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Dance Magazine Awards
In 2017, we celebrate Rennie Harris, Marika Molnar, Linda Celeste Sims and Diana Vishneva.
Join us to celebrate with live performances and special guests at New York's Ailey Citigroup Theater on December 4. For the first time, this year's event will donate proceeds to the Harkness Foundation for Dance to fund a newly-created award for choreographers in their first decade of professional work. Click here for the official press release.
Tickets to the performance and post-awards cocktail party are $250. Opportunities to participate at a leadership level of $1,000 are available and include a VIP pre-performance champagne reception. Performance-only tickets are $50. To order, email firstname.lastname@example.org or call 212-979-4872.
Watch highlights from the 2016 Dance Magazine Awards.
See all the past recipients of Dance Magazine Award below.
Jawole Willa Jo Zollar
Brenda Bufalino and Tony Waag
Yuan Yuan Tan
Dr. William Hamilton
Pilobous Dance Theatre
Jason Samuels Smith
Bettie de Jong
Eiko & Koma
Joan Meyers Brown
Jose Manuel Carreño
Charles and Stephanie Reinhart
Michael M. Kaiser
Barbara Horgan for the Balanchine Trust
Al Pischl for Dance Horizons
Dame Ninette de Valois
Anna-Marie Holmes and Bruce Marks
Hernando Cortez & Dancers Responding to AIDS
Francia Russell and Kent Stowell
Fayard and Harold Nicholas
Bill T. Jones
Pierre Dulaine and Yvonne Marceau
"Dancing for Life"
Moscelyne Larkin and Roman Jasinski
P. W. Manchester
Charles "Honi" Coles
Dance Masters of America, Inc.*
Martine van Hamel
Laura Dean Arnold Spohr
Selma Jeanne Cohen
Sir Anton Dolin Twyla Tharp
Herbert Ross and Nora Kaye*
E. Virginia Williams
The Christensen Brothers (Lew, Harold, Willam)
Sir Frederick Ashton
Wesleyan University Press
Agnes de Mille
Dance on TV: Adventure (CBS)
Tony Charmoli (NBC)
Max Liebman (NBC)
***** FOR IMMEDIATE RELEASE *****
Contact: Nicole Buggé
Dance Media Publications, LLC
Dance Magazine is pleased to announce that the annual Dance Magazine Awards, the most prestigious awards event in dance, will make the Harkness Foundation for Dance the beneficiary of the proceeds from the event, which will be held on Monday, December 4, at the Ailey Citigroup Theater (405 West 55th Street) in Manhattan. The Harkness Foundation for Dance, a leading donor to dance, will in turn designate the proceeds to a newly created award to assist choreographers in their first decade of professional work.
''I am thrilled that we are able, in partnership with the Harkness Foundation, to provide tangible support to the dance community. I could think of no better way to leverage the power of Dance Magazine, now celebrating its 90th anniversary.''—Frederic M. Seegal, owner and CEO, Dance Media Publications, LLC
The Dance Magazine Awards recognize outstanding men and women whose contributions have left a lasting impact on dance. The tradition dates back to 1954. The new Harkness Promise Award seeks to shine a light on the other end of the spectrum, recognizing emerging young artists for the promise of their artistic work, and also for their innovative thinking about how to be an effective artist-citizen who positively impacts dance and the broader community through performance, education, organization, activism or other means. From 1986 to the present, the Harkness Foundation has contributed over $30 million to more than 560 organizations across the industry.
The Harkness Promise Award will include a $5,000 unrestricted grant, up to 40 hours of studio space within the grant year, and ongoing consulting and mentorship with Joan Finkelstein, the foundation's executive director. A performance project may result from this support, but is not a condition of the award. The first recipient(s) will be announced in June 2018.
"The Harkness Foundation for Dance is honored to partner with the dance field's indisputable magazine of record, Dance Magazine. The Foundation is excited about this new initiative, which will extend our ability to support the future of the dance field.'' —Joan Finkelstein, Executive Director, The Harkness Foundation for Dance
The winners of the 60th annual Dance Magazine Awards will be announced in the October 2017 issue of Dance Magazine. To facilitate the success of the awards event and fundraising for the Harkness Promise Award, a gala committee is in formation.
Tickets to the performance and post-awards cocktail party and buffet are $250. Opportunities to participate at a leadership level of $1,000 are available and include a VIP pre-performance champagne reception. Performance-only tickets are $50. To order, email email@example.com or call 212-979-4872.
About Dance Magazine:
For 90 years, Dance Magazine has provided insight and practical information, as well as news, interviews and beautiful, original photography. Dance Magazine illuminates the art form on a global scale, often breaking ground with fiercely personal accounts of life as a dancer. Dance Magazine is published by Dance Media Publications, LLC, whose properties also include: Dance Spirit®, Dance Teacher®, Pointe® and Dance Retailer NewsTM, plus associated websites and apps.
About The Harkness Foundation for Dance:
The Harkness Foundation for Dance is a private grant-making foundation dedicated to invigorating and supporting the dance art-form, predominantly in New York City. Since 1959, the Harkness name has been synonymous with dance philanthropy. The Foundation carries forward the lifelong dedication to the dance art form of the great American dance patron Rebekah Harkness. Over many decades, this support has taken the form of funding, rehearsal and theater space, technical assistance, and guidance—an unrivaled legacy that has touched countless dance artists and companies in all dance styles and genres. With a broad focus that spans dance creation, presentation, education, medicine and other vital services to the dance field, from 1986 to the present the Harkness Foundation has contributed over $30 million to more than 560 organizations across the industry. For more information: harknessfoundation.org
Every dancer knows that how you fuel your body affects how you feel in the studio. Of course, while breakfast is no more magical than any other meal (despite the enduring myth that it's the most important one of the day), showing up to class hangry is a recipe for unproductive studio time.
So what do your favorite dancers eat in the morning to set themselves up for a busy rehearsal or performance day?
When it comes to dance in the U.S., companies in the South often find themselves overlooked—sometimes even by the presenters in their own backyard. That's where South Arts comes in. This year, the regional nonprofit launched Momentum, an initiative that will provide professional development, mentorship, touring grants and residencies to five Southern dance companies.
You ever just wish that Kenneth MacMillan's iconic production of Romeo and Juliet could have a beautiful love child with the 1968 film starring Olivia Hussey? (No, not Baz Luhrmann's version. We are purists here.)
Wish granted: Today, the trailer for a new film called Romeo and Juliet: Beyond Words was released, featuring MacMillan's choreography and with what looks like all the cinematic glamour we could ever dream of:
While you might think of dance as a primarily visual art form, performances engage us on multiple levels. Our ears take in the score, the artists' breathing patterns, fellow audience members' reactions, and the physical percussion made by the dancers' footfalls and partnering. All of this information is available to audience members with limited to no vision, and when it comes to providing them with the rest, there are multiple approaches being refined by experts in the field generally referred to as "audience accessibility."
Even though it's been a year since he took his last bow in the piece, Kidd Pivot dancer Jermaine Maurice Spivey still feels the aftermath of touring in Crystal Pite and Jonathon Young's Betroffenheit. The harrowing piece chronicles Young's own journey through tragedy, with dancers embodying his grief, trauma, guilt, addiction, euphoria and glee. "We endured an emotional negotiation each night because of how much the show cost. It was a weird kind of dread, because you wanted to pay the full cost. Otherwise you couldn't do the show justice."
Dance psychologist JoAnne La Fleche says there's little research on the emotional fallout from challenging performances like Betroffenheit, but dancers with poor self-care may be at risk of developing secondhand trauma or PTSD-like symptoms. These can range from fatigue, anxiety and depression to flashbacks and panic episodes.
Most people may know Derek Dunn for his impeccable turns and alluring onstage charisma. But the Boston Ballet principal dancer is just as charming offstage, whether he's playing with his 3-year-old miniature labradoodle or working in the studio. Dance Magazine recently spent the day with Dunn as he prepared for his debut as Albrecht in the company's upcoming run of Giselle.
You know compelling musicality when you see it. But how do you cultivate it? It's not as elusive as it might seem. Musicality, like any facet of dance, can be developed and honed over time—with dedicated, detailed practice. At its most fundamental, it's "respect for the music, that this is your partner," says Kate Linsley, academy principal of the School of Nashville Ballet.