Crowds gathered, even when they didn't know exactly what they were watching. Photo by Rachel Papo

What Happens When Site-Specific Dance Takes Over Times Square

At first glance, Times Square might seem like a near-impossible location for a site-specific dance performance. Between tourists posing for selfies, flashing billboards, New Yorkers rushing to work and people in Batman costumes trying to make a buck, it can be completely overwhelming and overstimulating. But that also makes it interesting.

"At its essence, Times Square is bodies moving through time and space," says Andrew Dinwiddie, acting director of public art at the Times Square Alliance. It's also a place with a rich dance history, from vaudeville to Broadway musicals to dance halls and studios.

Dinwiddie worked with Judy Hussie-Taylor, the executive director and chief curator of Danspace Project, to create a program of original works in Times Square this fall that reference the history and experience of the place. An estimated 33,000 people passed through the area each day during the four-hour program—most just happening upon it. What they saw was unique even for Times Square.


Laurie Berg's scape

Photo by Rachel Papo

Just below the signature red stairs of TKTS, the discount-ticket booth where theater lovers congregate every day, Laurie Berg and her six dancers wove in and out of the crowd in Father Duffy Square, performing scape. Sometimes, a small circle of attention cleared around them as they danced in unison to a pulsing beat. Other times, they were among the pedestrians, nearly brushing the face of a tourist. Times Square Arts employees handed out disposable glasses, each tinted with red or blue film. Many passersby grabbed a pair with no idea of what they were taking, or why.

Full Circle Souljahs' Behind The Groove—Times Square Edition

Photo by Rachel Papo

For Rokafella and Kwikstep, the married duo behind Full Circle Souljahs, dancing in Times Square has special significance. "Kwikstep and I met dancing on the street," says Rokafella. "We were part of different crews in the early '90s, putting our talents out there for the tourists, with this classic style of dance that was not being highlighted in the mainstream." They used to set up right in Duffy Square. The police would often interrupt their shows, sometimes arresting the dancers.

luciana achugar's New Mass Dance

Photo by Rachel Papo

Luciana achugar likens Times Square to being on the bottom of the ocean. "There are all these currents of people," she says. "It's constantly, fluidly changing." Her New Mass Dance began largely with a stillness in the crowd. Gradually, several figures in denim became apparent, standing statuelike at various points in the plaza. Just as you started to notice them, they came together in a huddle, each holding an arm in the center like a sports team. Later, they lay on the ground like a human starfish, connecting at their feet.

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Clockwise from top left: Photo by Loreto Jamlig, Courtesy Ladies of Hip-Hop; Wikimedia Commons; Photo by Alexander Iziliaev, Courtesy Pennsylvania Ballet; Natasha Razina, Courtesy State Academic Mariinsky Theatre; Photo by Will Mayer for Better Half Productions, Courtesy ABT

The 10 Biggest Dance Stories of 2019

What were the dance moments that defined 2019? The stories that kept us talking, week after week? According to our top-clicked articles of the year, they ranged from explorations of dance medicine and dance history, takedowns of Lara Spencer and companies who still charge dancers to audition, and, of course, our list of expert tips on how to succeed in dance today.

We compiled our 10 biggest hits of the year, and broke down why we think they struck a chord:

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Christopher Duggan, Courtesy Nichols

I Am a Black Dancer Who Was Dressed Up in Blackface to Perform in La Bayadère

On Instagram this week, Misty Copeland reposted a picture of two Russian ballerinas covered head to toe in black, exposing the Bolshoi's practice of using blackface in the classical ballet La Bayadère. The post has already received over 60,000 likes and 2,000 comments, starting a long overdue conversation.

Comments have been pouring in from every angle imaginable: from history lessons on black face, to people outside of the ballet world expressing disbelief that this happens in 2019, to castigations of Copeland for exposing these young girls to the line of fire for what is ultimately the Bolshoi's costuming choice, to the accusations that the girls—no matter their cultural competence—should have known better.

I am a black dancer, and in 2003, when I was 11 years old, I was dressed up in blackface to perform in the Mariinsky Ballet's production of La Bayadère.

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Here's the First Trailer for the "In the Heights" Movie

Lights up on Washington Heights—because the trailer for the movie adaptation of the hit Broadway musical In the Heights has arrived. It's our first look into Lin-Manuel Miranda's latest venture into film—because LMM isn't stopping at three Tony awards, a Grammy award, and an Emmy.

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