over the course of his career, Redden's expansive, globalist vision has guided performing arts institutions across the country, from the Walker Arts Center in Minnesota to the Santa Fe Opera. For two decades (1998-2017), Redden served as the director of New York City's wide-ranging Lincoln Center Festival. Today, he continues to direct the Spoleto Festival USA in Charleston, South Carolina, which he has led since 1995.
Harkness Promise Awardees
Left: Ephrat Aherie, photo by Matthew Murphy. Right: Raja Feather Kelly, photo by Kate Shot Me
Another new award, The Harkness Promise Award, will shine a light on two young artists for the promise of their artistic work. The inaugural awardees are Raja Feather Kelly and Ephrat "Bounce" Asherie. The Harkness Foundation For Dance received proceeds from last year's Dance Magazine Awards for this grant. The award showcases innovative thinking and how to be an effective artist-citizen who positively impacts dance and the broader community through performance, education, organization and activism. Proceeds from this year's Dance Magazine Awards will be applied to next year's Harkness Promise Awards.
Come Celebrate with Us!
A ceremony to celebrate this year's honorees will take place on Monday, December 3 at the Ailey Citigroup Theater in New York City. Former Dance Magazine Award winner Misty Copeland will open the event with welcoming remarks. Performances and presentations for each honoree will follow.
Tickets start at $50 and can be purchased here or by emailing firstname.lastname@example.org.
Back in 2011 when Joe Lanteri first approached Katie Langan, chair of Marymount Manhattan College's dance department, about getting involved with New York City Dance Alliance, she was skeptical about the convention/competition world.
"But I was pleasantly surprised by the enormity of talent that was there," she says. "His goal was to start scholarship opportunities, and I said okay, I'm in."
Today, it's fair to say that Lanteri has far surpassed his goal of creating scholarship opportunities. But NYCDA has done so much more, bridging the gap between the convention world and the professional world by forging a wealth of partnerships with dance institutions from Marymount to The Ailey School to Complexions Contemporary Ballet and many more. There's a reason these companies and schools—some of whom otherwise may not see themselves as aligned with the convention/competition world—keep deepening their relationships with NYCDA.
Now, college scholarships are just one of many ways NYCDA has gone beyond the typical weekend-long convention experience and created life-changing opportunities for students. We rounded up some of the most notable ones:
We knew that Ivo van Hove and Anne Teresa de Keersmaeker's production of West Side Story would challenge our preconceived notions about the show.
But a recent Vogue story gives us a taste of just how nontraditional the Broadway revival will be. Most notably, van Hove is cutting "I Feel Pretty" and the "Somewhere" ballet, condensing the show into one act to better reflect the urgency of the 48-hour plot. (The choice has been approved by the West Side Story estate, including Sondheim, who has "long been uncomfortable" with some of the "I Feel Pretty" lyrics.)
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