6 Get-Fit Tips from an ABT Dancer Who's Also a Certified Trainer
We all know that personal trainers can help dancers condition their bodies more effectively. But trainers who are also dancers themselves? Now that's a uniquely valuable perspective.
Take Kathyrn Boren, an American Ballet Theatre corps member who got certified by the National Academy of Sports Medicine last summer, following in the footsteps of her colleagues Thomas Forster and Roman Zhurbin. Her weekly Conditioning for Dancers classes in New York City are filled with everyone from athletic men to older women (including one ABT donor who's attended every single time). But those who might get the most out of her workouts are the dance students who attend. They walk away with exercises and advice tailored for their particular challenges—coming from someone who knows those challenges intimately.
Boren recently spoke with Dance Magazine to share her best cross-training advice for dancers looking to improve their fitness.
1. Challenge multiple parts of your body at once.
Although traditional strength-training often isolates one muscle group at a time, Boren prefers to work several parts of the body simultaneously. For instance, rather than just balancing on a BOSU ball, she'll balance on the BOSU while holding free weights and practicing ronds de jambe en l'air.
This approach challenges your coordination, and translates more directly to what you actually do in the studio. "When you're performing a petite allégro, for example, you're using many different body parts, not just your calves," says Boren. "This is also a great way to force your mind to focus." There's no daydreaming possible when you're doing three exercises at once.
2. You're better off not cross-training than rushing through it.
Doing exercises with improper form does more harm than good, says Boren. "You're building the wrong muscles, and your body's not really getting the benefit it needs."
Dancers typically lose their form when they try to go too hard too fast, and have to cheat to get through it. Boren suggests doing fewer reps so you can strengthen the correct muscles—which will help you eventually take on bigger challenges.
3. Strengthen your parallel position.
Ballet dancers love hanging around with their legs in turnout, and, more often than not, over-rotating their ankles and knees. Boren emphasizes that strength-training is really the time to work in parallel. The body needs to be balanced to be truly strong and to stay injury-free.
4. Work your weaknesses.
"Everybody has a strength, and it feels good to work that strength because it feels like you're doing something great," says Boren. "I'm guilty of it, too: If given the chance, I'd do a million core exercises and skip upper-body work completely."
Rather than strengthening the things you can already do well, work on improving your weaknesses—even if it's not as much fun. Boren suggests building a library of exercises that tackle your core, upper body, lower body and coordination so you make sure you're getting well-rounded workouts.
"After studying how the body works, I started incorporating more upper-body exercises into my own routine," she says. "I'd never paid too much attention to it before because I figured it wasn't as important as a ballet dancer, but then I learned about how our strength is all connected."
Will Mayer for Better Half Productions, Courtesy ABT
If Boren had to recommend just one exercise to dancers, it'd be a plank.
"If you do it properly—with your shoulders back, your gaze slightly in front of you, your core engaged, back straight, hips tucked, energy through the body from fingers to toes—if you do that correctly for 45 seconds, you're working every muscle. It's good for mindfulness, too, to be still for that long."
6. Learn how your body works.
Since getting her certification and becoming more aware of the science behind strength, Boren's noticed several changes in her own dancing: She now feels like she's better able to control her natural flexibility, her balance has improved, and her jumps have gotten better. "I feel like it's this extra level of strength put on top of my dancing," she says. The first step to fitness is building your base of knowledge about it.
Just hearing the word "improvisation" is enough to make some ballet dancers shake in their pointe shoes. But for Chantelle Pianetta, it's a practice she relishes. Depending on the weekend, you might find her gracing Bay Area stages as a principal with Menlowe Ballet or sweeping in awards at West Coast swing competitions.
She specializes in Jack and Jill events, which involve improvised swing dancing with an unexpected partner in front of a panel of judges. (Check her out in action below.) While sustaining her ballet career, over the past four years Pianetta has quickly risen from novice to champion level on the WCS international competition circuit.
Sean Dorsey was always going to be an activist. Growing up in a politically engaged, progressive family in Vancouver, British Columbia, "it was my heart's desire to create change in the world," he says. Far less certain was his future as a dancer.
Like many dancers, Dorsey fell in love with movement as a toddler. However, he didn't identify strongly with any particular gender growing up. Dorsey, who now identifies as trans, says, "I didn't see a single person like me anywhere in the modern dance world." The lack of trans role models and teachers, let alone all-gender studio facilities where he could feel safe and welcome, "meant that even in my wildest dreams, there was no room for that possibility."
It's hour three of an intense rehearsal, you're feeling mentally foggy and exhausted, and your stomach hurts. Did you know the culprit could be something as simple as dehydration?
Proper hydration helps maintain physical and mental function while you're dancing, and keeps your energy levels high. But with so many products on the market promising to help you rehydrate more effectively, how do you know when it's time to reach for more than water?