Career Advice

When It's Time To Speak Up For Your Safety Onstage

Every dancer her their own limits. Photo by Ahmad Odeh/Unsplash

Last month, Yann Arnaud, an aerialist with Cirque de Soleil, died after plummeting to the stage in VOLTA. He was performing an aerial straps routine in Tampa, Florida, when one of his hands slipped and he fell 20 feet.

Professional dancers are often asked to perform stunts, some of them extremely dangerous. Even when the risks aren't life-threatening, it's important to listen to your gut.


Don't Feel Obliged To Put Your Safety At Risk

One job is never worth your physical safety. Photo by Louis Blythe/Unsplash

"When you're in the chorus, its tempting to say, 'I'll do it,' when they ask if you'll climb that 40 foot wire," says Broadway veteran Adrian Bailey. He suffered multiple injuries after falling through a trap door, and had to stop performing.

Dancers shouldn't feel obligated to attempt anything that's awkward or frightening. While dancing at the MGM Grand in Las Vegas, I didn't feel comfortable performing 35 feet up in the air on the trapeze without a net. Because I was honest with the circus coach, she let me walk on a ball instead.

If I hadn't spoken up, I would have remained terrified and shaky, doing something that felt unsafe, just to stay employed. Instead, I was cast as an understudy in a role that was much more appropriate for me.

How To Say No When You Feel Unsafe

Ask for a private meeting to express your concerns. Photo by Joshua Ness/Unsplash

It's best to speak up right away, calmly and firmly. You can request a private meeting and say, "I don't feel safe," or "That hurts my back." You don't have to explain why.

If you bring it up respectfully, without an attitude, Bailey says, "you're not going to lose your place in the spotlight."

Which risks are you willing to take? It's a personal decision. I was asked in some shows to fly. I felt secure in the harness, and the person who rigged me was excellent, responsible and trustworthy. For me, it was an exhilarating experience. Other dancers I know refuse to fly. One man told me that he had a cable break during a performance in Reno. He was clinging to the curtain and hanging by one wire, instead of two. After that, he never flew again.

You Can Only Enjoy Performing When You Feel Secure

Don't suffer in silence. Photo by Hailey Kean/Unsplash

It's critical to know and trust anyone you are dependent upon during a show. This includes your dance partners. If you are having trouble with a lift, ask the dance captain to watch you rehearse and advise you. You wouldn't get in the car with a drunk driver behind the wheel—you shouldn't be partnered by a person who is on drugs or intoxicated. (This is more common than people realize.) Stagehands also carry a tremendous responsibility when it comes to the performers' safety.

Professionals may lose their balance, or have an off night. Sometimes the accidents happen after the most challenging part of the act is over. You can slip on the dismount or when sliding down the rope. Nobody ever expects this to happen, but it does.

Each dancer has to decide for themselves which risks they are willing to take. Because if you are anxious about your safety, you won't be able to enjoy performing.

The Conversation
Dancers Trending
Photo by Alfredo Cannatello, courtesy Rodríguez

Mention "flamenco" to anyone in the Cuban dance scene, and they are likely to bring up Irene Rodríguez. Artistic director of Compañía Irene Rodríguez, Cuba's premiere flamenco company, Rodríguez has shared the stage with such renowned flamenco artists as Eva Yerbabuena, María Juncal and Antonio Gades. She is also a faculty member at Havana's Fernando Alonso National Ballet School, and has served as a choreography consultant at Ballet Nacional de Cuba.

Starting this week, she's stateside to direct the flamenco and Spanish dance program at Jacob's Pillow.

Keep reading... Show less
Dance Training
Irina Kolpakova in the studio with Katherine Williams. Photo by Quinn Wharton for Pointe.

Being coached by a treasure like former Kirov prima Irina Kolpakova is an experience most dancers only dream of. But company members at American Ballet Theatre have been the lucky beneficiaries of her wisdom since 1990. Thanks to Instagram, where pros like Gillian Murphy and James Whiteside share snippets of their sessions with Kolpakova, any ballet lover can be a fly on the wall during rehearsals with the famed ballet mistress.

Keep reading... Show less

mailbox

Get Dance Magazine in your inbox