Dance Matters: Rapids Rising
GRBC in Olivier Wevers’ The Sofa. Photo by Ron McKinney, Courtesy GRBC.
Grand Rapids Ballet Company is experiencing a renaissance. An ambitious new repertoire, record-breaking sold-out performances, and a renewed local buzz have revitalized the 41-year-old company. Its resurgence came about with the arrival of former Pacific Northwest Ballet star Patricia Barker as the company’s new artistic director in 2010. In just a few seasons, the first-time director has taken GRBC from a little-known regional ballet company to one making inroads into the national and international dance scene.
Barker built on the foundation laid by her predecessor, Gordon Peirce Schmidt, that included a troupe of 14 dancers (now 24), a thriving school, and the Meijer-Royce Center for Dance that houses studios, administrative offices, and the 300-seat Peter Martin Wege Theatre. When Schmidt left, he took with him the 50-plus ballets he created for the company, so Barker has focused her attention on building a new repertoire. Her well-received mix of cutting-edge contemporary ballets by choreographers like Brian Enos and Olivier Wevers, and masterworks by Balanchine, Taylor, and Parsons, has allowed her to accelerate her vision for the company. As Michigan’s only professional ballet company, GRBC has also become a touring ambassador for the city of Grand Rapids and the state. This past July, GRBC dancers performed in Austria in a joint production with Balet Bratislava.
Continuing the high caliber of the new repertoire, GRBC’s upcoming programs include a Romeo & Juliet by Mario Radacovsky, former director of the Ballet of the Slovak National Theatre; Balanchine’s Who Cares? and Four Temperaments; and Gerald Arpino’s exhilarating Light Rain, along with several new works.
It's a cycle familiar to many: First, a striking image of a lithe, impossibly fit dancer executing a gravity-defying développé catches your eye on Instagram. You pause your scrolling to marvel, over and over again, at her textbook physique.
Inevitably, you take a moment to consider your own body, in comparison. Doubt and negative self-talk first creep, and then flood, in. "I'll never look like that," the voice inside your head whispers. You continue scrolling, but the image has done its dirty work—a gnawing sensation has taken hold, continually reminding you that your own body is inferior, less-than, unworthy.
It's no stretch to say that social media has a huge effect on body image. For dancers—most of whom already have a laser-focus on their appearance—the images they see on Instagram can seem to exacerbate ever-present issues. "Social media is just another trigger," says Nadine Kaslow, a psychologist who works with the dancers of Atlanta Ballet. "And dancers don't need another trigger." In the age of Photoshop and filters, how can dancers keep body dysmorphia at bay?
If "Fosse/Verdon" whet your appetite for the impeccable Gwen Verdon, then Merely Marvelous: The Dancing Genius of Gwen Verdon is the three-course meal you've been craving. The new documentary—available now on Amazon for rental or purchase—dives into the life of the Tony-winning performer and silver-screen star lauded for her charismatic dancing.
Though she's perhaps most well-known today as Bob Fosse's wife and muse, that's not even half of her story. For starters, she'd already won four Tonys before they wed, making her far more famous in the public eye than he was at that point in his career. That's just one of many surprising details we learned during last night's U.S. premiere of Merely Marvelous. Believe us: You're gonna love her even more once you get to know her. Here are eight lesser-known tidbits to get you started.
Every dancer knows that how you fuel your body affects how you feel in the studio. Of course, while breakfast is no more magical than any other meal (despite the enduring myth that it's the most important one of the day), showing up to class hangry is a recipe for unproductive studio time.
So what do your favorite dancers eat in the morning to set themselves up for a busy rehearsal or performance day?
When it comes to dance in the U.S., companies in the South often find themselves overlooked—sometimes even by the presenters in their own backyard. That's where South Arts comes in. This year, the regional nonprofit launched Momentum, an initiative that will provide professional development, mentorship, touring grants and residencies to five Southern dance companies.