Doctors Doubted She'd Be Able to Run Again. Now She's Dancing Principal Roles at Atlanta Ballet
In just two seasons with Atlanta Ballet, Emily Carrico has emerged as a lead dancer with depth and dimension beyond her years. Her Sugar Plum Fairy sparkled. Her Black Swan was cunning and treacherous. In a recent rehearsal, her Sylph appeared effortless as she darted along the floor, evoking a fairy here, a dragonfly there. Watching her excel, you'd never know that Carrico has had a partially fused spine since childhood.
In costume for Bournonville's La Sylphide
Rachel Neville, Courtesy Atlanta Ballet
Companies: Kentucky Ballet Theatre, Columbia City Ballet, Atlanta Ballet
Hometown: Lexington, Kentucky
Training: Kentucky Ballet Theatre Academy, The Harid Conservatory, Magaly Suarez's The Art of Classical Ballet School
Defying diagnosis: At age 3, Carrico was diagnosed with spondylolisthesis, or slippage of the vertebrae. Doctors surgically fused her two lowest lumbar vertebrae with her sacrum, and she was immobilized in a full-body cast for three months. After more than a year of rehabilitation, Carrico began studying ballet. "I've been back to the surgeons and they said, 'We did not anticipate you'd be able to run again, let alone do what you're doing.' "
Finding what works: Because her fused lower vertebrae were shaped to simulate a natural lumbar curve, Carrico has to work extra-hard to keep her pelvis properly placed. For arching movements, she thinks of lengthening the spaces in between her vertebrae, and she works with an open hip line in arabesque.
What Gennadi Nedvigin is saying: "Courage, determination and an almost fanatic drive are some of the significant qualities needed to become the kind of dancer that Emily is," says Atlanta Ballet's artistic director, who chose Carrico as one of his first new hires. "Her ecstatic joy for ballet radiates as she performs, which gives her a special ability to connect with an audience."
In Don Quixote
Kim Kenney, Courtesy Atlanta Ballet
Mind over matter: Carrico has learned to discipline her mind, so thoughts about pain or fatigue don't overwhelm her during a full-length ballet. Silent words of encouragement, like "Yes, you can. Keep going," help push her to her max. "The mind is very powerful," she says, "especially onstage."
What do Percy Jackson, Princess Diana and Tina Turner have in common? They're all characters on Broadway this season. Throw in Michelle Dorrance's choreographic debut, Henry VIII's six diva-licious wives and the 1990s angst of Alanis Morissette, and the 2019–20 season is shaping up to be an exciting mix of past-meets-pop-culture-present.
Here's a look at the musicals hitting Broadway in the coming months. We're biding our time until opening night!
If you think becoming a trainee or apprentice is the only path to gaining experience in a dance company environment, think again.
The University of Arizona, located in the heart of Tucson, acclimates dancers to the pace and rigor of company life while offering all the academic opportunities of a globally-ranked university. If you're looking to get a head-start on your professional dance career—or to just have a college experience that balances company-level training and repertory with rigorous academics—the University of Arizona's undergraduate and graduate programs have myriad opportunites to offer:
Yes, we realize it's only August. But we can't help but to already be musing about all the incredible dance happenings of 2019.
We're getting ready for our annual Readers' Choice feature, and we want to hear from you about the shows you can't stop thinking about, the dance videos that blew your mind and the artists you discovered this year who everyone should know about.
Ah, stretching. It seems so simple, and is yet so complicated.
For example: You don't want to overstretch, but you're not going to see results if you don't stretch enough. You want to focus on areas where you're tight, but you also can't neglect other areas or else you'll be imbalanced. You were taught to hold static stretches growing up, but now everyone is telling you never to hold a stretch longer than a few seconds?
Considering how important stretching correctly is for dancers, it's easy to get confused or overwhelmed. So we came up with 10 common stretching scenarios, and gave you the expert low-down.