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Studying Ballet Dancers Could Help Us Treat Stroke Victims—and Build Better Robots

Dagmar Sternad is a professor of biology, physics, and electrical and computer engineering at Northeastern University. She's also a bit of a dance obsessive. And her innovative work with ballet dancers could have far-ranging implications for the worlds of both medicine and robotics.


A longtime dance lover, Sternad has been been fascinated by the science behind dancers' movements for years. "How do we control our limbs...and how does our brain control our body?" she asks in a new video documenting her studies. "How do we learn motor skills to even approach such exquisite skill as these dancers have?"

Starting with those questions, she began working with dance artists—including members of Boston Ballet—to discover the scientific roots of human balance and coordination. But over the years, she realized that her research could have broader applications, like helping stroke victims relearn and recover skills they might have lost. And, increasingly, she's been investigating her work's connection to robotics.

"There's still a lot to be learned about what it takes to control a multi-link system to get close to what humans can do," she says in the video. "So one potential contribution my work can make is to share some of the insights we've gained on human motor control to robotic control….[and help] humans and robots work together successfully side by side and hand in hand."

Check out the video below (come for the science, stay for the beautiful footage of Boston Ballet's Patrick Yocum and Rachele Buriassi). You can learn more about Sternad's work here.

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What It Was Like When Ruth Bader Ginsburg Was in the Audience—or Backstage

The 27 years that Ruth Bader Ginsburg spent on the U.S. Supreme Court were 27 years that she spent as one of Washington, D.C.'s most ardent, elegant and erudite supporters of the performing arts. The justice, who died on September 18 of metastatic cancer, was also an avid cultural tourist, traveling to the Santa Fe and Glimmerglass operas nearly every summer, as well as occasionally returning to catch shows in her native New York City.

Ginsburg's opera fandom was well known, but her tastes were wide-ranging. Particularly in the last 10 years of her life, after Ginsburg lost her beloved husband, Marty, it was not unusual for the petite justice and her security detail to be spotted at theaters several nights a week. She saw everything, from classic musicals to serious new plays, plus performances that defied classification, like Martha Clarke's dance drama Chéri, with Alessandra Ferri and Herman Cornejo, which toured to the Kennedy Center in 2014.

To honor Ginsburg, Dance Magazine asked three dance artists whose performances the justice attended to recall what Ginsburg meant to them.

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