This Dancer Almost Lost Her Leg to Cancer. Now She's Heading Back to The Washington Ballet
Chiara Valle is just one of many dancers heading back to the studio this fall as companies ramp up for the season. But her journey back has been far more difficult than most.
Valle has been a trainee at The Washington Ballet since 2016, starting at the same time as artistic director Julie Kent. But only a few months into her first season there, she started experiencing excruciating pain high up in her femur. "It felt like someone was stabbing me 24/7," she says. Sometimes at night, the pain got so bad that her roommates would bring her dinner to the bathtub.
Even so, the studio remained a safe space. "As long as I was moving, I didn't notice the pain," she says. Valle assumed she'd gotten a dance-related injury, like a labral tear. To her surprise, scans showed she had a tumor. A noninvasive surgery relieved the pain for a couple months, but it returned. So the doctors performed the procedure again. And again, the pain returned.
After a year of struggling, Valle went for a second opinion at the Children's Hospital at Montefiore in New York City, and in February 2018 finally got the correct diagnosis: Ewing sarcoma, a rare bone cancer.
The typical treatment? Amputation of the leg. But knowing that Valle was a ballet dancer, the doctors decided to go a different route, blasting the tumor with 14 rounds of chemotherapy—including one chemo that's so intense it's nicknamed "The Red Devil"—and 31 treatments of radiation.
As supportive as her colleagues were, Valle struggled. "A week after I was diagnosed I was set to be in Romeo and Juliet with The Washington Ballet. Before I knew how serious it was, I said to my doctor, 'Are you sure I can't go back to DC for a week and finish that?' "
She had to stop looking at social media, where she'd see her friends performing and continuing on with their lives while she was throwing up from the chemo.
But she realized she could use ballet as a motivator. Kent checked in regularly and sent along videos of Valle dancing—telling her that whenever she was ready to come back, her spot was there for her.
"She deserves to pick up where she left off, and pursue the life she wants for herself," says Kent. "We're all here to support her."
Kent says Valle's handled her cancer journey with aplomb. "When she came back from the first surgery, she was dancing so beautifully and had come such a long way since her first season. Then she got the more serious diagnosis," Kent says. "But she persevered—she's been grace under pressure."
Chiara Valle on her last day of chemo
On November 16, 2018, Valle was cleared as NED—no evidence of disease. Although it takes five years to be declared "cured" since there is a high rate of reoccurrence, Valle has finally, slowly been able to make her way back to the studio.
She took her first ballet barre in March. "I did the most emotional pliés of my life," she says, now laughing at how she cried through the entire combination.
Though she's still working on regaining her endurance and rebuilding her calf strength for pointe work, as she heads back to the TWB studios, she knows she's grown as a dancer. "I've learned not to worry about the little things, and I've learned patience," says Valle, now 21. "I hope to carry my story with me to the stage. And hopefully one day a little kid who's battling cancer can look up to me and know they can do it, too."
To that end, she's launched Wings for Ewing Sarcoma, a nonprofit dedicated to raising funds both for research and retreats for pediatric cancer patients.
"I just can't wait to see her in Waltz of the Flowers in Nutcracker," says Kent. "That's my last memory of her dancing. There's one part where the women jeté across the stage, and because Chiara's one of the taller dancers she's always last and does this big dramatic run. You could tell how much she enjoyed it. I can't wait to see her doing that—and can't imagine what she will feel when she arrives at that point again after all that she's been through."
Yvonne Rainer's Parts of Some Sextets (AKA "the mattress dance") hasn't been revived since it premiered in 1965. Nor has Rainer had any wish to do it again, to ask performers to heave 10 mattresses around while carrying out 31 tasks that changed every 30 seconds. It was an unwieldy, difficult dance. (Even the title is unwieldy.) But Emily Coates, who has danced in Rainer's work for 20 years, became curious about this piece and was determined to see it again—and to dance in it. She will get her wish November 15–17, when the mattress dance will be performed as part of the Performa 19 Biennial.
Back in 2011 when Joe Lanteri first approached Katie Langan, chair of Marymount Manhattan College's dance department, about getting involved with New York City Dance Alliance, she was skeptical about the convention/competition world.
"But I was pleasantly surprised by the enormity of talent that was there," she says. "His goal was to start scholarship opportunities, and I said okay, I'm in."
Today, it's fair to say that Lanteri has far surpassed his goal of creating scholarship opportunities. But NYCDA has done so much more, bridging the gap between the convention world and the professional world by forging a wealth of partnerships with dance institutions from Marymount to The Ailey School to Complexions Contemporary Ballet and many more. There's a reason these companies and schools—some of whom otherwise may not see themselves as aligned with the convention/competition world—keep deepening their relationships with NYCDA.
Now, college scholarships are just one of many ways NYCDA has gone beyond the typical weekend-long convention experience and created life-changing opportunities for students. We rounded up some of the most notable ones:
"The show must go on" may be a platitude we use to get through everything from costume malfunctions to stormy moods. But when it came to overcoming a literal hurricane, Houston Ballet was buoyed by this mantra to go from devastated to dancing in a matter of weeks—with the help of Harlequin Floors, Houston Ballet's longstanding partner who sprang into action to build new floors in record time.