Dance Theatre of Harlem Made a Powerful Promotional Video Combining Ballet and Activism
You don't need to convince us that dance can be a powerful vehicle for change. But in case you had any doubts, Dance Theatre of Harlem's new promotional video is all the proof you need. As part of their 2018 New York season, DTH will be hosting a gala on April 4 to commemorate the 50th anniversary of the assassination of Dr. Martin Luther King Jr. (this inspired the founding of the company by Arthur Mitchell and Karel Shook less than a year after his death).
Channeling the impact that Dr. King's death had on Mitchell, DTH put together this moving video, directed by Daniel Schloss, choreographed by company member Da' Von Doane and starring some familiar (and new!) faces. The video begins with a group of young dancers, who gather around a TV to hear former president Lyndon B. Johnson announcing Dr. King's assassination on April 4, 1968.
As Billy Porter's "Keep Moving" begins to play, the kids use dance as an outlet while other historical moments mixed with clips from DTH's early days flash across the TV. Eventually the kids are joined by the current DTH company members for a full-on dance session as the TV in the studio zooms in on former First Lady Michelle Obama saying: "Through dance, they have told the stories of who we were, who we are and who we can be." If this is just their promotional video, we can't wait to see what DTH has coming our way once it's performance time.
Back in 2011 when Joe Lanteri first approached Katie Langan, chair of Marymount Manhattan College's dance department, about getting involved with New York City Dance Alliance, she was skeptical about the convention/competition world.
"But I was pleasantly surprised by the enormity of talent that was there," she says. "His goal was to start scholarship opportunities, and I said okay, I'm in."
Today, it's fair to say that Lanteri has far surpassed his goal of creating scholarship opportunities. But NYCDA has done so much more, bridging the gap between the convention world and the professional world by forging a wealth of partnerships with dance institutions from Marymount to The Ailey School to Complexions Contemporary Ballet and many more. There's a reason these companies and schools—some of whom otherwise may not see themselves as aligned with the convention/competition world—keep deepening their relationships with NYCDA.
Now, college scholarships are just one of many ways NYCDA has gone beyond the typical weekend-long convention experience and created life-changing opportunities for students. We rounded up some of the most notable ones:
We knew that Ivo van Hove and Anne Teresa de Keersmaeker's production of West Side Story would challenge our preconceived notions about the show.
But a recent Vogue story gives us a taste of just how nontraditional the Broadway revival will be. Most notably, van Hove is cutting "I Feel Pretty" and the "Somewhere" ballet, condensing the show into one act to better reflect the urgency of the 48-hour plot. (The choice has been approved by the West Side Story estate, including Sondheim, who has "long been uncomfortable" with some of the "I Feel Pretty" lyrics.)
"The show must go on" may be a platitude we use to get through everything from costume malfunctions to stormy moods. But when it came to overcoming a literal hurricane, Houston Ballet was buoyed by this mantra to go from devastated to dancing in a matter of weeks—with the help of Harlequin Floors, Houston Ballet's longstanding partner who sprang into action to build new floors in record time.