At Last, David Hallberg Is Back at ABT
2017 has started off with some fantastic news: David Hallberg is coming back to dance in the U.S.
American Ballet Theatre announced yesterday that he'll be dancing with the company during its spring season at the Metropolitan Opera House in New York. Hallberg, 34, hasn't performed with ABT since June 2014—and fans (including us) have been missing his princely presence ever since.
For two and a half years, an injured deltoid ligament in his ankle has kept him off stage both at ABT and the Bolshoi Ballet (where he holds the distinction of being the company's first American principal). It's been a major setback for such a talented dancer right at the peak of his career.
Hallberg in class yesterday, via nytimes.com
But Hallberg has literally gone to the ends of the earth to recover: He's spent the past year in Melbourne, following an intense physical therapy program designed by the Australian Ballet's dance medicine specialist Sue Mayes and her team (who are considered some of the best in the world at what they do). According to the Sydney Morning Herald, his regimen included two hours of strength training in the morning, followed by two hours of ballet, then resting with his feet in an ice bucket before two more hours of strength work. "One of the most off-the-wall things I've been doing is running up flights of stairs with a metronome in my pocket to make every step the exact same speed," he told the SMH reporter.
Although he added that he still has pain, and doesn't know if it will ever go away, he feels ready to dance again. Last month, he made a quiet comeback dancing Franz in Coppélia at the Australian Ballet.
So what will he perform with ABT? That hasn't been announced yet. He just started back in company class in New York yesterday. But a quick look at the casting lineup shows "TBA"s for the male lead in performances of Alexei Ratmansky's new Whipped Cream, plus Giselle and Onegin. Hallberg told Rosyln Sulcas of The New York Times that he was particularly excited to work with Ratmansky again, so Whipped Cream is probably a safe bet. We're keeping our fingers crossed he's healthy enough to perform much more than that this season—and for many more seasons to come.
Just hearing the word "improvisation" is enough to make some ballet dancers shake in their pointe shoes. But for Chantelle Pianetta, it's a practice she relishes. Depending on the weekend, you might find her gracing Bay Area stages as a principal with Menlowe Ballet or sweeping in awards at West Coast swing competitions.
She specializes in Jack and Jill events, which involve improvised swing dancing with an unexpected partner in front of a panel of judges. (Check her out in action below.) While sustaining her ballet career, over the past four years Pianetta has quickly risen from novice to champion level on the WCS international competition circuit.
Sean Dorsey was always going to be an activist. Growing up in a politically engaged, progressive family in Vancouver, British Columbia, "it was my heart's desire to create change in the world," he says. Far less certain was his future as a dancer.
Like many dancers, Dorsey fell in love with movement as a toddler. However, he didn't identify strongly with any particular gender growing up. Dorsey, who now identifies as trans, says, "I didn't see a single person like me anywhere in the modern dance world." The lack of trans role models and teachers, let alone all-gender studio facilities where he could feel safe and welcome, "meant that even in my wildest dreams, there was no room for that possibility."
It's hour three of an intense rehearsal, you're feeling mentally foggy and exhausted, and your stomach hurts. Did you know the culprit could be something as simple as dehydration?
Proper hydration helps maintain physical and mental function while you're dancing, and keeps your energy levels high. But with so many products on the market promising to help you rehydrate more effectively, how do you know when it's time to reach for more than water?