Wozniak says running helps balance out her body. Photo by Cheryl Mann, courtesy Joffrey Ballet

This Joffrey Ballet Dancer Slays Half Marathons—And Says Other Dancers Can, Too

Running is many things to Joffrey Ballet dancer Joanna Wozniak: It's a way she stays in shape during summer layoff, it's a way she builds strength after injury, and it's a way she balances out her body.

"Even though class has motions that are repeated on both sides, when you're dancing in a performance, that's not always the case," says Wozniak, who's been a runner for more than 10 years. "So it's nice to go for a quick run when you have a day off."

She Loves Chicago's Many Road Races

Wozniak says that The Joffrey's home base of Chicago is perfectly suited to runners, with its flat terrain and numerous road races—she's competed in several. In 2010, she ran her first 5K, a benefit race for the animal welfare charity PAWS Chicago; from there, she built up her mileage to 10Ks, and eventually completed two half marathons.

Wozniak shows off her medal after a half-marathon. Photo courtesy The Joffrey Ballet

About That Myth That Running Is Bad For Dancers...

"I've definitely heard that dancers are not supposed to run, but I don't necessarily agree with that," says Wozniak. "If you're intelligent and careful with what you do, you won't injure yourself." In Wozniak's case, that means limiting her longer races to when she's on layoff.

Building running into her routine is also something she does gradually. Whenever she returns to running after a busy stretch of performing, Wozniak starts from a base of two miles once a week. She adds a half mile onto her route each week, topping out at five miles if she isn't training for any races.

"Too much of the time we get this idea that dancers can only dance, and it creates this nonhuman component to dancing," she says. "But we're all just human, and we're capable of doing anything."

Wozniak encourages other dancers not to fear running. Photo by Cheryl Mann, courtesy Joffrey Ballet

How Other Dancers Can Start

For dancers new to running, Wozniak emphasizes not overdoing it. "Start slow," she says. "Pace yourself and start with a few miles, or even one mile. And definitely stretch."

If you're not used to running, start easy. Photo by Noah Silliman/Unsplash

The Mental Strategies Relate Back to Dance

Though Wozniak doesn't run during the most de­man­d­ing parts of The Joffrey's season—like its 35 annual Nutcracker performances—she adapts mental strategies from running to the stage. When she begins to feel exhausted, she reminds herself of what it feels like to do a half marathon: "The last couple miles are really brutal and crucial, but you just have to find the state of Zen and calm."

The strategy to get through a Nutcracker run isn't all that different from making it to the end of a half-marathon. Photo by Mārtiņš Zemlickis/Unsplash.

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What It Was Like When Ruth Bader Ginsburg Was in the Audience—or Backstage

The 27 years that Ruth Bader Ginsburg spent on the U.S. Supreme Court were 27 years that she spent as one of Washington, D.C.'s most ardent, elegant and erudite supporters of the performing arts. The justice, who died on September 18 of metastatic cancer, was also an avid cultural tourist, traveling to the Santa Fe and Glimmerglass operas nearly every summer, as well as occasionally returning to catch shows in her native New York City.

Ginsburg's opera fandom was well known, but her tastes were wide-ranging. Particularly in the last 10 years of her life, after Ginsburg lost her beloved husband, Marty, it was not unusual for the petite justice and her security detail to be spotted at theaters several nights a week. She saw everything, from classic musicals to serious new plays, plus performances that defied classification, like Martha Clarke's dance drama Chéri, with Alessandra Ferri and Herman Cornejo, which toured to the Kennedy Center in 2014.

To honor Ginsburg, Dance Magazine asked three dance artists whose performances the justice attended to recall what Ginsburg meant to them.