The Songs Your Favorite Dance Artists Can't Stop Listening To
The most-played song on your Spotify says a lot about you. Maybe it's that guilty pleasure track you dance to while you're in the kitchen, or the one you have to listen to before going onstage.
We talked to 10 of our favorite pros about the song that's racked up the most plays on their phones—whether it's one they teach to, cross-train to, or just a song that helps them escape.
Miami City Ballet's Nathalia Arja: "Finesse" by Bruno Mars
Daniel Azoulay, Courtesy Miami City Ballet
Martha Graham Dance Company's PeiJu Chien-Pott: Stravinsky's Rite of Spring
An Rong Xu
The Washington Ballet's Ashley Murphy: "Broken But I'm Healed" by Byron Cage
Theo Kossenas, Courtesy The Washington Ballet
Pacific Northwest Ballet's Leta Biasucci: Mariah Carey's "Shake It Off"
Angela Sterling, Courtesy PNB
B-girl and Choreographer Ephrat Asherie: "A Flower is A Lovesome Thing" by Ehud Asherie
Robert Altman, Courtesy Asherie
Pennsylvania Ballet's Sterling Baca: "Ride Out" by Schoolboy Q
Alexander Iziliaev, Courtesy Pennsylvania Ballet
Tap Dancer Caleb Teicher: "Sweet Pea" by Amos Lee
Boston Ballet's Joy Womack: "Fingertips" by One Republic, "Romantic" by Stanaj
Kyoungjin Kim, courtesy Universal Ballet
Alvin Ailey American Dance Theater's Jamar Roberts: "See You Again" (feat. Kali Uchis) by Tyler The Creator
Paul Kolnik, courtesy Ailey
Dutch National Ballet's Michaele DePrince: "I Was Here" by Beyoncé
We knew that Ivo van Hove and Anne Teresa de Keersmaeker's production of West Side Story would challenge our preconceived notions about the show.
But a recent Vogue story gives us a taste of just how nontraditional the Broadway revival will be. Most notably, van Hove is cutting "I Feel Pretty" and the "Somewhere" ballet, condensing the show into one act to better reflect the urgency of the 48-hour plot. (The choice has been approved by the West Side Story estate, including Sondheim, who has "long been uncomfortable" with some of the "I Feel Pretty" lyrics.)
Back in 2011 when Joe Lanteri first approached Katie Langan, chair of Marymount Manhattan College's dance department, about getting involved with New York City Dance Alliance, she was skeptical about the convention/competition world.
"But I was pleasantly surprised by the enormity of talent that was there," she says. "His goal was to start scholarship opportunities, and I said okay, I'm in."
Today, it's fair to say that Lanteri has far surpassed his goal of creating scholarship opportunities. But NYCDA has done so much more, bridging the gap between the convention world and the professional world by forging a wealth of partnerships with dance institutions from Marymount to The Ailey School to Complexions Contemporary Ballet and many more. There's a reason these companies and schools—some of whom otherwise may not see themselves as aligned with the convention/competition world—keep deepening their relationships with NYCDA.
Now, college scholarships are just one of many ways NYCDA has gone beyond the typical weekend-long convention experience and created life-changing opportunities for students. We rounded up some of the most notable ones:
It's a much-repeated part of Francesca Hayward's origin story that she discovered ballet at age 3, when her grandparents bought a video of The Nutcracker to keep her occupied and she immediately started dancing around the room. What's less well-known is that there was another video lined up next to The Nutcracker that Hayward liked to dance along to: Cats. "I really just did the White Cat bit and fast-forwarded the rest," she remembers. "I'd make my friends who came around be the other cats."
Twenty-four years later, she's not only become a Royal Ballet principal, but has been cast as Victoria the White Cat in Tom Hooper's new movie adaptation of the Andrew Lloyd Webber musical, out in theaters on December 20. "I remember the director telling me I'd got the part: 'Just to let you know you're the lead in a Hollywood film,' he said." Hayward laughs. "This is crazy!"
"The show must go on" may be a platitude we use to get through everything from costume malfunctions to stormy moods. But when it came to overcoming a literal hurricane, Houston Ballet was buoyed by this mantra to go from devastated to dancing in a matter of weeks—with the help of Harlequin Floors, Houston Ballet's longstanding partner who sprang into action to build new floors in record time.