Don't Miss This Trailer for the New Nureyev Movie, "The White Crow"
It's the moment many of us have been waiting for since early 2017: our first glimpse of The White Crow, a feature film about Rudolf Nureyev's 1961 defection from the Soviet Union while on tour with the Kirov Ballet. Directed by Hollywood A-lister Ralph Fiennes, the movie follows Nureyev from his birth on a train in Siberia to his request for asylum at Paris' Le Bourget Airport. It is based on Julie Kavanaugh's 2007 book, Nureyev: A Life.
THE WHITE CROW - Official Trailer - Directed by Ralph Fiennes www.youtube.com
The trailer shows the incredibly tense atmosphere during the Kirov's Paris tour, with KGB agents following the rebellious Nureyev wherever he goes. Thankfully, the film cast an actual professional dancer, Oleg Ivenko, in the lead role. A principal with the M. Jalil Tatar State Academic Opera and Ballet Theatre, Ivenko, who is Ukrainian, bears a striking resemblance to Nureyev. (Here's hoping the movie will show plenty of dancing. Johann Kobborg serves as the film's dance consultant and choreographer.) Fiennes portrays revered ballet master Alexander Pushkin, who taught Nureyev at the Vaganova Academy and took a special interest in his talent, while French actress Adèle Exarchopoulos plays Clara Saint, the French socialite who helped orchestrate his defection.
If you look closely at the trailer, you'll also catch a glimpse of controversial dance star Sergei Polunin, who plays Yuri Soloviev, Nureyev's roommate during the Kirov's tour. Polunin, a former Royal Ballet principal and a fervent admirer of Russian president Vladimir Putin, has come under fire recently for ranting sexist and anti-gay posts, as well as for calls to slap fat people, on his Instagram page (now shut down after being hacked). His posts caused the Paris Opéra Ballet to cancel his upcoming guest appearance. (In this recent interview with German journalist Tanit Koch, Polunin explains that his posts were not about being "gay or straight," but about "male and female energy," and what he sees as a current lack of male strength. "You have to sometimes provoke people," he says, later adding, "if male and female becomes the same, we are lost.")
Early reviews of The White Crow have been mixed, and while it's supposed to be released in the U.S. sometime this year, no firm date is currently available. (It opens in the U.K. on March 22 and in the Netherlands April 11.) But we can't wait to see it—and we'll be sure to keep you posted when it comes to movie theaters.
There's always been something larger than life about choreographer Mark Morris. Of course, there are the more than 150 works he's made and that incisive musicality that makes dance critics drool. But there's also his idiosyncratic, no-apologies-offered personality, and his biting, no-holds-barred wit. And, well, his plan to keep debuting new dances even after he's dead.
So it should come as little surprise that his latest distinction is also a bit larger than life: The New York Landmarks Conservancy is adding Morris to its list of "Living Landmarks."
"The show must go on" may be a platitude we use to get through everything from costume malfunctions to stormy moods. But when it came to overcoming a literal hurricane, Houston Ballet was buoyed by this mantra to go from devastated to dancing in a matter of weeks—with the help of Harlequin Floors, Houston Ballet's longstanding partner who sprang into action to build new floors in record time.
Paul Taylor's Post Meridian was last performed 30 years ago, which is well before any of the company's current dancers joined Paul Taylor Dance Company. In fact, it's before some of the dancers were even born. Every step and extreme angle of the body in the dream-like world of the 1965 work will be fine-tuned in the studio for PTDC's upcoming Lincoln Center season. However, the Taylor archive is where Post Meridian began for Eran Bugge.
Philadelphia's Pew Center for Arts & Heritage announced its 2019 grantees Monday evening, and the list included a couple of familiar names: Dinita Clark and David Gordon.