Don't Miss This Trailer for the New Nureyev Movie, "The White Crow"
It's the moment many of us have been waiting for since early 2017: our first glimpse of The White Crow, a feature film about Rudolf Nureyev's 1961 defection from the Soviet Union while on tour with the Kirov Ballet. Directed by Hollywood A-lister Ralph Fiennes, the movie follows Nureyev from his birth on a train in Siberia to his request for asylum at Paris' Le Bourget Airport. It is based on Julie Kavanaugh's 2007 book, Nureyev: A Life.
THE WHITE CROW - Official Trailer - Directed by Ralph Fiennes www.youtube.com
The trailer shows the incredibly tense atmosphere during the Kirov's Paris tour, with KGB agents following the rebellious Nureyev wherever he goes. Thankfully, the film cast an actual professional dancer, Oleg Ivenko, in the lead role. A principal with the M. Jalil Tatar State Academic Opera and Ballet Theatre, Ivenko, who is Ukrainian, bears a striking resemblance to Nureyev. (Here's hoping the movie will show plenty of dancing. Johann Kobborg serves as the film's dance consultant and choreographer.) Fiennes portrays revered ballet master Alexander Pushkin, who taught Nureyev at the Vaganova Academy and took a special interest in his talent, while French actress Adèle Exarchopoulos plays Clara Saint, the French socialite who helped orchestrate his defection.
If you look closely at the trailer, you'll also catch a glimpse of controversial dance star Sergei Polunin, who plays Yuri Soloviev, Nureyev's roommate during the Kirov's tour. Polunin, a former Royal Ballet principal and a fervent admirer of Russian president Vladimir Putin, has come under fire recently for ranting sexist and anti-gay posts, as well as for calls to slap fat people, on his Instagram page (now shut down after being hacked). His posts caused the Paris Opéra Ballet to cancel his upcoming guest appearance. (In this recent interview with German journalist Tanit Koch, Polunin explains that his posts were not about being "gay or straight," but about "male and female energy," and what he sees as a current lack of male strength. "You have to sometimes provoke people," he says, later adding, "if male and female becomes the same, we are lost.")
Early reviews of The White Crow have been mixed, and while it's supposed to be released in the U.S. sometime this year, no firm date is currently available. (It opens in the U.K. on March 22 and in the Netherlands April 11.) But we can't wait to see it—and we'll be sure to keep you posted when it comes to movie theaters.
On August 19, 1929, shockwaves were felt throughout the dance world as news spread that impresario Sergei Diaghilev had died. The founder of the Ballets Russes rewrote the course of ballet history as the company toured Europe and the U.S., championing collaborations with modernist composers, artists and designers such as Igor Stravinsky, Pablo Picasso and Coco Chanel. The company launched the careers of its five principal choreographers: Michel Fokine, Vaslav Nijinsky, Léonide Massine, Bronislava Nijinska and George Balanchine.
Just four years ago, the University of Southern California's Glorya Kaufman School of Dance welcomed its first class of BFA students. The program—which boasts world-class faculty and a revolutionary approach to training focused on collaboration and hybridity—immediately established itself as one of the country's most prestigious and most innovative.
Now, the first graduating class is entering the dance field. Here, six of the 33 graduates share what they're doing post-grad, what made their experience at USC Kaufman so meaningful and how it prepared them for their next steps:
Yes, we realize it's only August. But we can't help but to already be musing about all the incredible dance happenings of 2019.
We're getting ready for our annual Readers' Choice feature, and we want to hear from you about the shows you can't stop thinking about, the dance videos that blew your mind and the artists you discovered this year who everyone should know about.
Chiara Valle is just one of many dancers heading back to the studio this fall as companies ramp up for the season. But her journey back has been far more difficult than most.
Valle has been a trainee at The Washington Ballet since 2016, starting at the same time as artistic director Julie Kent. But only a few months into her first season there, she started experiencing excruciating pain high up in her femur. "It felt like someone was stabbing me 24/7," she says. Sometimes at night, the pain got so bad that her roommates would bring her dinner to the bathtub.