News of Note: What You May Have Missed in August 2019
Here are the latest promotions, appointments and transfers, plus notable awards and accomplishments from the last month.
Comings & Goings
At The Royal Ballet, Anna Rose O'Sullivan and Luca Acri have been promoted to first soloist, Romany Pajdak, Isabella Gasparini, Tomas Mock and David Yudes to soloist. Gary Avis and Samantha Raine have been appointed senior ballet master and mistress, respectively.
Luke Schaufuss has joined Sarasota Ballet as a principal.
Taryn Kaschock Russell has been appointed director of Harkness Dance Center at 92Y.
Brian McSween has been appointed artistic director of Chattanooga Ballet.
Rory Hohenstein and Veronika Part have been appointed ballet masters at Atlanta Ballet.
Christine Chen has been appointed executive director at STREB.
Luca Sbrizzi will retire from Pittsburgh Ballet Theatre this season. His final performance will be in October.
Maggie Small and Fernando Sabino will retire from Richmond Ballet this season. Small's final performance will be in September, Sabino's in May.
Chris McAndrew, Courtesy The Corner Shop PR
Viviana Durante has been appointed director of dance at English National Ballet School for 2019–20.
Awards & Honors
2019 Princess Grace Awards for dance went to Jared Brown (The Juilliard School), Mia J. Chong (ODC/Dance), Stanley Glover (BalletX), Roman Mejia (New York City Ballet) and Byron Tittle (Dorrance Dance). Choreography fellowships went to Rena Butler (Hubbard Street Dance Chicago) and Randy Reyes (CounterPulse). Tommie-Waheed Evans (Lula Washington Dance Theatre) received an honoraria. Kyle Abraham received a special project grant, Raja Feather Kelly a works in progress residency award and Camille A. Brown a choreography mentorship co-commission award.
Ahead of the October 14 awards ceremony, the NY Dance and Performance Awards (the "Bessies") have announced that Joan Myers Brown will receive the 2019 Bessie Award for Lifetime Achievement in Dance, Louis Mofsie the 2019 Bessie Award for Outstanding Service to the Field of Dance.
- Five Must-See Dance Performances Happening This August ... ›
- News of Note: Dance News You May Have Missed in July 2019 ... ›
Back in 2011 when Joe Lanteri first approached Katie Langan, chair of Marymount Manhattan College's dance department, about getting involved with New York City Dance Alliance, she was skeptical about the convention/competition world.
"But I was pleasantly surprised by the enormity of talent that was there," she says. "His goal was to start scholarship opportunities, and I said okay, I'm in."
Today, it's fair to say that Lanteri has far surpassed his goal of creating scholarship opportunities. But NYCDA has done so much more, bridging the gap between the convention world and the professional world by forging a wealth of partnerships with dance institutions from Marymount to The Ailey School to Complexions Contemporary Ballet and many more. There's a reason these companies and schools—some of whom otherwise may not see themselves as aligned with the convention/competition world—keep deepening their relationships with NYCDA.
Now, college scholarships are just one of many ways NYCDA has gone beyond the typical weekend-long convention experience and created life-changing opportunities for students. We rounded up some of the most notable ones:
We knew that Ivo van Hove and Anne Teresa de Keersmaeker's production of West Side Story would challenge our preconceived notions about the show.
But a recent Vogue story gives us a taste of just how nontraditional the Broadway revival will be. Most notably, van Hove is cutting "I Feel Pretty" and the "Somewhere" ballet, condensing the show into one act to better reflect the urgency of the 48-hour plot. (The choice has been approved by the West Side Story estate, including Sondheim, who has "long been uncomfortable" with some of the "I Feel Pretty" lyrics.)
"The show must go on" may be a platitude we use to get through everything from costume malfunctions to stormy moods. But when it came to overcoming a literal hurricane, Houston Ballet was buoyed by this mantra to go from devastated to dancing in a matter of weeks—with the help of Harlequin Floors, Houston Ballet's longstanding partner who sprang into action to build new floors in record time.