Simone Forti. Photo by Ian Douglas, Courtesy Danspace.

A Gathering of Sages at NYC's Danspace Project

When Simone Forti moved from California to New York City in 1960, she brought with her the improvisational approach of Anna Halprin. As one of the first five students in Robert Dunn's John Cage–inspired composition course (that led to Judson Dance Theater), she was a magnet for two others in that class: Yvonne Rainer and Steve Paxton. This month the three reunite for Tea for Three, an evening of moving and talking at Danspace Project, Oct. 26–28. It's a chance to see how dance mavericks grow and change and mellow. Forti will also give "Body Mind World" workshops Oct. 19–20. danspaceproject.org.

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Samantha Hope Galler with Jovani Furlan in rehearsal at Miami City Ballet. Daniel Azoulay, Courtesy Miami City Ballet

Audition Rejection Eventually Led This Miami City Ballet Soloist to Her Dream Job

When I was 18, I was a trainee at Boston Ballet School. I'd spent several years in the school, a year in their pre-professional program and six summers with them. Towards the end of my trainee year, I was under the impression that I might get to join the main or second company.

At that time, the general mind-set was: You make it into a major company or the company where you trained, and that's the only way. But that wasn't how it played out.

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