Clockwise from top left: Crystal Pite, photo by Michael Slobodian; Lourdes Lopez, photo by Alexander Iziliaev; Michael Trusnovec, photo via Instagram; Ronald K. Brown, photo by Julieta Cervantes

Meet Our 2018 Dance Magazine Award Honorees

Today, we are thrilled to announce the honorees of the 2018 Dance Magazine Awards. A tradition dating back to 1954, the Dance Magazine Awards celebrate the living legends who have made a lasting impact on dance. This year's honorees include:


Ronald K. Brown

At only 18 years old, Ronald K. Brown founded Evidence, A Dance Company, out of a desire to tell the stories of the communities around him. Thirty-three years later, Evidence is now a mainstay in the modern dance world and Brown is a vanguard among choreographers fusing Western modern dance with movement from the African diaspora. In addition to running his own troupe, he's choreographed on such companies as Alvin Ailey American Dance Theater (including 1999's much-beloved Grace) and won an Astaire Award for his choreography on Broadway's Porgy & Bess in 2012.

Lourdes Lopez

Since becoming artistic director of Miami City Ballet in 2012, Lourdes Lopez has successfully built upon its Balanchine legacy while also embracing Miami's unique cultural identity. She first rose to prominence as a principal dancer with New York City Ballet, performing featured roles in works by George Balanchine and Jerome Robbins. Her wide-ranging career has also included stints as a cultural arts reporter on WNBC-TV, a faculty member at such institutions as Barnard College and Ballet Academy East, the executive director of The George Balanchine Foundation, and a co-founder of The Cuban Artists Fund and of Morphoses.

Crystal Pite

Since creating her company Kidd Pivot in 2002, choreographer Crystal Pite has become a critical darling for her dark, mysterious works that powerfully explore the human condition. Her increasingly ambitious productions, some featuring more than 60 dancers, span dance theater to contemporary ballet. A former dancer with Ballet British Columbia and William Forsythe's Ballett Frankfurt, Pite has created more than 50 works for companies like Paris Opéra Ballet, The Royal Ballet and Cullberg Ballet. Today, she is an associate choreographer of Nederlands Dans Theater, associate dance artist of Canada's National Arts Centre and associate artist at Sadler's Wells in London.

Michael Trusnovec

As a member of the Paul Taylor Dance Company for 20 years, Michael Trusnovec has commanded the repertory with authority and artistry. He has excelled in roles as diverse as the tormented and tormenting preacher in Speaking in Tongues; the lyrical central figure in Aureole; the dogged detective in Le Sacre du Printemps (The Rehearsal); and the corporate devil in Banquet of Vultures. His work has been honored with a Bessie Award and he was named the Positano Premia La Danza Dancer of the Year in 2016. Having created 26 roles in Taylor premieres, he now serves as company rehearsal director in addition to being one of PTDC's central performers.

Leadership Award: Nigel Redden

For the first year ever, Dance Magazine is also presenting a special Leadership Award, which is being given to Nigel Redden. Over the course of his career, Redden's expansive, globalist vision has guided performing arts institutions across the country, from the Walker Arts Center in Minnesota to the Santa Fe Opera. For two decades (1998-2017), Redden served as the director of New York City's wide-ranging Lincoln Center Festival. Today, he continues to direct the Spoleto Festival USA in Charleston, South Carolina, which he has led since 1995.

Harkness Promise Awardees

Left: Ephrat Aherie, photo by Matthew Murphy. Right: Raja Feather Kelly, photo by Kate Shot Me

Another new award, The Harkness Promise Award, will shine a light on two young artists for the promise of their artistic work. The inaugural awardees are Raja Feather Kelly and Ephrat "Bounce" Asherie. The Harkness Foundation For Dance received proceeds from last year's Dance Magazine Awards for this grant. The award showcases innovative thinking and how to be an effective artist-citizen who positively impacts dance and the broader community through performance, education, organization and activism. Proceeds from this year's Dance Magazine Awards will be applied to next year's Harkness Promise Awards.

Come Celebrate with Us!

A ceremony to celebrate this year's honorees will take place on Monday, December 3 at the Ailey Citigroup Theater in New York City. Former Dance Magazine Award winner Misty Copeland will open the event with welcoming remarks. Performances and presentations for each honoree will follow.

Tickets start at $50 and can be purchased here or by emailing dmawards@dancemedia.com.

For more details, see our press release. You can browse a list of all past recipients here.

Latest Posts


Courtesy Schelfhaudt

These Retired Ballroom Dancers Started a Dance-Themed Coffee Company

Like many dancers, when Lauren Schelfhaudt and Jean Paul retired from professional ballroom dancing in 2016, they felt lost. "There was this huge void," says Schelfhaudt.

But after over 20 years of dancing, plus United States and World Championship titles, reality shows, and high-profile choreography gigs (and Paul's special claim to fame, as "the guy who makes Bradley Cooper look bad" in Silver Linings Playbook), teaching just didn't fill the void. "I got to the point where it wasn't giving me that creative outlet," says Paul.

When the pair (who are life and business partners but were never dance partners—they competed against one another) took a post-retirement trip to Costa Rica, they were ready to restart their lives. They found inspiration in an expected place: A visit to a coffee farm.

Though they had no experience in coffee roasting or business, they began building their own coffee company. In 2018, the duo officially launched Dancing Ox Coffee Roasters, where they create dance-inspired blends out of their headquarters in Belmont, North Carolina.

We talked to Schelfhaudt and Paul about how their dance background makes them better coffee roasters, and why coffee is an art form all its own:

GO DEEPER