What These 9 Stars Would Be Doing If They Weren't Dancers
It can be hard to imagine life without—or just after—dance. Perhaps that's why we find it so fascinating to hear what our favorite dancers think they'd be doing if they weren't performing for a living.
We've been asking stars about the alternate career they'd like to try in our "Spotlight" Q&A series, and their answers—from the unexpected to the predictable—do not disappoint:
Dutch National Ballet's Michaela DePrince: Human Rights Lawyer
Martha Graham Dance Company's PeiJu Chien-Pott: Fashion Designer or Graphic Designer
The Washington Ballet's Ashley Murphy: Physical Therapist
B-girl and Choreographer Ephrat Asherie: Translator or Journalist
Miami City Ballet's Nathalia Arja: Actress or Anchorwoman
"I've always wanted to be an actress—comedy in particular is my thing. My friends could tell you more about that—I definitely like being the clown of the group! I also wanted to be a TV anchorwoman. I used to have my mother bring out her camera and record me as I presented the news."
Tap Dancer and Choreographer Caleb Teicher: Percussionist
"I'd love to be a pit or studio musician—still contributing to artistic collaborations but with a little less time spent in the spotlight. I started as a percussionist before I found tap dance, and I have dreams about returning to the piano/drum kit someday."
Pennsylvania Ballet's Sterling Baca: Arachnologist
"I've always had a passion for the natural sciences and wildlife, especially insects. I'd enjoy being an arachnologist, but at this point I see myself being a part of this wonderful art form for the rest of my life—with some spider searching on the side."
Alvin Ailey American Dance Theater's Jamar Roberts: Graphic Designer or Animator
San Francisco Ballet's Sarah Van Patten: Outreach Director
"I'm a mom so I already have a second full-time job! I haven't decided exactly what I might do once I retire, but I have done some outreach in the past that I really enjoyed. I've taught dance in South Africa, organized a fundraiser for Children of Uganda and for the past 12 years organized Nutcracker hospital visits."
If you're seeking an extra dash of inspiration to start the new season on the right—dare we say—foot, look no further than dance documentaries.
Starting August 23, OVID, a streaming service dedicated to docs and art-house films, is adding eight notable dance documentaries to its library. The best part? There's a free seven-day trail. (After that, subscriptions are $6.99 per month or $69.99 annually.)
From the glamour of Russian ballet stars to young dancers training in Cuba to a portrait of powerhouse couple Carmen de Lavallade and Geoffrey Holder, here's what's coming to a couch near you:
If you think becoming a trainee or apprentice is the only path to gaining experience in a dance company environment, think again.
The University of Arizona, located in the heart of Tucson, acclimates dancers to the pace and rigor of company life while offering all the academic opportunities of a globally-ranked university. If you're looking to get a head-start on your professional dance career—or to just have a college experience that balances company-level training and repertory with rigorous academics—the University of Arizona's undergraduate and graduate programs have myriad opportunites to offer:
Yes, we realize it's only August. But we can't help but to already be musing about all the incredible dance happenings of 2019.
We're getting ready for our annual Readers' Choice feature, and we want to hear from you about the shows you can't stop thinking about, the dance videos that blew your mind and the artists you discovered this year who everyone should know about.
The Australian Ballet's artistic health team has become a reference worldwide, and not just because they got David Hallberg back onstage after his two-year struggle with injuries. Their results speak for themselves: While foot stress fractures and hip arthroscopies are common elsewhere in the ballet world, The Australian Ballet hasn't had any in over a decade.
Dr. Sue Mayes, the company's principal physiotherapist since 1997 and director of the team, has developed a research-based approach that is now being emulated by other companies. In The Australian Ballet's state-of-the-art Melbourne health and fitness facility, she shared some of her best tips.