Dancer Voices
Lucinda Childs' DANCE. Photo by Sally Cohn

Ten years ago I stood outside the New 42nd Street Studios near Times Square in New York City, freezing in a very long line, waiting to audition for Lucinda Childs. I thought about leaving after an announcement was made that dancers who did not register, like me, would not be seen. Today, I am on a plane home from Abu Dhabi where the Lucinda Childs Dance Company just gave its final performance of her 1979 masterpiece, DANCE, at The Performing Arts Center at NYU Abu Dhabi. Lucinda will be the first to say that she asked to see all the dancers waiting outside in 2008, and I am certainly grateful to my 24 year-old self for sticking around to see what would happen.

DANCE is the first piece of Lucinda's choreography I learned and it was the first piece that her newly-formed company performed. The process of learning the work presented its challenges; there were tears and much needed pep talks from family and castmates. But I fell in love with DANCE, too. For close to ten years, I was fortunate to dance this evening-length work all over the world. I'm not entirely sure I'm ready to say good-bye.

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News
Yuli looks like the ballet biopic of our dreams. Screenshot via YouTube

We admit it. We're picky about dance movies. They don't always represent our beloved art form accurately, or use real dancers to play the main roles.

But we just watched the first trailer for the new Carlos Acosta biopic, Yuli, and we're kinda speechless:

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Dancers Trending
Mónica Gómez overcame her shyness and performed a nuanced Kitri. Photo by Amitava Sarkar, Courtesy Houston Ballet.

Mónica Gómez became Houston Ballet's newest It girl overnight after her sensational April performance of Kitri. All fire, but with ample doses of flash, Gómez brought her natural star power to the role's nuances. "I am a very shy person," says the soloist, "so I had to work on my sass." Her richly textured dancing, combined with her incredibly expressive eyes and virtuosity, created magic onstage.

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Dancers Trending
Alice Sheppard in DESCENT. Photo by MANCC/Chris Cameron

You nominated the best performances you've seen so far in 2018, and we narrowed them down to our favorites. Now it's time to cast your vote to decide who will be featured in our December issue!

Voting is open until September 17. Only one submission per person will be counted.

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Dancers Trending
Garcia-Lee in Moulin Rouge. Photo via Instagram

Paloma Garcia-Lee has one of those careers that most dancers only dream about. She's worked with a growing list of top Broadway choreographers—like Joshua Bergasse and Andy Blankenbuehler—and done shows from the edgy Natasha, Pierre and the Great Comet of 1812 to the classic Phantom of the Opera. Did we mention she's only 27?

Her latest gig has been one of her most exciting yet: the pre-Broadway production of Moulin Rouge, choreographed by Sonya Tayeh. Garcia-Lee opened up about why it's unlike any show she's worked on before, and about her personal life, including her choice to practice polyamory in her marriage.

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Dancers Trending
Just a few months out from giving birth, Vishneva's performance schedule is jam packed. Photo via www.mariinsky-theatre.com

Diana Vishneva has had a very big year. In 2017, she retired from American Ballet Theatre, performing Onegin with the company one last time, accompanied by her longtime partner Marcelo Gomes. Then, in September, she opened a ballet studio in her home city of St. Petersburg called CONTEXT Pro. Soon after, she marked the fifth edition of her festival of contemporary dance, CONTEXT, with two weeks of performances, workshops and talks in Moscow and St. Petersburg. But the biggest event came several months later, with the birth of her first child. (As she points out with some satisfaction, the timing was perfect—she didn't have to cancel a single engagement.)

The pregnancy allowed Vishneva to step back from an international career that has kept her constantly on the move for the better part of the last two decades. The ballet world receded from her consciousness, but not for long. We spoke in New York, where she resides part of the year, just as she was gearing up for the first of a series of performances and projects. The day after our chat, her son would turn 100 days old.

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Just for Fun
Lauren Post unwinds by sewing pointe shoes in the tub. Photo via Instagram/@laurencpost

Let's face it. Dancers just do things differently. We can never walk down a grocery aisle—we have to tap. We can never simply pick something up we've dropped—without going into a penché. But it's not a bad thing. We love all the ways that dance bleeds into our daily lives.

Turns out the pros aren't ever really off-duty either. Here's how we caught them dancing through their downtime.

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Miko Fogarty. Photo by Andrew Ross, Courtesy Birmingham Royal Ballet.

Where in the world is Miko Fogarty? Just three years ago, she seemed unstoppable. After being featured in the 2011 ballet documentary First Position, she became a teenage social-media star, winning top prizes at competitions in Moscow and Varna and at Youth American Grand Prix, and dancing in galas around the world. Last most of us heard, it was 2015 and she had just joined the corps of Birmingham Royal Ballet. A year later, she dropped off the ballet radar.

Turns out Fogarty, now 21, was taking time off to reevaluate her life, including the role she wanted ballet to play in it. She is now starting her junior year as a biology major at University of California—Berkeley and is considering going to medical school. (Her brother and fellow First Position subject, 19-year-old Jules, is a junior in the Berkeley economics department.) On the side she teaches private ballet lessons and gives master classes, and is the part-time conservatory director at San Jose Dance International, a new school in the San Francisco Bay Area led by artistic director Yu Xin. We caught up with her by phone.

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Playlists
Keigwin's playlist will have you grooving. Photo via keigwinandcompany.com

If you've ever seen Larry Keigwin's work, you probably guessed that he's a fun guy. His choreography is cheeky and humorous; unexpected and electrifying. And though his aesthetic is decidedly contemporary, there's a touch of that classic modern dance style that makes his partnerships with troupes like Paul Taylor Dance Company and Martha Graham Dance Company so fitting.

His musical taste is pretty similar: eclectic feel-good bops from the contemporary (Justin Bieber) to the classic (Dionne Warwick.) He made us a playlist of the songs that make him move, whether in the studio or in his bedroom:

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Dancers Trending
Smokey Joe's Cafe cast members Dionne D. Figgins and Jelani Remy rehearse their playful and passionate duet from the song "Spanish Harlem."

As soon as we saw the current off-Broadway revival of Smokey Joe's Cafe, directed and choreographed by Tony nominee Joshua Bergasse, we had to know just how it did it. In 90 minutes, the cast of nine races through 40 songs by prolific pop songwriting duo Jerry Leiber and Mike Stoller. The show includes megahits from the last century—like 1957's "Jailhouse Rock" and 1963's "On Broadway"—and they're all decked out with dancing.

With no dialogue and no narrative, there's plenty of room for Bergasse's choreographic mind to run wild. "Dance plays a huge role in this show," says Bergasse. "Most of these songs were written to get people out on the dance floor, so you kind of can't stop your body from moving." Even though the hits are old, the show definitely isn't stuck in a time warp. "We wanted to make the dancing feel like it isn't of one specific time." You'll see social dances from the '50s and '60s, but Bergasse quickly mentions Michael Jackson as a big influence as well. (Yes, the moonwalk makes an appearance, as do more current crazes like the Nae Nae.)

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Dancers Trending
The Joffrey Ballet in Alexander Ekman's Joy won "Most Moving Performance" last year. Photo by Cheryl Mann, Courtesy Silverman Group

Have you seen any shows in 2018 that you can't stop thinking about? Watched any dance videos that blew your mind? Discovered any performers who everyone should know about? We want to hear about them!

Yes, we realize that it's only August. But we're gearing up for our annual Readers' Choice Awards, and it's time to send in your nominations!

It's as easy as filling out the form below. (You don't even have to fill out the whole form—just complete as many categories as you want.) Nominations will be accepted until August 30. You'll then be able to vote on selected nominations beginning September 4, and winners will be announced in our December issue.

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Popular
Sarah-Gabrielle Ryan (at right) sang and danced as Maria in Jerome Robbins' West Side Story Suite. Photo by Lindsay Thomas, Courtesy PNB

When Sarah-Gabrielle Ryan was 5 years old, her mother took her to a Pennsylvania Ballet production of Swan Lake. "One day, you'll be a ballerina," her mother said. Ryan replied, "I already am one." Even at that age, Ryan was confident about her future; with good reason, it turns out. Sixteen years later, she's starting her third season at Pacific Northwest Ballet. Though still a corps member, she's already danced Sugar Plum Fairy, featured roles in Crystal Pite's Emergence and William Forsythe's New Suite, and the pas de deux in Balanchine's "Rubies."

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Dancers Trending
Tiler Peck, Christopher Grant and Roman Mejia in Peck's choreographic debut: Lincoln Square. Photo by Erin Baiano, courtesy Vail Dance Festival

Last week, Dance Magazine's owner Frederic Seegal visited the Vail Dance Festival. He was so excited by what he saw there that he wanted to share with Dance Magazine readers a few of the highlights that made the biggest impression on him.

Having been fortunate enough to be on the board of New York City Center when Arlene Shuler introduced Fall for Dance in 2004, I never thought that I would see anything that could rival its inventiveness, assemblage of talent and audience enthusiasm. That is, until this week when I spent fours days at the Vail Dance Festival.

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Dancers Trending
JbDubs gives Beyoncé a run for her money. Screenshot via YouTube

Our August cover star James Whiteside isn't just a principal dancer at American Ballet Theatre (as if that isn't accomplishment enough!). He's also a pop star named JbDubs, who makes clever, danceable music and sheds his princely onstage persona for a flamboyant, raunchy one. Needless to say, his music videos feature some incredible dancing—from hip hop to jazz to ballet—and some hilarious characters.

We rounded up the best of them—you can thank us later.

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Mary Grace McNally's "Not for Picking" (Rachel Papo for Dance Teacher)

What's better than a competition that gives promising choreographers a whole bunch of funding? How about a competition that also puts on a must-see show as part of the process? That's the genius model of the Capezio A.C.E. Awards. Every year since 2009, the contest has brought upwards of a dozen finalists, selected from a pool of hundreds of applicants, to present their choreography in a fabulous showcase at the Dance Teacher Summit. On Saturday night, we got to see the work of no fewer than 21(!) talented finalists in this year's performance.

The judging panel—whose task we did not envy—featured boldface names Mia Michaels, Tyce Diorio, Tessandra Chavez, and Dance Magazine Editor in Chief Jennifer Stahl. Who'd they select for the top prizes? The winners are...

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Dancers Trending
Maggie Small in John Butler's "Portrait of Billie." Photo by Sarah Ferguson, courtesy Richmond Ballet.

Recently in rehearsal there was a moment when time simply stopped. We were working on the wedding pas from The Sleeping Beauty, and I became completely unaware of the visitors who had come to watch. I was even unaware of the watchful eyes of my ballet master. All that I knew in that moment was the bliss of being intertwined with the music, the choreography and my partner. For just a few counts, I spent a moment on another plane.

Maggie Small in "Winter's Angels" by Ma Cong. "For Now I am Winter" written by Olafur Arnalds and Arnor Arnarson, courtesy of Erased Tapes Records Ltd. ISRC: GBWZD1103701. Video by Louis Handler, courtesy of Richmond Ballet.

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