All the Dance Movies You'll Want to See in Theaters This Year
Back in January, we took a look at Hollywood's 2018 dance card. While Red Sparrow and the Tiler Peck documentary Ballet Now have been released, several other films that piqued our curiosity are still in various stages of development. (And some have been radio silent, like the Carmen being helmed by Benjamin Millepied.) From Misty Copeland to Carlos Acosta, new trailers to first looks, here's the latest on the dancing we might just see on the big screen later this year.
The Nutcracker and The Four Realms
We already knew about Misty Copeland's involvement, but Sergei Polunin, too? The dance bona-fides in this film are no joke, with Liam Scarlett choreographing (and acting as movement director elsewhere in the film) and Lil Buck (!) providing motion capture for the Mouse King. And we'll admit that we're intrigued by the recasting of Mother Ginger (played by Helen Mirren) as the film's villain. In theaters November 2.
The trailer for the remake of the 1977 horror film, helmed by Luca Guadagnino (Call Me By Your Name), pretty much confirmed our suspicions that terror is going to be emphasized over technique in the final cut. But we recently learned that frequent Sidi Larbi Cherkaoui collaborator Damien Jalet choreographed for the film, including at least one major dance sequence. "We felt that dance needed to be part of the process of witchcraft," Guadagnino told Entertainment Weekly. Star Dakota Johnson added that, as a non-dancer, filming a staged dance performance was in and of itself "terrifying." In theaters November 2.
The White Crow
Oleg Ivenko as Rudolf Nureyev in The White Crow. Photo by Larry D. Horricks/BBC Films, via IMDB
We don't know much more about the Rudolf Nureyev biopic than we did back in January, but it was reported earlier this week that Sony Classics has acquired North American distribution rights to the Ralph Fiennes–directed picture. So we'll definitely be seeing this one in theaters, but whether that happens in time for it to be an awards season contender, at least this year, is up in the air. Tentatively slated for a 2018 release.
Still from Yuli. Via IMDB
We haven't heard any more official news about the Carlos Acosta biopic since filming commenced in November, but IMDB lists December 14 as the release date in Spain. (It's also where we found this absurdly adorable still, presumably from a scene featuring a young Acosta.) We're keeping our fingers crossed that the film, based on Acosta's memoir No Way Home and reportedly featuring lots of dancing, finds its way stateside.
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- Carlos Acosta - IMDb ›
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- Suspiria (1977) - IMDb ›
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- The Nutcracker and the Four Realms (2018) - IMDb ›
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Just four years ago, the University of Southern California's Glorya Kaufman School of Dance welcomed its first class of BFA students. The program—which boasts world-class faculty and a revolutionary approach to training focused on collaboration and hybridity—immediately established itself as one of the country's most prestigious and most innovative.
Now, the first graduating class is entering the dance field. Here, six of the 33 graduates share what they're doing post-grad, what made their experience at USC Kaufman so meaningful and how it prepared them for their next steps:
Every dancer knows there's as much magic taking place backstage as there is in what the audience sees onstage. Behind the scenes, it takes a village, says American Ballet Theatre's wig and makeup supervisor, Rena Most. With wig and makeup preparations happening in a studio of their own as the dancers rehearse, Most and her team work to make sure not a single detail is lost.
Dance Magazine recently spoke to Most to find out what actually goes into the hair and makeup looks audiences see on the ABT stage.
On a sunny July weekend, hundreds of Seattle-area dance fans converged on tiny Vashon Island, a bucolic enclave in Puget Sound about 20 miles from the city. They made the ferry trek to attend the debut performance of the fledgling Seattle Dance Collective.
SDC is not a run-of-the-mill contemporary dance company; it's the brainchild of two of Pacific Northwest Ballet's most respected principal dancers: James Yoichi Moore and Noelani Pantastico. The duo wanted to create a nimble organization to feature dancers and choreographers they felt needed more exposure in the Pacific Northwest.