Just for Fun

These So-Called "Dancer Fails" Make Us Love Them Even More

Samantha Sturm shared an outtake from a photo shoot. Photo by Ronnie Nelson via Sturm

If you're anything like us, your Instagram feed is chock-full of gorgeous dance photos and videos. But you know what makes us fall in love with an artist even more? When they take a break from curating perfect posts and get real about their missteps. These performers' ability to move past mistakes, and even laugh them off, is one reason why they're so successful.

Every time you fall out of a pirouette, just remember: The stars—and literally every. single. dancer.—have been there, too. (Even Misty Copeland.)


American Ballet Theatre's James Whiteside

For every ballet competition winner, there are always many more dancers that walk away empty-handed. Whiteside didn't let this early setback deter him—and look how he turned out.

New York City Ballet's Sara Mearns

Cross-training is meant to be hard, and Mearns isn't afraid to admit it. Though she often posts videos of herself once she masters an exercise, we love how this glimpse praises process over perfection. She wrote, "I always show the final product but the amount of fails it takes to get there is EPIC!!"

Broadway dancer Samantha Sturm

Sturm got candid about what really happens at dance photo shoots. In order to achieve the flawless leaping photo below, she estimates that she did "7 millionty jumps that day," including this in-between moment above. But even this outtake is effervescent.

Houston Ballet's Luzemberg Santana and Mónica Gómez

Don't even get us started on rehearsal bloopers. If dancers had a dollar for every time we slipped, tripped or wiped out, we might be wealthy. When Santana and Gómez attempted this tricky leap-throw-catch maneuver, things went south. Don't worry: No dancers were harmed in the making of this video.


The Conversation
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Devon Teuscher performing the titular role in Jane Eyre. Photo by Gene Schiavone, Courtesy ABT

Story ballets that debut during American Ballet Theatre's spring season at the Metropolitan Opera House are always the subject of much curiosity—and, sometimes, much debate. Cathy Marston's Jane Eyre was no different. The ballet follows the eponymous heroine of Charlotte Brönte's novel as she grows from a willful orphan to a self-possessed governess, charting her romance with the haughty Mr. Rochester and the social forces that threaten to tear them apart.

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Courtesy Davies

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