Guides & Resources

College Guide

Don't know where to begin your college search? You'll find everything you need in the all new, updated Dance Magazine College Guide 2017/2018! With 628 college & university dance programs, the College Guide is everything you need to make your college decision.

  • Dance degree spotlights
  • Student perspectives on college life
  • Best questions to ask on your college tour
  • Financial advice: How to get funding, and where
  • Plus: Helpful charts, timelines, contact details and much more!

Search for colleges online here

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25 to Watch
Yeman Brown in Reggie Wilson's Citizen. Photo by Aitor Mendilibar, Courtesy Brown

It's no wonder Yeman Brown was nominated for a 2017 Outstanding Performer Bessie for his performance in Reggie Wilson's Citizen. Amidst the marathon of broken-up solos, Brown flies through the lightning-fast choreography. His movement is both gestural and athletic—not to mention deeply poetic—and is driven by a particular force which exudes a matter-of-fact command of the stage.

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Popular

Allow me to start with a question.

In the average graduating class of any dance program (in styles that use pirouettes), how many of the graduates can do a quadruple, clean, controlled, pirouette with consistency? Forty percent? Fifty? Seventy percent? Think carefully before you answer.

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Popular
Sarah-Gabrielle Ryan (at right) sang and danced as Maria in Jerome Robbins' West Side Story Suite. Photo by Lindsay Thomas, Courtesy PNB

When Sarah-Gabrielle Ryan was 5 years old, her mother took her to a Pennsylvania Ballet production of Swan Lake. "One day, you'll be a ballerina," her mother said. Ryan replied, "I already am one." Even at that age, Ryan was confident about her future; with good reason, it turns out. Sixteen years later, she's starting her third season at Pacific Northwest Ballet. Though still a corps member, she's already danced Sugar Plum Fairy, featured roles in Crystal Pite's Emergence and William Forsythe's New Suite, and the pas de deux in Balanchine's "Rubies."

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Just for Fun
Why yes, we did just photoshop Jennifer Garner's head onto our 2017 cover with Isabella Boylston.

In case you missed it, our favorite actress/dance fangirl Jennifer Garner hit the studio this weekend to brush up on her technique (stars, they really are just like us). And the end result might be even better than Garner's #TutuTuesday posts. At the request of American Ballet Theatre principal Isabella Boylston, Garner took to her Instagram story to participate in Lil Buck's #GoinInCirclesChallenge.

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Dance on Broadway
Christopher Gattelli's Broadway choreography, here in My Fair Lady, is rooted in moving the story forward. Photo by Joan Marcus, Courtesy Lincoln Center Theatre.

The 20-somethings doing Broadway Dance Lab's first-ever Choreography Summer Intensive ended their recent tour of Lincoln Center's New York Public Library for the Performing Arts with something special. In the seminar room, Tony-winning choreographer Christopher Gattelli awaited them with a conference table laden with Broadway treasures from the library's collection. Decades-old original sketches and black-and-white production photos from My Fair Lady, The King and I and South Pacific served as visual aids for Gattelli's discussion of these shows' Lincoln Center Theater revivals, as well as My Fair Lady's 2016 60th-anniversary production at the Sydney Opera House, directed by the original Eliza, Julie Andrews.


Prodded by BDL founder Josh Prince, Gattelli talked about tackling those three musical theater classics and the art of Broadway choreography in general. Here are some highlights, edited and annotated for clarity.

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Health & Body
Recovery doesn't always follow your ideal timeline. Photo by Jairo Alzate/Unsplash

You've rested and rehabilitated. But what if an injury still bothers you? Health-care professionals share eight reasons dancers might heal more slowly than expected.

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Popular
via capezio.com

Time for a quick pop quiz: What does "BTS" stand for?

A. Back To the Studio

B. Behind The Scenes

C. Back To School

D. Back To Shopping

Answer: All of the above! We've searched far and wide to round up a trio of blockbusting BTS online sales that you won't want to miss. Ready, set, stock up on everything you'll need for the 2018–2019 year of dance.

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Health & Body
It doesn't have to be diagnosable by the DSM-5 to be dangerous to your health. Photo by Dominik Martin/Unsplash

When the cat food started smelling good, I knew I had a problem.

I'd always considered eating disorders to be extreme. Someone who never eats. Someone who weighs less than 100 pounds. Someone who gets hospitalized.

My behavior didn't fit the mental health definition of an eating disorder. I ignored it because I didn't know how to articulate it. It took me several years after the cat food smelled good to have the language to describe what was going on.

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Career Advice
A successful career takes more than great technique. Photo by Thinkstock

Since its founding in 1999, more than 80,000 ballet dancers have participated in Youth America Grand Prix events. While more than 450 alumni are currently dancing in companies across the world, the vast majority—tens of thousands—never turn that professional corner. And these are just the statistics from one competition.

"You may have the best teacher in the world and the best work ethic and be so committed, and still not make it," says YAGP founder Larissa Saveliev. "I have seen so many extremely talented dancers end up not having enough moti­vation and mental strength, not having the right body type, not getting into the right company at the right time or getting injured at the wrong moment. You need so many factors, and some of these are out of your hands."

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Dancers Trending
JbDubs gives Beyoncé a run for her money. Screenshot via YouTube

Our August cover star James Whiteside isn't just a principal dancer at American Ballet Theatre (as if that isn't accomplishment enough!). He's also a pop star named JbDubs, who makes clever, danceable music and sheds his princely onstage persona for a flamboyant, raunchy one. Needless to say, his music videos feature some incredible dancing—from hip hop to jazz to ballet—and some hilarious characters.

We rounded up the best of them—you can thank us later.

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Rant & Rave
Instagram tags don't pay the bills. Photo by Andrei Lazarev/Unsplash

Earlier this week, a friend of a friend reached out to me seeking recommendations for a dancer/choreographer to hire. She wanted someone who could perform a solo and talk about their process for an arts-appreciation club. After a few emails back and forth, as I was trying to find out exactly what kind of choreographer she was looking for, it eventually emerged that she was not looking to pay this person.

"We are hoping to find someone who would be willing to participate in exchange for the exposure," she wrote.

Why do people think this is an okay thing to ask for?

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News
MOMIX dancers in "Marigolds." Photo by Max Pucciarello, courtesy of MOMIX.

For most dancers, the costumes act as the finishing touch. At MOMIX, however, the costumes are just the starting point. In order for the company of dancer-illusionists to become marigolds or stars onstage, founder and artistic director Moses Pendleton sets his movement to the costumes (designed by Phoebe Katzin), letting the sometimes-unconventional designs shape the finished piece.

So, what's it like working on a piece like Paper Trails, where the dancers are costumed in paper that later transforms into a 12-foot dress? We spoke with Pendleton and MOMIX dance captain Sarah Nachbauer to learn all of the details of how they get their concepts from the studio to the stage—and all of the costume mishaps in between.

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Popular
As director/performer Julie Gautier's AMA is shared and reshared by video aggregators on social media, the late choreographer Ophélie Longuet has been largely uncredited.

Viral dance videos can be refreshingly surprising: You're scrolling through your Facebook feed, and suddenly a clip flashes by—maybe it's a ballerina's dizzying string of fouettés, a b-boy deftly spinning on his head or flamenco dancers in a fashion show. These days, it seems like movement-driven video snippets are being shared by fellow dancers and non-dance friends alike.

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Breaking Stereotypes
Misty Copeland in Dying Swan, photo by Karolina Kuras, via Instagram

Last night, Misty Copeland posted a call to action in a pair of Instagram posts, calling for her followers to share the names of African-American ballerinas.

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Career Advice
David Hallberg wants to give choreographers a place to experiment. Photo by Patrick Frenette, courtesy ABT

The Metropolitan Opera House is a stadium; an ornately lush stadium, but one nonetheless. The 3,800-seat challenge that American Ballet Theatre readily tackles is typically filled to capacity because of the stalwarts: Swan Lake, Romeo and Juliet, the classics that, without doubt, have stood the test of time and have brought people in droves to the Met.

A new commission is a risk best handled by the choreographers who can produce works that offer seasoned polish and dependability. Rarely is it given to an "unknown." And although, in the history of large commissions, there inevitably exists a freedom of creative impulse, that freedom must not reach too deep, for the fall off the cliff is steep and far. There is simply too much at stake: time, money, reputation.

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Dance History
Bronislava Nijinska, at 80, staging her Les Noces. Photo by Serge Lido, Courtesy DM Archives

In the August 1963 issue of Dance Magazine, we caught up with Bronislava Nijinska, then 72. After leaving the Mariinsky in 1911 to follow her younger brother, Vaslav Nijinsky, to Diaghilev's Ballets Russes, Nijinska carved out a stellar performing career for herself. While Nijinsky often worked out his now-legendary dances, including his Afternoon of a Faun, on her, Nijinska ultimately proved to be the more prolific choreographer—and an equally gifted one, at that. When we spoke to her, she was as energetic as ever, getting up to demonstrate bits of choreography when she felt her words fell short. She told us, "You listen to music through your ears—yes? I listen to music through my eyes. I want my ballets to be music through the eyes, so if you would close your ears you could still hear the music—you could see the music. A paradox! But a paradox close to the center of my idea of ballet."

Cover Story
All hail Queen Marianela. Photo by Laura Gallant

After 20 years at The Royal Ballet, Marianela Nuñez has more than a few words of wisdom to share. As writer Lyndsey Winship points out in our September cover story, over the past two decades Nuñez has never missed a season, and never once had a serious injury. She's stayed with the company through four directors, rising through the ranks to become its star.

So what's the secret of her staying power?

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