What These 9 Stars Would Be Doing If They Weren't Dancers
It can be hard to imagine life without—or just after—dance. Perhaps that's why we find it so fascinating to hear what our favorite dancers think they'd be doing if they weren't performing for a living.
We've been asking stars about the alternate career they'd like to try in our "Spotlight" Q&A series, and their answers—from the unexpected to the predictable—do not disappoint:
Dutch National Ballet's Michaela DePrince: Human Rights Lawyer
Martha Graham Dance Company's PeiJu Chien-Pott: Fashion Designer or Graphic Designer
The Washington Ballet's Ashley Murphy: Physical Therapist
B-girl and Choreographer Ephrat Asherie: Translator or Journalist
Miami City Ballet's Nathalia Arja: Actress or Anchorwoman
"I've always wanted to be an actress—comedy in particular is my thing. My friends could tell you more about that—I definitely like being the clown of the group! I also wanted to be a TV anchorwoman. I used to have my mother bring out her camera and record me as I presented the news."
Tap Dancer and Choreographer Caleb Teicher: Percussionist
"I'd love to be a pit or studio musician—still contributing to artistic collaborations but with a little less time spent in the spotlight. I started as a percussionist before I found tap dance, and I have dreams about returning to the piano/drum kit someday."
Pennsylvania Ballet's Sterling Baca: Arachnologist
"I've always had a passion for the natural sciences and wildlife, especially insects. I'd enjoy being an arachnologist, but at this point I see myself being a part of this wonderful art form for the rest of my life—with some spider searching on the side."
Alvin Ailey American Dance Theater's Jamar Roberts: Graphic Designer or Animator
San Francisco Ballet's Sarah Van Patten: Outreach Director
"I'm a mom so I already have a second full-time job! I haven't decided exactly what I might do once I retire, but I have done some outreach in the past that I really enjoyed. I've taught dance in South Africa, organized a fundraiser for Children of Uganda and for the past 12 years organized Nutcracker hospital visits."
It's a cycle familiar to many: First, a striking image of a lithe, impossibly fit dancer executing a gravity-defying développé catches your eye on Instagram. You pause your scrolling to marvel, over and over again, at her textbook physique.
Inevitably, you take a moment to consider your own body, in comparison. Doubt and negative self-talk first creep, and then flood, in. "I'll never look like that," the voice inside your head whispers. You continue scrolling, but the image has done its dirty work—a gnawing sensation has taken hold, continually reminding you that your own body is inferior, less-than, unworthy.
It's no stretch to say that social media has a huge effect on body image. For dancers—most of whom already have a laser-focus on their appearance—the images they see on Instagram can seem to exacerbate ever-present issues. "Social media is just another trigger," says Nadine Kaslow, a psychologist who works with the dancers of Atlanta Ballet. "And dancers don't need another trigger." In the age of Photoshop and filters, how can dancers keep body dysmorphia at bay?
If "Fosse/Verdon" whet your appetite for the impeccable Gwen Verdon, then Merely Marvelous: The Dancing Genius of Gwen Verdon is the three-course meal you've been craving. The new documentary—available now on Amazon for rental or purchase—dives into the life of the Tony-winning performer and silver-screen star lauded for her charismatic dancing.
Though she's perhaps most well-known today as Bob Fosse's wife and muse, that's not even half of her story. For starters, she'd already won four Tonys before they wed, making her far more famous in the public eye than he was at that point in his career. That's just one of many surprising details we learned during last night's U.S. premiere of Merely Marvelous. Believe us: You're gonna love her even more once you get to know her. Here are eight lesser-known tidbits to get you started.
Every dancer knows that how you fuel your body affects how you feel in the studio. Of course, while breakfast is no more magical than any other meal (despite the enduring myth that it's the most important one of the day), showing up to class hangry is a recipe for unproductive studio time.
So what do your favorite dancers eat in the morning to set themselves up for a busy rehearsal or performance day?
When it comes to dance in the U.S., companies in the South often find themselves overlooked—sometimes even by the presenters in their own backyard. That's where South Arts comes in. This year, the regional nonprofit launched Momentum, an initiative that will provide professional development, mentorship, touring grants and residencies to five Southern dance companies.