Francesca Hayward, who won a 2019 UK National Dance Award, in rehearsal

Andrej Uspenski, Courtesy Royal Opera House

News of Note: What You May Have Missed in February 2020

Here are the latest promotions, appointments and transfers, plus notable awards and accomplishments from the last month.

Comings & Goings

Alejandro Cerrudo has been named Pacific Northwest Ballet's first resident choreographer. Kyle Davis has been promoted to principal.

Paris Opéra Ballet étoile Eleonora Abbagnato will give her final performance May 18.

Manuel Legris has been appointed artistic director of La Scala Ballet.

Christopher Anderson has been appointed artistic director designate at Alberta Ballet. He and current artistic director Jean Grand-Maître will become co-artistic directors in July 2021. For the 2022–23 season, Grand-Maître will become artist-in-residence as Anderson takes on full artistic director duties.

Ballet Theatre of Maryland artistic director Dianna Cuatto will retire in June. Her successor will be longtime company member Nicole Kelsch.

RIOULT Dance NY has appointed Jane Penn executive director.

Jane Penn smiles slightly as she looks seriously at the camera, arms crossed.

Jane Penn

Whitney Browne, Courtesy RIOULT

Dancewave executive and artistic director Diane Jacobowitz will step away from her roles in September.

DANCECleveland executive director Pamela Young will retire this August.

Yorgos Loukos has been dismissed from his post as director of Lyon Opera Ballet after he was convicted for pregnancy discrimination. Julie Guibert has been named artistic director.

Awards & Honors

Winners of the UK's National Dance Awards for 2019 are Marion Tai (De Valois Award for Outstanding Achievement), Marcelino Sambé, Francesca Hayward, San Francisco Ballet, Shobana Jeyasingh Dance, Alexei Ratmansky (for Shostakovich Trilogy), William Forsythe (for A Quiet Evening of Dance), Stina Quagebeur, Katja Khaniukova, Gary Avis, Solène Weinachter, Jonathan Goddard and conductor Gavin Sutherland (Outstanding Creative Contribution Award).

Ben Vereen will be honored by Inside Broadway with a Lifetime Achievement Award on March 16.

Opera Atelier co-artistic directors Marshall Pynkoski and Jeannette Lajeunesse Zingg have been awarded the French Officers of the Order of Arts and Letters. The ceremony of investiture will take place in December 2021.

Recipients of this year's Pina Bausch Fellowship for Dance and Choreography are McIntosh Jerahuni, NEVE Mazique and Majesty Royale. The fellowship grants them a travel stipend and monthly allowance to allow them to work with Jawole Willa Jo Zollar, Marc Brew and Gerard & Kelly, respectively.

Latest Posts

Courtesy Harlequin

What Does It Take to Make a Safe Outdoor Stage for Dance?

Warmer weather is just around the corner, and with it comes a light at the end of a hibernation tunnel for many dance organizations: a chance to perform again. While social distancing and mask-wearing remain essential to gathering safely, the great outdoors has become an often-preferred performance venue.

But, of course, nature likes to throw its curveballs. What does it take to successfully pull off an alfresco show?

Marisa Grywalski and Alejandro Diaz in Dwight Rhodens "Ave Maria," part of PBT's Open Air Series last fall.

Kelly Perkovich, Courtesy Pittsburgh Ballet Theatre

Keeping dancers safe outside requires the same intentional flooring as you have in the studio—but it also needs to be hearty enough to withstand the weather. With so many factors to consider, two ballet companies consulted with Harlequin Floors to find the perfect floor for their unique circumstances.

Last fall, Pittsburgh Ballet Theatre invested in a mobile stage that allowed the dancers to perform live for socially distanced audiences. "But we didn't have an outdoor resilient floor, so we quickly realized that if we had any rain, we were going to be in big trouble—it would have rotted," says artistic director Susan Jaffe.

The company purchased the lightweight, waterproof Harlequin's AeroDeck® sprung floor panels and the heavy-duty Harlequin Cascade™ vinyl, which is manufactured with BioCote® Antimicrobial Protection to help with the prevention of bacteria and mold. After an indoor test run while filming Nutcracker ("It felt exactly like our regular floor," says Jaffe), the company will debut the new setup this May in Pittsburgh's Schenley Park during a two-week series of performances shared with other local arts organizations.

Pittsburgh Ballet Theatre's Open Air Series last fall. The company plans to roll out their new Harlequin AeroDeck® sprung floor panels and Harlequin Cascade™ vinyl floor for more outdoor performances this spring.

Harris Ferris, Courtesy Pittsburgh Ballet Theatre

In addition to the possibility of rain, a range of temperatures also has to be taken into account. When the State Ballet of Rhode Island received a grant from the state to upgrade its 15-year-old stage, executive director Ana Fox chose the Harlequin Cascade vinyl floor in the lighter gray color "so that it would be cooler if it's reflecting sunlight during daytime performances," she says.

However, for the civic ballet company's first performance on its new 24-by-48–foot stage on November 22, heat was less of a concern than the Northeastern cold. Fortunately, Fox says the surface never got icy or too stiff. "It felt warm to the feel," she says. "You could see the dancers didn't hesitate to run or step into arabesque." (The Harlequin Cascade floor is known for providing a good grip.)

"To have a safe floor for dancers not to worry about shin splints or something of that nature, that's everything," she says. "The dancers have to feel secure."

State Ballet of Rhode Island first rolled out their new Harlequin Cascade™ flooring for an outdoor performance last November.

Courtesy of Harlequin

Of course, the elements need to be considered even when dancers aren't actively performing. Although Harlequin's AeroDeck is waterproof, both PBT and SBRI have tarps to cover their stages to keep any water out. SBRI also does damp mopping before performances to get pollen off the surface. Additionally, the company is building a shed to safely store the floor long-term when it's not in use. "Of course, it's heavy, but laying down the floor and putting it away was not an issue at all," says Fox, adding that both were easy to accomplish with a crew of four people.

Since the Harlequin Cascade surface is versatile enough to support a wide range of dance styles—and even opera and theater sets—both PBT and SBRI are partnering with other local arts organizations to put their outdoor stages to use as much as possible. Because audiences are hungry for art right now.

"In September, I made our outdoor performance shorter so we wouldn't have to worry about intermission or bathrooms, but when it was over, they just sat there," says Jaffe, with a laugh. "People were so grateful and so happy to see us perform. We just got an overwhelming response of love and gratitude."

Marisa Grywalski and Alejandro Diaz in Susan Jaffes "Carmina Terra," part of PBT's Open Air Series last fall.

Kelly Perkovich, courtesy Pittsburgh Ballet Theatre

February 2021