The Music That Keeps Emma Portner Inspired—And How She Really Feels About That Justin Bieber Collab
As anyone who follows her on Instagram knows, when Emma Portner isn't working on high-profile projects—like Netflix's "Umbrella Academy" and a collaboration with Vogue and Saks—she's in the studio, dancing to a wide array of music that the word "eclectic" doesn't even begin to capture. She describes her taste as: "Audio-theater meets spoken word meets lo-fi meets classical. I could hop from Carnegie Hall to a jazz club to an underground DJ set to a Mitski concert all in the same night if I ever wanted to."
As part of our playlist series, we talked to Portner about her favorite songs, how she finds new music and how she really feels about the Justin Bieber video that launched her into the spotlight back in 2015:
On Her #1 Go-To Song
"'Love' has been the first track on most of my playlists for many many years. Mica Levi is an utter genius. It feels neutral—as far as sound can go—but still so emotionally potent. If the word 'melt' were a song, this would be it. Mica's entire 'Under the Skin' album is one of the best film scores I've ever heard."
How She Finds New Music
"I am searching for new music 50 percent of the time. That is not a joke. Music can regulate my emotions and that is a difficult thing for me to do on my own. I make a lot of Spotify radio stations and do a lot of Soundcloud stalking. It's often a lengthy process that feels somewhat invasive. But it is worth it when you find something really special. I'm often looking for artists who haven't yet been discovered, or NYC-based musicians I can collaborate with in real life."
What Robyn's "Missing U" Means to Her
"Robyn took an eight year hiatus and came back stronger than ever. It really encouraged me to look at myself on a deeper level to evaluate how much I can handle. Bending and breaking are very different things. Sadness and depression. Pain and damage. She acknowledged these differentiations and that is radically powerful. I dance to this almost every day because she manages to get such positive musical energy around some pretty sad ideas. She is basically the queen of making me bop while I weep."
Why She Loves Peggy Lee's "Is That All There Is?"
"One of my favorite Canadian choreographers, Linda Garneau, choreographed an incredibly moving piece to this song for my studio back when I was a competition student. I've always related to it. I dealt with a house fire when I was a kid and the first line of the song is 'I remember when I was a little girl, our house caught on fire.' Ouch. I love her idea of dancing through life's pain."
Her Relationship to Music In the Studio
"Sometimes it drives everything and sometimes I completely ignore it. I don't often like to be tied to one track when creating. I like being able to take a phrase that was made to Max Richter and put it to Missy Elliott. "
Yes, There's A Song Called "Who's Afraid of Justin Bieber"
"I mean, come on. That's hilarious. I often feel mild embarrassment towards my Bieber appearances within the concert dance world now. I have really changed over the last few years and this track just makes me laugh."
Capezio, Bloch, So Dança, Gaynor Minden.
At the top of the line, dancers have plenty of quality footwear options to choose from, and in most metropolitan areas, stores to go try them on. But for many of North America's most economically disadvantaged dance students, there has often been just one option for purchasing footwear in person: Payless ShoeSource.
When Sonya Tayeh saw Moulin Rouge! for the first time, on opening night at a movie theater in Detroit, she remembers not only being inspired by the story, but noticing the way it was filmed.
"What struck me the most was the pace, and the erratic feeling it had," she says. The camera's quick shifts and angles reminded her of bodies in motion. "I was like, 'What is this movie? This is so insane and marvelous and excessive,' " she says. "And excessive is I think how I approach dance. I enjoy the challenge of swiftness, and the pushing of the body. I love piling on a lot of vocabulary and seeing what comes out."
Back when Robbie Fairchild graced the cover of the May 2018 issue of Dance Magazine, he mentioned an idea for a short dance film he was toying around with. That idea has now come to fruition: In This Life, starring Fairchild and directed by dance filmmaker Bat-Sheva Guez, is being screened at this year's Dance on Camera Festival.
While the film itself covers heavy material—specifically, how we deal with grief and loss—the making of it was anything but: "It was really weird to have so much fun filming a piece about grief!" Fairchild laughs. We caught up with him, Guez and Christopher Wheeldon (one of In This Life's five choreographers) to find out what went into creating the 11-minute short film.
When Hollywood needs to build a fantasy world populated with extraordinary creatures, they call Terry Notary.
The former gymnast and circus performer got his start in film in 2000 when Ron Howard asked him to teach the actors how to move like Whos for How the Grinch Stole Christmas. Notary has since served as a movement choreographer, stunt coordinator and performer via motion capture technology for everything from the Planet of the Apes series to The Hobbit trilogy, Avatar, Avengers: Endgame and this summer's The Lion King.
Since opening the Industry Dance Academy with his wife, Rhonda, and partners Maia and Richard Suckle, Notary also offers movement workshops for actors in Los Angeles.