PC Marcus Branch

#DanceCrush: Why Teddy Tedholm Has Us Mesmerized

Teddy Tedholm stepped into the mainstream dance scene back in 2010, with a "So You Think You Can Dance" audition that was unlike any performance we've seen on that show to date.


After graduating from University of the Arts he began to produce his own work, including eleven:eleven, a vulnerable and mesmerizing full-length show that received rave reviews. Tedholm has also been nominated for a World Dance Award, and was a finalist in the McCallum Theater Choreography Festival and the Capezio A.C.E. Awards.

With a movement style that is anything but conventional, Tedholm has found a way to push aside the boundaries placed around what is "allowed" in the commercial dance world. His emotive and gesturally rich storytelling stems from an equally passionate creative process. "It can feel emotionally sacrificial in the moment," says Tedholm. "But in the long run, the truer I have stayed to my vision and to myself, the more fulfilled I am and the better received my work has been. Shoveling through the dirt to find the gold is tiring, but worth it."


Tedholm currently has his own company, tedted Performance Group, which is presenting the beginnings of a new work at Gibney Dance Center August 10-12 as part of a mentorship program with Doug Varone.

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Beverly Gallegos, Courtesy DM Archives

#TBT: The Summer Rudolf Nureyev and Erik Bruhn Shared a Stage

In the summer of 1975, the National Ballet of Canada's extended tour stop in New York City overlapped with American Ballet Theatre's season. Both companies took advantage of having two of ballet's greatest male stars, Rudolf Nureyev and Erik Bruhn, at their disposal. Bruhn, however, had retired from portraying princes three years earlier and appeared primarily in character roles—the Dr. Coppélius to Nureyev's Franz, the Madge to his James, giving audiences the rare chance to see them share a stage.

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