Quinn Wharton

Inside Dancers' Love-Hate Relationships with their Feet

In all of their swollen and blistered glory, feet are dancers' prized possessions. It doesn't matter whether you treasure your arches, wince at your bunions or wish you could trade the whole kit in for a new pair—you can't help but take pride in the instrument that literally supports you from the ground up. Each foot contains the intricate muscles needed to finish a line, travel the length of a stage, soar through the air with abandon and carry you home after a long day of dancing.


Lloyd Knight, principal at Martha Graham Dance Company

Quinn Wharton

"My feet have been through a lot, and their scars show the work I've done so far as a dancer. We work so much with bare feet in Graham that I have a lot of marley burns, cuts and splits. It's like a badge of honor."

Kathryn Boren, corps de ballet dancer at American Ballet Theatre

Quinn Wharton

"My feet have become my business card. Really, I'm defined by them. I can pick myself out of blurry rehearsal footage because I can recognize my arches. My right arch is better than my left, which is a complex I've had to deal with my whole life."

Soledad Barrio, star of Noche Flamenca

Quinn Wharton

"I give messages with my feet to the guitarists and singers to advise them on when to start and when to stop. There is a very clear vocabulary."

Demi Remick, tap dancer for Postmodern Jukebox and Caleb Teicher & Company

Quinn Wharton

"My feet get injured a lot, so I don't always trust them. As a tap dancer, I need relaxed ankles, and sprains affect that. I have to release them even though I'm scared. But my feet are smarter than I think. I dance on a four-by-four board on tour and my feet memorize the space and what's possible within it."

Latest Posts


Clockwise from top left: Photo by Loreto Jamlig, Courtesy Ladies of Hip-Hop; Wikimedia Commons; Photo by Alexander Iziliaev, Courtesy Pennsylvania Ballet; Natasha Razina, Courtesy State Academic Mariinsky Theatre; Photo by Will Mayer for Better Half Productions, Courtesy ABT

The 10 Biggest Dance Stories of 2019

What were the dance moments that defined 2019? The stories that kept us talking, week after week? According to our top-clicked articles of the year, they ranged from explorations of dance medicine and dance history, takedowns of Lara Spencer and companies who still charge dancers to audition, and, of course, our list of expert tips on how to succeed in dance today.

We compiled our 10 biggest hits of the year, and broke down why we think they struck a chord:

GO DEEPER SHOW LESS
Christopher Duggan, Courtesy Nichols

I Am a Black Dancer Who Was Dressed Up in Blackface to Perform in La Bayadère

On Instagram this week, Misty Copeland reposted a picture of two Russian ballerinas covered head to toe in black, exposing the Bolshoi's practice of using blackface in the classical ballet La Bayadère. The post has already received over 60,000 likes and 2,000 comments, starting a long overdue conversation.

Comments have been pouring in from every angle imaginable: from history lessons on black face, to people outside of the ballet world expressing disbelief that this happens in 2019, to castigations of Copeland for exposing these young girls to the line of fire for what is ultimately the Bolshoi's costuming choice, to the accusations that the girls—no matter their cultural competence—should have known better.

I am a black dancer, and in 2003, when I was 11 years old, I was dressed up in blackface to perform in the Mariinsky Ballet's production of La Bayadère.

GO DEEPER SHOW LESS

Here's the First Trailer for the "In the Heights" Movie

Lights up on Washington Heights—because the trailer for the movie adaptation of the hit Broadway musical In the Heights has arrived. It's our first look into Lin-Manuel Miranda's latest venture into film—because LMM isn't stopping at three Tony awards, a Grammy award, and an Emmy.

GO DEEPER SHOW LESS
contest
Enter Our Video Contest